The submissive role of women
In the novel, Frankenstein and the play The Crucible, the weak presentation of females becomes evident as females allow the male-dominant characters to subdue them. Elizabeth Lavenza, a woman of compassion and benevolence, hides behind the male figures in her life as an act of showing gratitude to her family. Similarly in the play, Elizabeth Proctor plays a woman of self-respect and good acts as she passively gives up her value of being a female character in order to protect her husband, John Proctor. Both women, exhibit the nature of being inactive and having no voice as they patiently serve the men in their life as a righteous duty. Therefore, in Mary Shelley’s novel and Miller’s play, Elizabeth Lavenza and Elizabeth Proctor prove to be weak women through their passivity and lack of voice.
Firstly, Elizabeth Lavanza embodies the novel’s motif of uninvolved women as she waits enduringly for Victor’s attention and love. Through her efforts of pleasing Victor, Elizabeth takes upon the bearing decision of letting Victor choose another bride if he desires to. This is evident when she states: “I declare to you that our marriage would render me eternally miserable unless it were the dictate of your own free choice” (Shelley 178). In accordance, Lavanza through her mother’s death wish complies to marry Victor Frankenstein. However, she is sees him going through a rough time and with caution confesses her love for him. Even as she confesses she goes in the weak role of giving Victor the choice to walk away from her life and marry another girl if he wishes too. Thus, the weak role of women is evident through Elizabeth Lavanza’s passivity.
In comparison to Elizabeth Lavanza, Elizabeth Proctor also exemplif...
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...t because she still loves her husband. This causes her to come to the conclusion that she did not care what he did anymore because she could not question him. Thus, the lack of voice drives Elizabeth to give up arguing with her husband.
Therefore, in the novel Frankenstein and the play The Crucible, both Elizabeth Lavanza and Elizabeth Proctor prove to be passive female characters with a lack of voice. Through her inactive role in the novel, Elizabeth proves to be weak through her role in the text with men. In addition, Elizabeth Proctors passivity is displayed through her withdrawal of standing up for herself, Lavanza’s apathetic nature strips her of not having a bold voice as does Proctor submissive nature which highlights her loss of voice. Overall, Shelley and Miller highlight the theme of portrayal of women through the impuissant female characters in the text.
She is always there for Victor as a source of comfort. In contrast, Victor leaves Elizabeth to explore his passion. For instance, after Victor goes to university, he doesn’t come back for two years. During this time, he expects Elizabeth to wait for him as if she was his property. Moreover, Elizabeth is not the only female character who is under Victor’s control....
The Crucible tells of a town’s obsession of accusing innocent people of withcraft. One character that stands out and makes a spiritual growth is Elizabeth Proctor. Elizabeth allows her frustrations of her depression to overcome her religious beliefs which separates herself from God and her marriage. She grows spiritually and begins to understand the things going on around her which was the strength she needed in the beginning.
Elizabeth lets her husband decided to live or die, which shows great courage and strength. Abigail shows determination to get what she wants. She is able to manipulate the townspeople and she can accuse them of witchcraft, which enables her to get revenge on the people that have done her wrong. Both Elizabeth and Abigail can be portrayed at strong female characters in 'The Crucible' by the actions that occur in the play. Work Cited: Miller, Arthur.
For centuries women have been perceived as overshadowed figures who remain in a separate sphere from men. The term “separate spheres” refers to the distinct, conventional characteristics associated with gender differences. The public sphere of men is associated with commerce whereas the domestic sphere for women is linked with the household. However, there is more than just one perspective on feminism. The feminist view is influenced by three main voices: the French, American, and British. French feminists focus their attention on language; American feminists analyze the literary aspects; and British feminists examine the historical processes (Murfin 296-299). Using these perspectives, we can see the oppression of women conveyed in many different texts throughout literature and in history. Mary Shelley’s Frankenstein, for instance, exhibits not only a feminist view in the text, but also in society during Shelley’s time period as displayed by her negotiations with the separate spheres. Voltaire’s Candide also conveys powerful gender differences and reveals the oppression of women throughout the novel. Therefore, a correlation can be seen between the view of women in the two novels and how it reflects the culture and time period in which the novels were written.
In Mary Shelley's Frankenstein and Oscar Wilde's The Picture of Dorian Gray women are often portrayed as passive and weak characters. During the 19th century when these books were written, the proper domestic ideology was that women were naturally squeamish, defenseless, innocent beings, who needed protection from the male worlds of business and politics (Stepenoff). This theme is demonstrated throughout both of these novels through major and minor characters. In the case of Frankenstein, Shelley, who is a feminist herself, covers her book with submissive women who suffer calmly and eventually die. Similarly in Wilde's story, there are a few female characters that do not show much immediate importance, but they ultimately have a major impact on the story. Both authors portray their female characters as weak and passive, yet, despite their minor roles, these women strongly influence the men and greatly alter the course of events in each novel.
In the novel, Frankenstein, the author, Mary Shelley, implements a prevalent nineteenth century structure called epistolary within a frame narrative to introduce a sublime story. Through Robert Walton’s letters to his sister, Victor Frankenstein’s life story, and the monster’s interjection, the author provides multiple perspectives to the plot. By allowing each character to share their story that all contain differing point of views, it enables the readers to remain interested and informed. Through the three contrasting narrators, Shelley strengthens the roles of the characters as they respectively convey their emotions and input their personal thoughts.
