Existentialism is just one of the many philosophies that attempt to determine the meaning of life. This idea that the world is meaningless developed in Europe around the time of World War II. Many writers and authors in the forties and fifties were affected by the horrors of war and this new philosophy, namely, Albert Camus. Existentialism is greatly reflected in Camus’ time period, culture, and works such as The Stranger.
To truly understand how existentialism is reflected in Camus’ time and works, it must first be defined. This philosophy aims to capture what makes someone themselves through the major ideas of existence preceding essence, authenticity, and nothingness. First, the expression “existence precedes essence” is a defining point
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To begin with, Meursault follows the phrase “existence precedes essence.” Meursault does not follow cultural norms and is defined through his actions. He does not determine himself through a title like his job and believes that “none of it really [matters]” (Camus 41). He does not believe in God and thinks that questions about deities and the universe “[seem] unimportant” (Camus 41). Meursault’s experiences also align themselves with this existential idea. Not only does he not cry at his mother’s funeral, which is important in society, but he kills the Arab for no particular reason. Morality, which many people consider to be a core of what it means to be human, goes hand in hand with the subject of murder. This concern was of no consequence to Meursault. He creates himself and defines the rest of his life with that one action, “knocking four quick times on the door of unhappiness” (Camus 59). Next, Meursault is authentic to himself. Through not “crying once” on the day of Maman’s funeral, Meursault does what he wants rather than sticking to the role of the loyal and loving son. He does not act for the sake of duty or what society tells him to do, he is true to the life he has created for himself. Finally, in The Stranger, Meursault encounters anxiety and nothingness which lead him to an existential realization. In the final scene of the novel, he angrily tells the priest that “none of his certainties was worth one hair on a woman’s head” (Camus 120). Here, he realizes that defining one’s life through facts like religion is not enough and that without it, the priest is nothing. The only path to meaning is through simple, real existence. In this moment, facing his death and nothingness, Meursault truly realizes that “nothing, nothing [matters]” (Camus 121). So, in true existentialist fashion, Meursault accepts the way he has lived
The Stranger by Albert Camus is a story of a sequence of events in one man's life that cause him to question the nature of the universe and his position in it. The book is written in two parts and each part seems to reflect in large degree the actions occurring in the other. There are curious parallels throughout the two parts that seem to indicate the emotional state of Meursault, the protagonist, and his view of the world.
... his mother and the idea of God which is again supported by his close relationships. Those relationships are with people who don’t believe in a higher being or who show no true morals. Camus accommodates white with many objects and people, yet purposely excludes Meursault and refers to him as dark. All of these techniques show Meursault as a nonreligious man with potential to harm without remorse. This leads up to his interaction with light where he feels uncomfortable just as he does with God. Meursault’s history and personality lead up to the murder of the Arab, the distraction of the light, and in the end, accusing God, “the light”, for his criminal behavior. Human nature needs moral standards or the world would be as corrupt as Meursault’s life.
I, Albert Camus, am a famous French author who had written The Stranger in 1942. I was born in Algeria, and my experiences there had deeply influenced my thoughts, my work, and my philosophies. The Stranger strongly represents my philosophy involving the absurd and existentialism. When I was twenty-five, I moved to France and joined the resistance movement during World War II. After the liberation from Nazi Germany, I became a political journalist and a columnist for Combat, a French newspaper. In 1947, I retired from my journalist career and continued to write fiction and playwrights for the theatre (Simpson). Although I primarily consider myself a writer instead of a philosopher and I deny being an existentialist, the philosophy I most agree with is indeed existentialism. As one will find in my novel, The Stranger, the main character Meursault views the world and situations through an outside perspective, extreme detachment, and a lack of empathy. His characters tend to view the world as an outsider because I personally grew up in many groups
When French Noble Prize winning author, journalist, and philosopher, Albert Camus, died in 1960 at the age of 46 his literary works that incorporated ideas of existentialism and absurdism were still studied and interpreted by scholars and his colleagues. Existentialism was one of the two philosophies Camus believed in and used in his works; existentialism is philosophical movement that focuses on the importance of the individual experience and self responsibility. The individual is seen as a free part of a deterministic and meaningless universe. The second philosophy Camus used and believed in was absurdism; a philosophy based on the idea that life and work are meaningless and looking for order causes inner and outer chaos. Camus had a dual culture as he was born in Algeria and lived most of his life in France, his cultural duality also is expressed in his works.
In the experimental novel The Stranger by Albert Camus, he explores the concept of existentialism and the idea that humans are born into nothing and descend into nothingness after death. The novel takes place in the French colony of Algiers where the French-Algerians working-class colonists live in an urban setting where simple life pleasures are of the upmost importance in the lives of working class people like the protagonist of the novel Meursault. What is fascinating about this novel is that it opens up with a scene of perpetual misfortune for him through the death of his mother although he seems to express otherwise. The reader perceives this nonchalance as a lack of care. Maman’s death and its impact on Meursault appear in both the very beginning and very end of the two-part novel, suggesting a cyclical pattern in the structure. This cyclical pattern suggests not a change in the moral beliefs of Meursault but rather his registering society’s systems and beliefs and craft meaning in his own life despite the fact that he meets his demise in the end. Camus uses Maman’s funeral to characterise both Meursault and the society and customs created by the society Meursault lives in in order to contrast the two while at the same time reveal how while society changes, Meursault does not. Rather, Maman’s funeral becomes of unprecedented importance in Meursault’s life and allows him to find that nothing means anything in his meaningless world at the time of his death. He finds peace in that.
