During the American colonies, Phillis Wheatley was one of the first African-American women to publish a book of poetry. Both her poems, “On Being Brought from Africa to America” and “To The Right Honourable William, Earl of Dartmouth” emphasize the importance of slaves wanting freedom. Similarly, Frances E.W. Harper’s poem “The Slave Mother” dramatizes the pain a slave mother undergoes when she is separated from her child. Both authors use an identifiable persona as a means to appeal to their White female Christian audience religious beliefs or familial values. By maintaining a didactic tone in order to question their audience 's morality, as well as effectively using either lament full or melodramatic imagery to render emotions such as compassion …show more content…
Altogether, this forces her audience to feel uncomfortable and guilty about learning the corruption slavery imposes on families. Just like Wheatley needed to familiarize herself with her audience, Harper successfully draws attention to her audience by emphasizing the persona of a mother. This is seen when she uses anaphora to dramatize the following quatrains, “[h]e is not hers, although she bore/ For him a mother’s pains;/ He is not hers, although her blood/ Is coursing through his veins!/ He is not hers, for cruel hands “(14-24). Harper is educating her audience by informing them that even though a slave mother gives birth to her child, she is not the caregiver of her child. In fact, when she repeats “he is not hers”, Harper uses a didactic tone to really condemn the fact that a slave mother is being robbed the natural right to raise her own child. At this moment Harper asks for humanity and pushes for empathy from her audience. One must note that Harper lived in an era where childbirth was very dangerous. In fact, both White and Black women were very familiarized with the vast amount of maternal and infant mortality rates. For example, “Infant mortality among African and African-American slaves in the 18th century ranged from …show more content…
Thus helping her argument about taking action and critiquing those who prefer to stay silent. From the very start, Harper requests an immediate response from her audience. She does this by asking her readers, “Heard you that Shriek? It rose” (1). This is important because Harper begins with a personal question that makes a reader think of a moment where they encountered a desperate cry. By using words such as “it rose”, Harper is setting up a dramatic tone that suggests that her poem will get crueler. Harper continues using melodramatic imagery as a means to appeal to her audience senses. This is especially seen when she states, “Saw you those hands so sadly clasped -/ The bowed and feeble head-/ The Shuddering of that fragile form-/ That look of grief and dread?/ Saw you sad, imploring eye…”(5-9). Harper invites her white female Christian audience into visualizing the desperation a mother and son feel when they are being separated. The fact that her audience is forced to hear, and see the lament full situation of the slave mother helps to provoke their own internal sadness and pain. More importantly, her audience would be full of grief because they would be forced to see that these slaves are human beings, who express emotions like despair. One thing to remember is that historically some
Readers unfamiliar with Phillis Wheatley may wonder of her background and who she was in particular to be able to gain rights to be mentioned in early American literature. Wheatley was born in 1753 and was captured by Africans, and sold to an American family known as the Wheatley’s. She quickly became a member of the Wheatley family, living in the home, and being tutored on reading and writing.
Wheatley was born in West Africa around 1750, and was captured when she was 7. John Wheatley purchased Phillis for his wife, Susanna; together they taught Phillis how to read and write, and as early as 12, Phillis was writing poetry and her first poem had been published. Wheatley’s poems implicitly advocated for racial equality, while condemning slavery. Her work received some negative feedback from political figureheads, such as Thomas Jefferson. White America classified a human as having the ability to read, write, and reason; therefore, leaving no room for the uneducated Africans, seeing Africans as nonhuman. Jefferson claimed Wheatley’s work was not literature because the moment he admitted Wheatley’s work was indeed literature, he would have had to admit she was a human being. The way Phillis Wheatley handled the adversity she faced is admirable. Wheatley definitely impacted American history, and “owes her place in history to advocates of inequality” (Young 1999
As a final point, Phillis Wheatley may have been bought a slave but she never lost faith and ended up being one of the best known poets in the early nineteenth century. This poem illustrates how she was living in darkness in Senegal, West Africa and because of slavery she was bought and brought to America. In this poem “On Being Brought from Africa to America,” Wheatley uses poetic devices such as similes, metaphors, hyperboles to illustrate color and darkness, multiple meanings of words, and the relationship between skin tone and salvation. This poem seems to be a narrative of her life and how slavery might have been the best thing that happened to her.
