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The stranger albert camus existentialism
The stranger albert camus existentialism
The stranger albert camus existentialism
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Some men have gone insane trying to comprehend the universe and their own existence. The Stranger by profound author Albert Camus follows a man detached from existence, just going through the motions of life. Camus wanted to share his take on life through a piece of literature, he accomplished this through this book.. Written in 1942, The Stranger is an odd tale that puts life in a different perspective, and invokes thought.. The Stranger by Albert Camus illustrates the journey of a man named Meursault who ultimately learns that life is all there is and that religion is false hope. When Meursault receives a telegram that says his mother has passed and the funeral is tomorrow, he simply tries to figure out what day the telegram was sent (Camus 1). As Meursault thinks of returning to work the following day, he thinks that “nothing has changed,” regardless of losing his mother (Camus 17). He does not think human life is equivalent or meaningful, Meursault is without empathy. When Meursault is talking about his neighbor’s dog, he compares it to his neighbor’s wife by saying …show more content…
Meursault quickly moves on from her passing but this conflict is essential to the start of the novel. Meursault also faces the internal battle of facing his own death. After days of waiting and trying to escape, Meursault finally accepts his death, in fact he is excited (Camus 75). He actually makes the decision to yell at the chaplain, “with cries of anger and cries of joy” (Camus 74). Meursault widely changes from cut off and alone to wanting a “large crowd of spectators” for his execution. Externally however, Meursault fights the arabs physically; and Meursault fights with nature. The nurse mentions to Meursault that “‘If you go slowly, you risk getting sunstroke. But if you go too fast, you work up a sweat and then catch a chill inside the church.’” The sun ultimately brings the fall of Meursault for being warm enough that he commits
Second part of the novel begins with the interrogation, (after killing the Arab for no reason) and illustrates Meursault’s unique personality of not caring about the society's customs and practices,” I didn’t take him to seriously”.(63) During this process, Meursault is presented as a human with no soul, not reacting as expected by the magistrate when he waves the crucifix at him, and indifferent to prison. Once again, like at his mother’s funeral, Meursault focuses on the practical details of his new life, rather than on its emotional elements. His imprisonment does not incite any guilt or regret whatsoever and even worst he doesn’t think about the implication of his crime, but instead he selfishly goes back on analyzing his physical state and the case trial from the outside with no emotional implication. He notes that getting an attorney appointed by the court is “very convenient”, he also enjoys the examining magistrate’s friendly attitude and does no t...
The reality in which Meursault inhabits describes a realistic world in all its accounts, from themes as natural as death to petty jealousy and the judicial system which corresponds perfectly with the first sentence of t...
Meursault is a fairly average individual who is distinctive more in his apathy and passive pessimism than in anything else. He rarely talks because he generally has nothing to say, and he does what is requested of him because he feels that resisting commands is more of a bother than it is worth. Meursault never did anything notable or distinctive in his life: a fact which makes the events of the book all the more intriguing.
Meursault’s actions throughout the novel lead to his regretless murder. Meursault surrounds himself around people of no spiritual faith to withdrawal himself from his mother and God. Reserved Meursault interacts with his neighbor Salamano on various occasions and observes him walking his dog everyday, repeatedly swearing at it. Meursault observes as Salamano yanks the dog while screaming, “’Filthy, stinking bastard!’” (Camus 27). This interaction illustrates the revolting and monstrous characteristics of Salamano through the eyes of society. Instead of cringing in repulsion as expected of most ordinary people, when Raymond “’asked me (Meursault) didn’t I think it was disgusting’” (Camus 28), Meursault replied no. Meursault’s response implies his lack of sentiment and places him in the same category as Salamano.
However, both the force of society and theforce of the sun can become overpowering. They beat down on people, smothering and suffocating them, just as the sun beats down upon Meursault throughout the novel. The sun is present whenever the force of society is strong within Meursault. At the funeral the sun bears down on Meursault as society smothers him with expectations that he will grieve his mother's death in a typical manner. At the beach when he kills the Arab the sun is ever present and overpowering, making Meursault disoriented and confused.
While coming to terms with the absurd was a gradual process for Meursault, his final days and his heated conversation with the chaplain, and his desire for a hateful crowd of spectators show that he was able to accept the absurdity, and revel in it, finding satisfaction in spite of those around him and justifying his murder. His ego had reached an all-time high as he neared his execution, and his satisfaction left him prepared for the nothingness awaiting him. This process was a natural psychological response to his mortality, for his peace of mind. Therefore, Meursault is not the Stranger, an alien to society, but a troubled man seeking meaning and satisfaction in a life and a world that was overwhelming unsatisfactory and absurd.
