In the film, The Silence of the Lambs, Clarice Starling is a rookie FBI agent in the training academy; her superior, Jack Crawford, wants her to interview Dr. Hannibal Lecter, a psychopath who is serving life behind bars for various acts of murder and cannibalism. Crawford believes that Lecter may have insight into a case and that Starling may be able to obtain his help. The case Sterling is assigned to solve with the help of Lecter is about a psychopath known as ‘Buffalo Bill’; he kidnaps young women across the Midwest, holds them captive for a few days, and then murders and skins them. Although initially pleasant and courteous, Lecter grows impatient with Starling's attempts at "dissecting" him and viciously rebuffs her. As Starling departs, another patient assaults Staring, which enrages Lecter. He calls Starling back to his cell and offers a riddle containing information about a former patient. The solved riddle leads to a rent-a-storage lot where the severed head of Benjamin Raspail is found. Starling returns to Lecter, who links Raspail to Buffalo Bill and who offers to help profile Buffalo Bill if he is transferred to a facility far from the venomous, careerist Dr. Chilton. Miles away, Buffalo Bill tricks and abducts Catherine Martin, the
I think it’s so smart and well done, it makes me believe that its real life. Another reason why I picked this film was because I want to be in law enforcement; the idea of someone like Clarice Starling being able to survive and accomplish what she did, gives me hope that I will be able to as well. One of the final reasons for picking The Silence of the Lambs is because I believe many sociological theories can explain parts of the story line. Two social theories I want to connect to the film are Jean-Jacqes Rousseau’s theory, that man is “good” in nature, and the polar opposite; Aristotle, and his theory that man is “bad” in
Anyone who has had the chance to read Mary Shelly’s original Frankenstein and watch the movie Young Frankenstein is aware that there is quite a difference when it comes to the two of them. For one it is easy to point out that Young Frankenstein is set out to be a comedy while the original version of Frankenstein is made to be serious. Young Frankenstein is a 1977 film that tells the story of Victor Frankenstein’s grandson. The film adaptation is essentially a parody of the classic tale along with other versions of Frankenstein. It pointed out from the start of the movie that it would run directly parallel with the original tale when Fredrick Frankenstein was mentioned to be the grandson of the infamous Victor
The film was about a group of people trying to survive the night against an undead horde. It first showed us a brother and a sister, Barbra and Johnny. They are visiting their father’s grave. Johnny rants about how this is a waste of time and acts very poorly in the cemetery. They are attacked by a zombie and Barbra leaves Johnny behind. She finds a farmhouse and runs inside, hiding from the zombie. Soon after, she goes outside and a new character named Ben is introduced. He helps board up the entire house to hold out for the night. He routinely lit things on fire and threw them in front of the porch, keeping the zombies at bay. Ben tried asking Barbra questions but she was no help. She wouldn’t talk about anything or explain her story to Ben. After barring up the windows and doors they are safe for some time. Now the rest of the characters are introduced,
Gone with the Wind is a classic fictional love story that depicts life in the old south before, during and after the Civil war. The book was originally written in 1936 by Margret Mitchell, the movie adaptation was released in 1939, directed by Victor Fleming, and staring Clark Gable and Vivian Leigh. Ms. Mitchell grew up listening to Civil war stories from confederate veterans. It was reported that they told her everything; everything that is, except that they had lost the war, she found that out when she was 10 years old. Though the book was written 71 years after the Civil War ended, Ms. Mitchell did her research and appears to have drawn inspiration from those childhood stories that she was told. This is apparent in the detailed description of the clothing, houses, and everyday discussions and interactions of the characters throughout the book. Though not all historically correct most of what is in the book is accurate. During the time the movie was released, “damn” was considered to be vulgar and controversial and they used the term “darkies” to describe the slaves.
Anticipation, suspense, tension, excitement - these words come to mind when we think of the genre, Thriller. According to The Script Lab, thriller’s aim is “to keep the audience alert and on the edge of their seats” (Buffam, 2015). In these movies the main character, or the protagonist, is faced with a problem - whether it being a mystery, an escape or a mission. Just like every other genre in the film industry, Thrillers also contain a few sub-genres - but the main focus of every Thriller film out there it will always underline the menace that the hero faces.