To further analyze a more spoiled African American of the time, Phillis Wheatley did address the issues of her race as much as Sojourner Truth did. Wheatley mainly wrote “to Whites, for Whites and generally in the Euro-American tradition at that time” (Jamison 408). Her content focused on Christianity, morality, virtue, and other non-African-American-related topics. Her poetry has an underlying attitude of a white, not an African American. She shares the same views and attitude as a Caucasian, therefore she is part of African American literature because she was born into it, but she did not share the particular views and struggles of the African American population. She was heavily praised, because it was not expected from an African such as herself, although her upbringing should be considered. Some white men admired her work, because it was more than
Phillis Wheatley marks the beginning of the African-American literary tradition. Although she is the first African-American to become a published author, it is Wheatley’s work that proves her originality as it reflects a specific time in American history, her status as a slave, and a young woman of Christian faith (Harris). Each of these inherently contribute to her fresh African-American perspective. Wheatley is ingenious in the way she subtly ties in the roots of slavery and racism in a way that whites did not feel guarded. Not only does her work allow those with a conscious to at least somewhat consider the African-American point of view, but it invites criticism by those who care not to see African-Americans as intelligent equal beings that deserve respect. Some of the African-American community also criticizes that Wheatley did not speak enough about the injustices of slavery and prejudices of her time (Scheick). These critics are simply unable to see the Wheatley’s intent as her writing breeds originality and attention to a young and well-educated African-American woman whose words could stifle her freedoms if put any other way. In evaluating Wheatley’s On Being Brought from Africa to America, An Hymn to the Evening, and To the University of Cambridge, in New-England it is clear to see that she could only be imitative in style perhaps, but nuances of her heritage is what places her “writing at the heart of any definition of an African-American canon” (Harris).
Phillis Wheatley was an African-born slave in the last quarter of the eighteenth-century in New England. She was born in West Africa and brought to America on the slave ship Phillis. She was, however, much more than chattel-she was a poet. Phillis was the first African American to have a book published. In a time when women were not expected to be able to read or write, and when teaching an African American to be literate was frowned upon, Phillis Wheatley became educated in Latin and English literature. The education of Phillis Wheatley was, for the most part, for the intent of training "a servant and would-be companion for domestic utility," in which they undoubtedly succeeded. However, they "got an intellectual adornment" who, with her knowledge of the poems of Alexander Pope, the "Puritanical whiteness of her thoughts," and ability to write poems, soon became a celebrity among Boston?s social elite (Richmond 18,19).
Phillis Wheatley, who is now known as one of America’s most scholarly writers, has made a major impact on American Literature today. Her role in Literature had influenced many African Americans during this time period because it was very uncommon for them to become educated. Her poems made some people realize that they shouldn’t have slaves. Many people say that Phillis Wheately should go down in history as a hero while others say that she should not. Phillis is a historical hero because of the extraordinary courage that she showed by writing her poems while facing the adversities that she encountered. People disagree with this statement because they say that she did not make a difference in history.
In her essay, “Loopholes of Resistance,” Michelle Burnham argues that “Aunt Marthy’s garret does not offer a retreat from the oppressive conditions of slavery – as, one might argue, the communal life in Aunt Marthy’s house does – so much as it enacts a repetition of them…[Thus] Harriet Jacobs escapes reigning discourses in structures only in the very process of affirming them” (289). In order to support this, one must first agree that Aunt Marthy’s house provides a retreat from slavery. I do not. Burnham seems to view the life inside Aunt Marthy’s house as one outside of and apart from slavery where family structure can exist, the mind can find some rest, comfort can be given, and a sense of peace and humanity can be achieved. In contrast, Burnham views the garret as a physical embodiment of the horrors of slavery, a place where family can only dream about being together, the mind is subjected to psychological warfare, comfort is non-existent, and only the fear and apprehension of inhumanity can be found. It is true that Aunt Marthy’s house paints and entirely different, much less severe, picture of slavery than that of the garret, but still, it is a picture of slavery differing only in that it temporarily masks the harsh realities of slavery whereas the garret openly portrays them. The garret’s close proximity to the house is symbolic of the ever-lurking presence of slavery and its power to break down and destroy families and lives until there is nothing left. Throughout her novel, Incidents in the Life of a Slave Girl, Harriet Jacobs presents these and several other structures that suggest a possible retreat from slavery, may appear from the outside to provide such a retreat, but ideally never can. Among these structures are religion, literacy, family, self, and freedom.
