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Heart of darkness joseph conrad
Heart of darkness j. conrad
Heart of darkness j. conrad
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Imperialism in Heart of Darkness and Kipling's Poetry
Imperialism sprung from an altruistic and unselfish aim to "take up the white man's burden"1 and “wean [the] ignorant millions from their horrid ways.”2 These two citations are, of course, from Kipling’s “White Man’s Burden” and Conrad’s Heart of Darkness, respectively, and they splendidly encompass what British and European imperialism was about – at least seen from the late-nineteenth century point of view. This essay seeks to explore the comparisons and contrasts between Conrad’s and Kipling’s view of imperialism in, respectively, Heart of Darkness and “White Man’s Burden” and “Recessional.”
In a historical context, the two texts differ greatly: Heart of Darkness is Conrad’s autobiographical description of his trip up the river of Congo and his encounter with the atrocities of European rule in Africa.3 Conversely, Kipling’s “White Man’s Burden” was written to welcome the United States of America to the club of imperialistic nations. The event that prompted Kipling to write this poem was the United States’ intervention in the Philippines. Under the Treaty of Paris in 1898, the Philippine sovereignty was transferred from Spain to the United States and thus the United States emerged as an imperialistic nation dedicated to progress. This is the core of the matter – progress. Kipling speaks of ‘a Law’ in his poem “Recessional.” The code of behaviour and the enlightenment that Kipling wished to be aggrandised to all ‘primitive’ nations. In other words: Progress in the means of railroads across continents, telegraph lines over deep seas, commerce beyond boundaries and steam boat lines criss-crossing the earth.
Imperialism was at its height...
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...55,1978)
* Conrad, Joseph. “Heart of Darkness” in The Norton Anthology of English Literature, M.H. Abrams, general editor. (London: W.W. Norton, 1962, 2000)
* Islam, Shamsul. Kipling’s Law: A Study of His Philosophy of Life (London: The MacMillan Press Ltd., 1975)
* McClure, John A. “The Rhetoric of Restraint in Heart of Darkness” in Nineteenth Century Fiction, Volume 32, Issue 3 (Dec. 1977), pp. 310-26 – available through www.jstor.org
* Raskin, Jonah. The Mythology of Imperialism (New York: Random House, 1971)
* Rudyard Kipling’s Verse, ‘Definitive Edition’ (London: Hudder & Stoughton, 1940)
* Watts, Cedric. “‘A Bloody Racist’: About Achebe’s View of Conrad” in Joseph Conrad; Critical Assessments, Keith Carabine, ed., Volume II: ‘The Critical Response: Almayer’s Folly to The Mirror of the Sea’ (Mountfield: Helm Information Ltd., 1992)
Imperialism has been a constant oppressive force upon societies dating back hundreds of years. Heart of Darkness, by Joseph Conrad, illustrates this oppression by providing an instance of its occurrence in the Congo of Africa, while simultaneously setting the stage for The Poisonwood Bible, which is essentially the continuation of the story. The Poisonwood Bible, by Barbara Kingsolver, demonstrates how the Congo is still affected by modern circumstances and ideology. Conrad’s novella acts as a sort of precursor to the events later depicted in Kingsolver’s novel, and this very connection between the stories illustrates the perpetual oppression of imperialism. This oppression is shown through the characterization of the pivotal characters of each respective text.
Watts, Cedric. 'Heart of Darkness.' The Cambridge Companion to Joseph Conrad. Ed. J.H. Stape. Cambridge: Cambridge University Press, 1996. 45-62.
Bausch, Richard, and R. V. Cassill. "Heart of Darkness." The Norton Anthology of Short Fiction. New York: W.W. Norton, 2006. 126-86. Print.
Anderson, Walter E. "Heart of Darkness: The Sublime Spectacle. University of Toronto Quarterly 57(3) (1998): 404-421.
Kimbrough, Robert, ed. Heart of Darkness: An Authoritative Text, Backgrounds and Sources, Criticism. By Joseph Conrad. 3rd ed.
In Joseph Conrad's novel Heart of Darkness, the issues of Imperialism are discussed. Madness is shown as an outcome of Imperialism through the metaphor of the flabby devil and the band of men known as the Eldorado Exploring Expedition. Chaos is also demonstrated through concepts like the shackled monster and in the attack against the Europeans as well. Corruption is another result of Imperialism and can be seen through the manager's crooked personality and Kurtz's character. Thus, Conrad reveals the madness, chaos and corruption that is the very result of Imperialism.
Conrad, J. (2006). Heart of darkness. In P. B. Armstrong (Ed.), Heart of darkness (4th ed., p.26). New York London: Norton Critical Editions.
The Heart of Darkness, a complex text was written by Joseph Conrad around the 19th century, when Europeans were colonizing Africa for wealth and power and were attempting to spread their culture and religion in Africa. It was also a period in which women were not allowed to participate in worldly affairs. Therefore, the text deals with issues such as racism, European imperialism, and misogyny. This essay will look at the different themes in the novel and argue whether or not The Heart of Darkness is a work of art.
Works Cited Conrad, Joseph. A. The Heart of Darkness. Middlesex, England: Penguin Publishers, 1983. Gillon, Adam.
...hrough the confident and mediating narrative account the reader receives through Marlow and the unnamed First narration Conrad is able to interrogate the theme of the corruption and economic motivations behind colonids praxis in the novel Heart of Darkness. It is, however, unconsciously, also made clear that this text, its narrator and its author are products of their time and ideology, as it consistantly represents characters and situations in racist and patriarchal terms, so that the reader is also aware of the Eurocentric and ethnocentric themes running through the novella.
A. Michael. Matin. Introduction to Heart of Darkness and Selected Short Fiction. New York: Barnes & Noble Classics, 2008. Print.
Joseph Conrad: Heart of Darkness, A Case Study in Contemporary Criticism , ed. Ross C. Murfin. New York: St. Martin's Press, 1989.
Wright, Walter F. "Ingress to The Heart of Darkness ." Romance and Tragedy in Joseph Conrad . New York: Russell and Russell, 1966. Pp. 143-160.
Conrad's "Heart of Darkness" is, as Edward Said says, a story about European "acts of imperial mastery" (1503)-its methods, and the effects it has on human nature-and it is presumable that Conrad incorporates much of his own experience in the Congo and his opinions about imperialism into the story, as another recent critic also suggests: "he seems to approve of Marlow," the narrator (Achebe 1492). These revelations of the author are conveyed to the reader through Marlow's observations, descriptions, reactions, and statements. While "Heart of Darkness" is at times very critical of European imperialism, that criticism for the most part is directed at the false idealistic claims made about the enterprise and the inefficient and savage methods employed by the Belgians; the book does not question imperialism when undertaken competently, particularly by the British.
Karl, Frederick Robert and Laurence Davies, eds. The Collected Letters of Joseph Conrad Vol. 1-6. New York: Cambridge U., 1983.