Sex, love, depression, guilt, trust, all are topics presented in this remarkably well written and performed drama. The Flick, a 2014 Pulitzer Prize winning drama by Annie Baker, serves to provide a social commentary which will leave the audience deep in thought well after the curtain closes. Emporia State Universities Production of this masterpiece was a masterpiece in itself, from the stunningly genuine portrayal of the characters of Avery and Rose, to the realism found within the set, every aspect of the production was superb. When the lights come up the audience is immediately thrown into an old and dingy movie theatre complete with popcorn strewn across the floor. It is within this set that deep social commentary is made throughout the …show more content…
Although the costumes are very simple, the difference and the effect of the costumes before and after the theatre is sold to a chain company is astounding. During the time in which the theatre is owned by the original owner, the style of costume is somewhat complex. The stark contrast between the color of Sam and Avery’s uniforms and the color of the set makes them stand out visually from the rest of the set. Also, before the theatre is sold, Rose does not seem to wear her uniform but instead wears clothing that many people would associate with a lazy day at home. This costume choice for Rose empowers who she is as a character. After the theatre is sold, each of the three employees is wearing a plain red uniform with black pants, black shoes, and a nametag hung around their neck. This uniformity is a commentary on the sale of the theatre to a big brand company. When the theatre was sold, it was sold into a chain system, in this system the employee loses all individuality and becomes nothing more than a clone. This cloning plays a key role in the final scene between Avery and Sam when Avery realizes he is better off because now he is no longer a part of a system, he can advance in the …show more content…
Rose is portrayed throughout the production as the promiscuous projectionist who isn’t quite sure what she wants out of life other than a good time. Outside of the world of the play it is obvious to tell if someone is flirting, there are many innate behaviors associated with the act itself. Given this fact, Rose’s flirting with Avery was extremely realistic, from the causal touches to his shoulder, to the way that she looked at him while they were watching the movie, every aspect of her acting was extremely life-like. This impressive use of skill allowed the audience to become more engrossed in who Rose is supposed to be as a
In Annie Baker’s 2013 Pulitzer Prize winning play The Flick two men, Sam, a thirty-five year-old who has been stuck in the same job for years, Avery, a twenty year old black man with a obsession for movies, and Rose, a confidant yet itimidating woman who works in the projection booth. As the play progresses the characters relationships are formed forcing their fears, dreams, and desires to slowly surface.
Time and language are both basic constructs for society. Individuals depend on the existence of time to organize their lives and language to have the ability to communicate with those around them. Though the technicalities of time and language have changed over the years, they have, for the most part, remained the same conceptually. However, The Arrival, a science fiction movie released in 2016, took the philosophy behind time and language and altered it completely. The Arrival tells the story of Dr. Louise Banks, a professor of language, as she attempts to decipher the language of the aliens. In doing so, her perceptions of time are completely changed, an experience which causes emotional
Gone with the Wind is a classic fictional love story that depicts life in the old south before, during and after the Civil war. The book was originally written in 1936 by Margret Mitchell, the movie adaptation was released in 1939, directed by Victor Fleming, and staring Clark Gable and Vivian Leigh. Ms. Mitchell grew up listening to Civil war stories from confederate veterans. It was reported that they told her everything; everything that is, except that they had lost the war, she found that out when she was 10 years old. Though the book was written 71 years after the Civil War ended, Ms. Mitchell did her research and appears to have drawn inspiration from those childhood stories that she was told. This is apparent in the detailed description of the clothing, houses, and everyday discussions and interactions of the characters throughout the book. Though not all historically correct most of what is in the book is accurate. During the time the movie was released, “damn” was considered to be vulgar and controversial and they used the term “darkies” to describe the slaves.
Saw is a American horror film directed by James Wan. The film is about a killer who calls himself the Jigsaw. He kills and/or “teaches” his victims to respect life. He watches his victims and then abducts them when learning their problems in life.