Mary Shelley’s novel entitled Frankenstein demonstrates women of the Romantic Era as powerless citizens of society. Throughout the novel, the women are secondary characters and are portrayed through the men’s perspective. Therefore, many would think that these female characters are passive and dependant as they are often described as companions and nurturers. Despite the unequal rights of women, Shelley, one of the earliest feminist, has developed female characters who show agency. This trait of taking charge of one 's course of life is reflected through Justine Moritz as she is willing to die for her beliefs, in Safie who defies her father’s and religious wishes and when Victor Frankenstein decides to abort
Elizabeth Proctor was a stay at home wife and mother and was very loyal to her husband John Proctor. Although John had cheated on her in the past she didn’t let that interfere with the love she had for him. Elizabeth represents the frigid wife in “The Crucible”. Even though she loved her husband that didn’t keep her mind from wonders of evil thoughts. “Even seven months after Proctor’s confession of adultery, Elizabeth is unable to
Shelly’s Frankenstein is easily regarded as one of the world’s finest pieces of literature. A reason why it’s in a class of its own is because of the strong feminist undertones present throughout the work. All of Shelly’s female characters come across as inferior to the males; this character portrayal was accurate to the time period when the novel was written, in which this did happen to be the case. An example of this would be how Shelly described Elizabeth, “Who’s hair was the brightest living gold, and despite the poverty of her clothing, seemed to set a crown of distinction on her head,” when the Victor’s mother came across her (Shelly 20). Right from the start of the novel Elizabeth is presented as weak. Victor later stated when his mother brought Elizabeth home that she was “A possession of my own” (Shelly 21). Not only is Elizabeth presented as weak, but also an item to be used however the Frankenstein family wants. And that want was for Elizabeth to become Victor’s wife, “Till dead she was to be” Victor’s only (Shelly 21). She is showed to the reader as feeble, in a powerless position, and overall incapable of supporting her-self without others; at the mercy of men (Feminism and Frankenstein). Putting fe...
Within Frankenstein, the level at which a female is portrayed is quite low. Like we have heard in class, women were not necessarily respected as much as men were when the novel was written. Published in 1818 by Mary Shelley, her story tells of the adventure of young Victor Frankenstein and the creation of his creature. Though deep within this narration of Frankenstein’s life, there seems to be an underlying theme seeping through Shelley’s writing. Shelley seems to venture into the idea of feminism and grotesquely show how men are treated much better than women. Her novel includes various concrete examples to support this hypothesis.
A major concern in both the film and the original text is the ‘status of women’. This is represented through the differing roles of women and their denigration within the Elizabethan society. For instance, Hero is accused of committing infidelity; consequently her image in society is tarnished, In addition to this, Claudio insults Hero publicly without even considering confirming the accusation of her being unchaste. This is illustrated through Claudio slandering Hero through the use of usage of Greek Mythological allusions “You seem to as Dian in her orb, but you are more intemperate than Venus in y...
From the beginning of time in history, women have always been portrayed as and seen as the submissive sex. Women especially during the time period of the 1800s were characterized as passive, disposable, and serving an utilitarian function. Mary Shelley’s Frankenstein is a prime example displaying the depiction of women. The women in Frankenstein represent the treatment of women in the early 1800’s. Shelley’s incorporation of suffering and death of her female characters portrays that in the 1800’s it was acceptable. The women in the novel are treated as property and have minimal rights in comparison to the male characters. The feminist critic would find that in Frankenstein the women characters are treated like second class citizens. The three brutal murders of the innocent women are gothic elements which illustrates that women are inferior in the novel. Mary Shelley, through her novel Frankenstein, was able to give the reader a good sense of women’s role as the submissive sex, through the characters experiences of horrific events including but not limited to brutal murder and degradation, which is illuminated by her personal life experiences and time period of romanticism.
Furthermore, Caroline’s passivity is displayed when Caroline brings Elizabeth from the orphanage and asks her husband to make Elizabeth part of the Frankenstein family. Victor describes El...
Mrs. Margaret Saville is the woman to whom the narrator tells the story. Elizabeth Lavenza is the beloved of Victor Frankenstein. Justine Moritz is the heroine who is accused by mistake of murdering William and executed instead of the fiend. There is close connection between the female and male characters, and if we break it, Frankenstein will have no sense. The author of the novel, Mary Wollstonecraft Shelly, characterizes the women in the same way as the men, and shows that they are independent players.
Throughout the historical literary periods, many writers underrepresented and undervalued the role of women in society, even more, they did not choose to yield the benefits of the numerous uses of the female character concerning the roles which women could accomplish as plot devices and literary tools. William Shakespeare was one playwright who found several uses for female characters in his works. Despite the fact that in Shakespeare's history play, Richard II, he did not use women in order to implement the facts regarding the historical events. Instead, he focused the use of women roles by making it clear that female characters significantly enriched the literary and theatrical facets of his work. Furthermore in Shakespeare’s history play, King Richard II, many critics have debated the role that women play, especially the queen. One of the arguments is that Shakespeare uses the queen’s role as every women’s role to show domestic life and emotion. Jo McMurtry explains the role of all women in his book, Understanding Shakespeare’s England A Companion for the American Reader, he states, “Women were seen, legally and socially, as wives. Marriage was a permanent state” (5). McMurtry argues that every woman’s role in the Elizabethan society is understood to be a legal permanent state that is socially correct as wives and mothers. Other critics believe that the role of the queen was to soften King Richard II’s personality for the nobles and commoners opinion of him. Shakespeare gives the queen only a few speaking scenes with limited lines in Acts two, four, and five through-out the play. Also, she is mentioned only a few times by several other of the characters of the play and is in multiple scenes wit...