Can you imagine Mary Wollstonecraft Shelley's Frankenstein, the great work of literature, without, for example, such female characters as Mrs. Margaret Saville, Elizabeth Lavenza, and Justine Moritz? In this case the novel will have no meaning. All the women help to develop the plot, and without them Frankenstein will lose its spirit. Although these heroines have a lot in common in their characters: they are all strong-willed, kind, careful, and selfless, at the same time, each of them is unique, and each plays her own role in the novel. Mrs. Margaret Saville is the woman to whom the narrator tells the story. Elizabeth Lavenza is the beloved of Victor Frankenstein. Justine Moritz is the heroine who is accused by mistake of murdering William and executed instead of the fiend. There is close connection between the female and male characters, and if we break it, Frankenstein will have no sense. The author of the novel, Mary Wollstonecraft Shelly, characterizes the women in the same way as the men, and shows that they are independent players. So, the female characters in Frankenstein are as important as the male ones.
Mrs. Margaret Saville is the person to whom Robert Walton, the narrator, writes his letters. We know nothing directly about her life, world outlook, or habits, but we can imagine her feelings about the enterprise of her brother, her alarm, and fear. What can she feel when she reads the following words from her brother: "You will not hear of my destruction, and you will anxiously await my return. Years will pass, and you will have visitings of despair, and yet be tortured by hope" (1027)? These words can stir up only bitterness, and inflict spiritual wounds. We cannot read what she writes in reply to Robert Walton'...
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...nd the images of Robert Walton, Victor Frankenstein, and the fiend supplement each other. If we take one of them away, Frankenstein's plot will be different. Mary Wollstonecraft Shelley uses the same methods to create the male and female characters, and makes women even more positive, selfless, and purer, than men. The presence of women adds romanticism to the novel, without which Frankenstein loses its spirit. Mrs. Margaret Saville, Elizabeth Lavenza, and Justin Moritz act independently, and in the most difficult moments of their lives they encourage the men, and take care of them forgetting about themselves. So, both the female and the male characters in Frankenstein are important, and we cannot manage without them. The only question about the position of women in the novel remains open: if the author of Frankenstein were a man, would the fiend become a woman?
In conclusion, in Mary Shelly’s novel Frankenstein, the female characters always fulfill the limited and archetypical roles that are set for them by society. In this novel, many female characters are considered to be possessions. In fact, they are considered to be the servants of men. “I have a pretty present for my Victor—tomorrow he shall have it.” (Mary Shelly, Pg. 70)
Certainly the male characters in ‘Frankenstein’ are more developed that those of the females. Elizabeth Fay has suggested that the female characters are ‘idealised figures’ in much of Shelley’s work, particularly in the descriptions of Caroline and Elizabeth, the two mother figures in the novel.
Gender inequality will always affect the way women are portrayed in society, the weaker, unnecessary, and other sex. It is not just a subject of the past, but still holds a name in society, however in the olden eras the way women were treated and are looked at, in a much more harsh condition. In Shakespeare’s Othello and Shelley’s Frankenstein women’s roles in the books are solely based on the way they are treated in their time period. The way women are portrayed in these books, demonstrate that they can never be in the same standing as men, considered the second option, and therefore will never have the same respect as men. In both Othello and Frankenstein women are treated as property, used to better men’s social standards, and lack a voice,
Frankenstein “supports a patriarchal denial of the value of women and of female sexuality” (Mellor, 356). Mellor’s point is significant here because a woman was devalued if she was not able to produce children or if she showed signs of independence. Mary Shelley’s own mother, Mary Wollstonecraft, defied gender roles and strongly advocated for the freedoms of women. This influence shines through Shelley’s novel as the deaths of the women
The idea for the novel of Mary Shelley’s Frankenstein came to her one night when she was staying in the company of what has been called ‘her male coterie’, including Lord Byron and her husband, Percy Shelley. Mary Shelley’s whole life seems to have been heavily influenced by men. She idolised her father, William Godwyn, and appears to have spent a good part of her life trying very hard to impress both him and her husband. There seems to have been a distinct lack of female influence, her mother, Mary Wollstonecraft, having died weeks after her birth, being replaced by a neglectful step-mother. These aspects of her life are perhaps evident in her novel. The characters and plot of Frankenstein were perhaps influenced by Shelley’s conflicting feelings about the predominately masculine circle which surrounded her, and perhaps the many masculine traits that we see in novel were based upon those of the male figures in Shelley’s own life. In this essay I will attempt to show some of these traits.
The Strange Case of Dr. Jekyll and Mr. Hyde could be compared to Mary Shelley’s Frankenstein because they both characterize their women characters as passive, disposable and useless. Although Frankenstein was written many years earlier, both texts deal with many of the s...
Mary Shelley’s novel entitled Frankenstein demonstrates women of the Romantic Era as powerless citizens of society. Throughout the novel, the women are secondary characters and are portrayed through the men’s perspective. Therefore, many would think that these female characters are passive and dependant as they are often described as companions and nurturers. Despite the unequal rights of women, Shelley, one of the earliest feminist, has developed female characters who show agency. This trait of taking charge of one 's course of life is reflected through Justine Moritz as she is willing to die for her beliefs, in Safie who defies her father’s and religious wishes and when Victor Frankenstein decides to abort
Within Frankenstein, the level at which a female is portrayed is quite low. Like we have heard in class, women were not necessarily respected as much as men were when the novel was written. Published in 1818 by Mary Shelley, her story tells of the adventure of young Victor Frankenstein and the creation of his creature. Though deep within this narration of Frankenstein’s life, there seems to be an underlying theme seeping through Shelley’s writing. Shelley seems to venture into the idea of feminism and grotesquely show how men are treated much better than women. Her novel includes various concrete examples to support this hypothesis.