Frederick Douglass and Richard Wright wrote memoirs recounting their experiences with racism. Though their writing styles are completely different from one another, the subjects they discuss are similar. After reading each piece they have both made me empathize with their feelings, however different their lives are from mine. Their memoirs, My Bondage My Freedom and Black Boy, provide insightful images of the racist and cruel treatment these writers experienced. Despite all of their stylistic differences, after both excerpts I understand the passion they felt for the hatred they endured.
“A Slave no More”, is a book that examines the American slaves in the wake of the Civil War. David Blight who is the author illustrates the stories of two men; John Washington and Wallace Turnage who both served as slaves in the pre-emancipation period in America. According to Blight, Washington escaped from the town of Fredericksburg while at the age of twenty-four and was able to enter the Union army in the period of 1862 (Blight, 2007: p. 1).
The poetry of Phillis Wheatley is crafted in such a manner that she is able to create a specific aim for each poem, and achieve that aim by manipulating her position as the speaker. As a slave, she was cautious to cross any lines with her proclamations, but was able to get her point across by humbling her own position. In religious or elegiac matters, however, she seemed to consider herself to be an authority. Two of her poems, the panegyric “To MAECENAS” and the elegy “On the Death of a young Lady of Five Years of Age,” display Wheatley’s general consistency in form, but also her intelligence, versatility, and ability to adapt her position in order to achieve her goals.
In relation to the novel, The Narrative of the Life of Frederick Douglass, Frederick Douglass’s disobedience ultimately sparked his freedom. Being introduced to the “heart-rending shrieks” from his aunt at such a young age, slavery implanted a long-lasting effect on his life. Often times, when one experiences a painful memory in the manner such as watching a family member hit until they are covered with blood, sparks a fire to stand up for what is right in the back of their mind. Douglass carried those visions of his aunt along with him his whole life, as well as his own repulsive
Phillis Wheatley overcame extreme obstacles, such as racism and sexism, to become one of the most acclaimed poets in the 18th Century. Her works are characterized by religious and moral backgrounds, which are due to the extensive education of religion she received. In this sense, her poems also fit into American Poetry. However, she differs in the way that she is a black woman whose writings tackle greater subjects while incorporating her moral standpoint. By developing her writing, she began speaking out against injustices that she faced and, consequently, gave way to authors such as Gwendolyn Brooks and Countee Cullen.
In conclusion, women were considered property and slave holders treated them as they pleased. We come to understand that there was no law that gave protection to female slaves. Harriet Jacob’s narrative shows the true face of how slaveholders treated young female slave. The female slaves were sexually exploited which damaged them physically and psychologically. Furthermore it details how the slave holder violated the most sacred commandment of nature by corrupting the self respect and virtue of the female slave. Harriet Jacob writes this narrative not to ask for pity or to be sympathized but rather to show the white people to be aware of how female slaves constantly faced sexual exploitation which damaged their body and soul.
The clash between racial reality and idea is what is artistically shown in “on being brought from Africa to America”. Wheatley is a subtle rebel. At the beginning of her poem she shows thanks for being enslaved because it brought happiness to her life in finding Christianity, but as time goes by we start to see the true tone of Wheatley, which clearly show in the last two lines of the poem, now Wheatley begins to take a big position of power as if she already has the attention of the reader. Wheatley continues by saying that Africans may not be perfect but the Christians who enslave human beings aren’t