At first glance, Meursault could be seen as an evil man. He shows no grief at his mother’s funeral, worrying more about the heat. His first reaction to his mother’s death is not sadness, it is a matter-of-fact, unemotional acceptance of the situation. “Maman died today. Or yesterday maybe, I don’t know.” Later on in the story, Meursault kills an Arab on the beach, and his only concern is that he has ruined the calm, pleasant day he was having. When he is in jail, the magistrate comes in an attempt to save Meursault’s soul, but instead of cooperating, Meursault simply confounds the magistrate by refusing to believe in God. Even at his trial, Meursault doesn’t show any remorse for having killed the Arab. Based on this evidence alone, how can we not see Meursault as evil?
In Persepolis by Marjane Satrapi, The Stranger by Albert Camus, and the current college process that I am engulfed in, existentialism proves itself to be true. Existentialism, as a philosophy, work toward the idea that the universe is indifferent to life, and everyone is alone in a world where no one can help or give answers. All things considered, existentialism is intimidating until an overarching lesson is learned through the choices and responsibilities, passions (or lack thereof), and the isolation of a person, such as the main characters in the books: Marjane Satrapi and Meursault, or myself. On the surface, the three of us are extremely dissimilar, but we all relatively negative experiences that teach us more than we knew before. Marjane
Existentialism is a term that was coined specifically by Jean-Paul Sartre in regards to his own life. Sartre had adopted the Atheistic approach to life and its meaning, and while he was not the first or only one to do so, was the first and only one to come up with a way to describe it. Under Existentialism, man lives without higher power or guidance and must rely solely on himself and what he is aiming to do in order to lead a fulfilling life. This can be anything. Critics of Sartre propose that, because such a vast array of options exists within the meaningfulness of life, this philosophy is obsolete and trivial in nature. This is not true, as it is seen in everyday examples – celebrities, namely – that a thirst
In Albert Camus’ novel, The Stranger, the protagonist Meursault is a character who has definite values and opinions concerning the society in which he lives. His self-inflicted alienation from society and all its habits and customs is clear throughout the book. The novel itself is an exercise in absurdity that challenges the reader to face the nagging questions concerning the meaning of human existence. Meursault is an existentialist character who views his life in an unemotional and noncommittal manner, which enhances his obvious opinion that in the end life is utterly meaningless.
In many works of literature a character conquers great obstacles to achieve a worthy goal. Sometimes the obstacles are personal impediment, at other times it consists of the attitude and beliefs of others. In the book The Stranger by Albert Camus, shows the character Meursault who is an emotionless character that let’s other people show their opinions and emotions into him giving him a type of feeling even if Meursault doesn’t care. Meursault contains occasion of his emotional indifference between his friends and social indifference. This essay will be about the character’s struggle contributes to the meaning of the work as a whole.
Meursault, an unemotional, a moral, sensory-orientated character at the beginning of the book, turns into an emotional, happy man who understands the "meaninglessness" and absurdity of life by the end of the book. Meursault realizes that the universe is indifferent to man's life and this realization makes him happy. He realizes that there is no God and that the old codes of religious authoritarianism are not enough to suffice man's spiritual needs. One has to create one's won meaning in an absurd, meaningless world.
Existentialism is defined as "a philosophical theory or approach that emphasizes the existence of the individual person as a free and responsible agent determining his or her own development through acts of the will”. In other words, existentialism it emphasizes individual freedom. Throughout The Stranger, the amount of existentialism views is abundant. The use of Mersault’s experiences covey the idea that human life has no meaning except for simple existence. The idea of existentialism in Albert Camus' The Stranger reflects through Mersault's life experiences with his relationship with Marie, the death of his mother Maman, the murdering of the Arab, and Mersault's trial and execution, all these events show that Mersault’s life of no meaning.
opinion on existential nihilism. Existential nihilism is the philosophy that life has no intrinsic meaning, and rejects all religious and moral conformity. The main character meursault, displays all of these traits throughout the book. Camus gives the reader an alternative outlook on the life and how there is no right or wrong way of living because in the end, whether that be sooner or later everyone is going to have the same end fate. Camus demonstrated his belief of existential nihilism through the external and internal
Albert Camus was an existentialist. He was also not a religious person and even though he was born and raised a Catholic; he soon quit his religious faith and turned into an atheist, believing that religion was “philosophical suicide”. He described his attitude toward religion in the lines “I would rather live my life as if there is a God and die to find out there isn't, than live my life as if there isn't and die to find out there is.” Yet, it is seen that even though he denied being an existentialist, he is seen to have ‘brooded over such questions as the meaning of life in the face of death.’ “Men are convinced of your arguments, your sincerity, and the seriousness of your efforts only by your death.” This quote shows that Camus believed death was what created people in society and brought their life into the spotlight.
Sartre, Jean-Paul. “Existentialism is Humanism.” Existentialism from Dostoevsky to Sartre. Ed. Walter Kaufman. Meridian Publishing