Throughout Mary Shelley’s Frankenstein there are many female minor characters. Some view these minor characters as passive and subordinate, the epitome of a delicate woman, that reflect the gender roles during the author’s era. This simplifying view of the intricately complex female characters does not accurately represent the powerful and firm importance of their underlying, yet commanding, voice. One of these characters is Justine Moritz who, although charmingly modest and gentle, is a testament to the dignified power of women. During her short appearance in the novel, it is clear Victor Frankenstein fears her for the bravery and strength she exquisitely exhibits through her unjust trial. In addition, the contrast between the characters is distinct. Evidently Victor fails to posses such courage and admirable traits reflecting the insufficiency of supposed male dominance as compared to feminine vigor. Mary Shelley’s minor character Justine is a subtle yet potent force who depicts the perseverance and strength of women by illustrating the considerable lack of such traits Victor Frankenstein.
The tale of Tam O’Shanter revolves around maleness versus femaleness, addressing both the nagging women and the reckless men as it recounts Tam’s ghostly misadventures. It is less a celebration of masculinity, taking into account Tam’s failure to play the part of a hero and his saviour being his female horse, and more of a friendly scolding of it, using the example of Tam as an exaggerated version of what wives may fear when their husbands stay out until the early hours of the morning. Gender in Tam o’Shanter drives the narrative; the distinctions between men and women are the essential cause of the root conflict. In Frankenstein, on the other hand, gender acts as a tool to help establish the characters. Major personality aspects of the men are caused, emphasised, or altered because of the women in their lives (or the women not in their lives, as is the case with the monster’s desire for an Eve). The female characters, in this regard, are little more than plot devices, though femininity itself is a powerful force throughout the novel. Victor Frankenstein often falls into the role of a female Victorian hero, as he suffers from fits of emotion and frailty, though ultimately he fails to be the proper Victorian mother as his mother had been, driving the monster to seek out female guardians wherever he may find them. Gender in Frankenstein colours the narrative, though it does not control it. In both
From the beginning of time in history, women have always been portrayed as and seen as the submissive sex. Women especially during the time period of the 1800s were characterized as passive, disposable, and serving an utilitarian function. Mary Shelley’s Frankenstein is a prime example displaying the depiction of women. The women in Frankenstein represent the treatment of women in the early 1800’s. Shelley’s incorporation of suffering and death of her female characters portrays that in the 1800’s it was acceptable. The women in the novel are treated as property and have minimal rights in comparison to the male characters. The feminist critic would find that in Frankenstein the women characters are treated like second class citizens. The three brutal murders of the innocent women are gothic elements which illustrates that women are inferior in the novel. Mary Shelley, through her novel Frankenstein, was able to give the reader a good sense of women’s role as the submissive sex, through the characters experiences of horrific events including but not limited to brutal murder and degradation, which is illuminated by her personal life experiences and time period of romanticism.
In the book Frankenstein by Mary Shelley, the women are portrayed as inferior to men in several different ways. Of the few female characters in this book, very few of them are mentioned throughout the entire book and none of them are considered main characters. The ideals of Romanticism emphasize the secondary nature of women to men. In addition, Shelley’s portrayal of the inferiority of women parallels Romantic ideals and some of today’s values but also contrasts some values of today’s society. Shelley uses these Romantic ideals in Frankenstein because all of the female characters are clearly subordinate and secondary to the male characters throughout the story.
When reading Frankenstein by Mary Shelley, one cannot help but notice that the women characters seem to have little substance compared to the male characters. This may have been caused by the time period in which she wrote: one in which females were considered inferior to males. This difference between the sexes can be looked at using a variety of different perspectives. Johanna M. Smith, a professor at the University of Texas at Arlington, discusses this issue using feminist eyes in her essay entitled "'Cooped up': Feminine Domesticity in Frankenstein." The main points in Professor Smith's essay are that the female characters are there only to reflect the male characters, and that the Frankenstein family has a weird style of living, which she describes as a "bookkeeping mentality" (Smith 279).
In any novel the author is free to create and shape their characters in whatever way they see fit. In Frankenstein, Shelley does an excellent job of shaping her characters, be it however minute their part in the story, so that the reader gets a clear picture of Shelley's creations. It seems that each character in Shelley's Frankenstein is created by Shelley to give the reader a certain impression of the character. By doing this Shelley creates the characters the way she wants us to see them. She tells us certain things about them and gives them certain traits so that they will fit into the story the way she wants them to. In particular I will examine the characters of the monster, Elizabeth, and old man De Lacey.
Overall, women in “Frankenstein” are displayed unimportant to society compared to men. Besides being household servants and wives, women also play an important role in society like men. Shelley’s use of describing Safie going against the passive role of women compared to Caroline, Justine, and Elizabeth symbolizes how women should have the same rights like men such as getting an education, working in the medical field, and having their voices heard to others. Without the appearance of women in society, the workforce would be cut in half with men working and earning money for a living, and women taking care of children. Therefore, one should not forget that women are the backbone of our society.