Understanding that Camus allows Meursault to express the thoughts through his mind to explain his personal belief on what is right from wrong in the book. Interpreting and understanding Meursault we can clearly see that Meursault is rather indifferent and detached from life. Using first person Meursault is clearer to read and understand as a person, taking life as it comes and not worrying about emotions, and relationships with those around Meursault. Becoming friends with Raymond and marrying Marie, we can visualize due to first person as to how little remorse Meursault has for the decisions taken in The Stranger. In first person Meursault shows how indifferent and detached he is with the decisions taken by Meursault. Meursault answers Marie very bluntly and is brutally honest when asked about love; “A minute later she asked me if I loved her. I told her it didn’t mean anything but that I didn’t think so. She looked sad.” (Camus 35). Meursault does not understand the emotional side to Marie’s question. Detached from life brings the discovery personally for Meursault of how meaningless human life truly is. Throughout the story with the first person perspective the concept of how detached Meursault truly is, is discovered and explained as Meursault evaluates life as it develops throughout the story. Examples such as marrying Marie because there is not any reason present not to exemplifies how simple
“All I could hear was the blood pounding in my ears. I stood there motionless” (Camus, 124). Meursault was at a party-like function, and once again he became disconnected to human interaction. The quote adds to the book as a whole because it shows one of the many times he becomes disconnected from normal human
...immediately gives an impression of a lack of emotion towards the demise of his mother. This lack of emotion highlights the existentialist ideal that we all die, so it doesn't matter what life we have while we are alive. We simply exist, as did Meursault. It becomes apparent, as the novella unfolds, that Meursault has acquired an animal like indifference towards society. His interactions with his neighbour Raymond are an example of his indifferences. It never dawns upon Meursault that society does not condone his interactions with the pimp, avoided by his community. Meursault simply acts to fill his time. Being a single man, he has a lot of time to fill, and finds the weekends passing particularly slowly.
But when he accepts the fact that he is going to die, he feels a sense of freedom and he looks forward to his execution. By rejecting to believe in God, it shows that he does value any hope of life after death. Then when he accepts his death sentence, he also takes the punishment away from it. He is neither depressed nor hopeful when it comes to his death, which overall proves how he lacks morality in the story. The strange attitude and the lack of emotion in Meursault is what makes the story interesting.
The novel opens with Meursault having just learned that his mother has died. His reaction to her death is far from typical, and he simply says, “Maman died today, or yesterday maybe, I don’t know.” As he prepares to leave town to attend the funeral, he expresses a sort of general discomfort. This discomfort can be seen in his extremely uncomfortable conversation with his boss, in which Meursault simply tells his boss, “it’s not my fault.” Meursault also wishes that the funeral were already over so that, “the case would be closed, and everything will have a more official feel to it.”
Society believes Meursault as an emotionless killer or a stranger to society’s morality, Meursault then can’t explain why he couldn’t feel any emotion, drive, or thoughts of remorse for his murder. Lastly, when the chaplain visits Meursault against his wishes, this scene shows how society expects everyone to ask for forgiveness from God when near death. Meursault then thinks it is absurd and refuses to believe it because he says it’s ridiculous and there’s no time at all.
Every character that revolves around Meursault seems to be in direct contrast to him. Meursault is an amoral person who does not seem to care passionately about anything. He acts in accordance with physical desires. In other words, Meursault is a sensualist person. At this particular time in his life, his path crosses with his neighbor, Raymond, who feels as though his girlfriend is cheating on him. He decides to take revenge with minor aid form Meursault. Meursault helps him only because he thinks he has nothing to lose if he does. As things lead into one another, the first major violent act of the book is committed.
At the beach with Raymond, the sun provokes Meursault to commit a crime. He says, "(the sun) shattered into little pieces on the sand and water." While going to get a drink of water, the foreign Arab uses a knife to shine the sunlight in Meursault's face. Meursault knew that all he had to do was turn around and walk away. His emotions (again not shown externally and reserved) took over. Camus states, "All I could feel were the cymbals of sunlight crashing on my forehead and, instinctively, the dazzling spear flying up from the knife in front of me. The scorching blade slashed at my eyelashes and stabbed at my stinging eyes." This strong imagery forces Meursault to fire and kill the Arab with a revolver. What makes it worse, he fires four more times to make sure the sun is dissipated for good.
Camus writes in a simple, direct, and uncomplicated style. The choice of language serves well to convey the thoughts of Meursault. The story is told in the first person and traces the development of the narrator's attitude toward himself and the rest of the world. Through this sort of simple grammatical structure, Camus gives the reader the opportunity to become part of the awareness of Meursault. In Part I, what Meursault decides to mention are just concrete facts. He describes objects and people, but makes no attempt to analyze them. Since he makes no effort to analyze things around him, that job is given to the reader. The reader therefore creates his own meaning for Meursault's actions. When he is forced to confront his past and reflect on his experiences, he attempts to understand the reasons for existence. At first, Meursault makes references to his inability to understand what's happening around him, but often what he tells us seems the result of his own indifference or detachment. He is frequently inattentive to his surroundings. His mind wanders in the middle of conversations. Rarely does he make judgments or express opinions about what he or other characters are doing. Meursault walks through life largely unaware of the effect of his actions on others.