The Bad and The Beautiful (1952) and State and Main (2000) are films within films that unmask Hollywood Cinema as a dream factory and expose the grotesque, veneer hidden by the luxury of stars. The Bad and the Beautiful, directed by Vincent Minnelli, is a black and white film narrated in flashback form. The films theatrical nature requires more close-ups than wide-screen shots to capture the character’s psychological turmoil. For example, Fred and Jonathan’s car ride is captured in a close-up to signify their friendship; however their relationship deteriorates after Jonathan’s deceit. While the camera zooms out, Fred stands alone motionless. Here, Fred is captured from a distance at eye-level and he becomes ostracized by the film industry and
While The Silence of the Lambs focuses mainly on Hannibal Lecter, the cannibalistic prisoner who offers to help FBI agent Clarice Starling on a serial-killer case, I want to first talk about Jame Gumb, aka Buffalo Bill. Although the movie is fictitious, Buffalo Bill’s method of kidnapping and murdering women was clearly influenced by many different serial killers, but not everyone realizes that the strange movie characters were based on real life serial murderer. Thomas Harris got the motivation to write the novel that would inspire this film after meeting FBI agent John E. Douglas, who is known as one of the godfathers of criminal profiling. While attending Douglas’ lecture, Harris learned about three infamous serial killers: Ted Bundy, Gary M. Heidnik and Ed Gein. These three men all played significant
The topic of dehumanization has an interesting dynamic in Demme’s film The Silence of the Lambs. This consists of the fact that the Clarice Starling’s own humanity is consistently undermined and almost immediately rectified by Dr. Lecter. Lecter in himself is an ironic character since while he has no fear about killing someone through cannibalism. One of the highest symbolic forms of dehumanization possible, he still respects and guards Starling’s humanity. This character receives even more complexity as Lecter is revealed as more and more calculating and cold throughout the series, almost appearing desensitized to most human emotions, interactions and concerns. Lecter’s analytical, observant, and almost sociopathic outlook on his surroundings contrasts heavily with Starling’s earnest desire to discover the secrets behind Buffalo Bill’s identity and reasons, a desire to
In the movie “Silence of the Lambs”, the secondary antagonist, Dr. Hannibal Lecter, was interrogated by FBI trainee Clarice Starling on the whereabouts of the main antagonist nicknamed Buffalo Bill. Starling asked Lecter for his help on solving the case because he is a brilliant psychiatrist and psychopath, currently incarcerated at the Baltimore State Hospital for the Criminally Insane. Buffalo Bill was kidnapping young women and skinning them in order to make a “woman suit” for him to wear, being a deranged transvestite. Starling asked for Lecter’s expertise because of his medical background and experience with his own personal disorder. Lecter was presently imprisoned because he is a ruthless cannibalistic serial killer. Before the audience actually meets Lecter, they are told he is dangerous, manipulative and an outright monster, calling him a “most prized asset”. Upon meeting him, Lecter appears to be subdued within his cell, a combined mixture of oddness and genuine care in his body language and facial features. When Starling introduces herself, Lecter listens intently, seemingly approachable and friendly for advice. Although the tone of his voice gives off a rather disturbing persona, he can easily be categorized as a disciplined, cultural and polite individual at first glance. In the 16 minutes total that Lecter appears in the movie, his presence automatically commandeers the flow of the conversation and mood of the environment that he is placed in.
People flock to horror movies each year. Usually to be scared. Another is to solve the question of Who done it? Unfortunately, a lot of these horror movies fail to scare people or make the killer so obvious the audience gets bored. Occasionally, there are a few horror movies that stick out. Scream, directed by Wes Craven, is one of them. Wes Craven is always toying with the viewer's fears. Always finding ways to scare the audience at every turn. He also plays with the viewer's head, and has them second guessing themselves. How does he do it? Well, as one of the characters in the movie exclaims, "There's a formula to it. A very simple formula. Everybody's a suspect!" This paper will discuss how Craven uses sound, camera shots, and mise en scene
Men in Black (1997) is the first installment of a what is currently three total films, with a possible fourth in the making. Since it is a part of a franchise there is a lot of groundwork laid in this first film. We’re introduced to the main Leif Motive, or theme, for the Men in Black agency. What’s interesting is how we are kind of thrown into this film, with minimal background to what is going on. Overall this film has a unique style, a good integration of the soundtrack elements, and places the viewer in this different world where aliens exist.
In the recent past there been an increase in the number of zombie films, videogames and books. In fact IMDb reports that a whopping 68 films have so far been released in 2015 alone(IMDb). This has elicited a big debate on the significance of zombies in the modern culture. This is important because while so many people are finding the living dead interesting, the forms of entertainment that we as a society choose are relevant. Different perspectives have been put argued on this issue. This paper is going to use the movie film Anger of the Dead by Francesco Picone to consider concerns and issues in the contemporary culture brought about by zombie films. Generational disillusionment, global capitalism and hopelessness are the three aspects of
Sex, love, depression, guilt, trust, all are topics presented in this remarkably well written and performed drama. The Flick, a 2014 Pulitzer Prize winning drama by Annie Baker, serves to provide a social commentary which will leave the audience deep in thought well after the curtain closes. Emporia State Universities Production of this masterpiece was a masterpiece in itself, from the stunningly genuine portrayal of the characters of Avery and Rose, to the realism found within the set, every aspect of the production was superb.
Since the birth of movies, Hollywood has strived to delve into the human experience and present certain aspects of life to the general population. Mental disorders are just one of many topics that are often explored for use in the media. The film A Beautiful Mind focuses specifically on paranoid schizophrenia, and follows protagonist John Nash’s life as he lives with the disorder. The film details Nash’s presymptomatic life at Princeton University, follows him through the early stages of the disorder, and continues as the symptoms begin to overrun his life. Luckily for Nash, his disorder is eventually clinically diagnosed and he is treated. The movie not only shares the tale of Nash’s life, but also shares with audiences a lesson about the
One of the biggest traits of psychopath serial killer is their inability to empathize with human feelings. There is no generic profile for psychopath serial killer. Serial killers differ in many ways, including their motivations for killing and their behavior at the crime scene. They will use people for excitement, to build self-esteem. In the movie the behavioral science doctor mentions that Dr. Lecter ate a nurse’s tongue and during the ordeal his pulse rate never raised above eighty-five, which is usually a pulse pate of a regular person that is resting. The calmness he displays is a shallow emotional response, as well as lacking empathy or remorse.
There is an intellectual discussion over the accuracy of war films and whether or not these should focus more on telling the truth or decorating it a little. Indeed, the narrative of war films has change throughout the years because the purpose of such films has evolved, especially those representing the World War II years and the aftermath. At the time of war, films were employed with diverse objectives for example to urge the public to support the war, to narrate the latest events, or to rebuild the image of the heroes. Most of the times the perspectives of films could vary depending on the country the film was produced in or which side of the story was being narrated. The plot of most war films might not be real, but they were necessary