What components make a movie successful in cinema? Filmmakers have crafted a formula to successfully deliver the hero narrative. This formula consists of the hero’s journey and archetypes. Hero films typically follow a ten-step sequence to properly set up and execute the hero’s journey. These movies range from stories of transformations, searches, or a journey back home. Archetypes are used to employ character profile as well as add variety and depth to these stories. Ridley Scott directed Alien, in which Ellen Ripley embarks on a journey where she must survive an alien who is out on a murderous rampage and return back to Earth. Alien adds originality to its storyline by choosing a female lead instead of a male, but the film still incorporates the same heroic attributes that make a story successful. In this “going home journey” film, Scott is able to incorporate the hero’s journey and the official hero archetype towards the heroine Ellen Ripley.
In my opinion Stanley Kubrick is, to this day, one of America’s greatest directors. He is renowned for directing films like Dr. Strangelove, 2001: A Space Odyssey and A Clockwork Orange; Stanley Kubrick doesn’t just limit himself to one type of genre, he works across the entire spectrum and, still, each and every one of his films demonstrate flawless directing, a palpable atmosphere and a great sense of intelligence. The Shining is one of his later works and it is widely deemed one of, if not THE, greatest horror film ever made. It is based on Stephen King's 1977 novel; however Kubrick very much took the storyline into his own hands for the film and made a considerable amount of changes throughout. It is a captivating, twisted and sinister film which is as notorious in popular culture today as it was when it first came out.
"Mrs. Robinson, you are trying to seduce me," says Benjamin Braddock (Dustin Hoffman). The Graduate, directed by Mike Nichols in 1967 is an influential satire/comedy film about a recent East Coast college graduated who finds himself alienated and aimless in the changing, social and sexual general public of the 1960s, and questioning the values of society. The theme of the film is of an innocent and confused youth who is exploited, mis-directed, seduced (literally and figuratively) and betrayed by a corrupt, self-indulgent, and discredited older generation (that finds stability in “plastics”) that I found to be quite clear and understanding, while also capturing the real spirit of the times and allows America's youth to perceive onscreen an image of themselves which they can both identify with and emulate. The Graduate is a significant film even today due to its use of abstract camera angles, telephoto lenses, excellent cinematography, and great acting. Few visual effects were used, however, matting and numerous point of view shots were used. These characteristics and the fabulous use of mis-en-scene, great writing and the era of the film all made The Graduate what it is today, magnificent.
The theater that the play was preformed in proscenium theater. The audience was only able to sit on one side of the stage make it look like the production had a frame. The scene design was very complex for such a small local production this allowed the audience to feel as if the show was being preformed at a more lavish venue. The lighting provided select visibility at times when the audience was to be focused on a specific individual. The lighting also provided rhythm and structure allowing the light to make changes so the scenes flowed smoothly. The mood was also set by lighting when the characters were in a calm state the lights were low and focused only on the person who's emotions the audience was suppose to connect with. Most importantly the illusion and motivation was set my the lighting this is what allowed the audience to feel as if time was really passing. The lighting allowed for the audience to feel connected to daylight conversations, moonlight walks, and indoor functions. The costumes reflected the time period of the early 1900's that the play was set in. This allowed the audience feel as if they are able to be part of the past. The women had simple long skirts and blouse with floral patterns. Hairstyles were neat and tidy like the time period they were portraying. The men wore three piece suits and hats that appeared to be fitting of the 1900's. The costumes
Transitioning the focus of how queer and cultural representation in the media, between 2010 -2015, the vision is present. Many story lines tackle the kind of resistance that might appear in families whose members classify across lines of sexuality, race, and ethnicity to explore diversity. Reaching into how gay and lesbian representation in the media is perceived, the 2013 ABC Family series, The Fosters, is a great example of queer visibility on television after 2010. The American drama series follows the lives of charcters, Lena Adams and Stef Foster, who are an interracial couple living in San Diego, raising Stef’s biological son, Brandon, along with their adopted twins, Jesus and Mariana. As the TV series begins, Lena’s occupation is a
Trainspotting presents an ostensible image of fractured society. The 1996 film opens, famously, with a series of postulated choicesvariables, essentially, in the delineation of identity and opposition. Significant here is the tone in which these options are deliveredit might be considered the rhetorical voice of society, a playful exposition of the pressure placed on individuals to make the "correct" choices, to conform to expectation.
The Breakfast Club (John Hughes, 1985) is a film in which focuses on the stereotypes of teenagers within high school and the difficulties that are faced during this period of their lives. The film is based on a group of five young adults who have never met before, and are in Saturday detentions for varied reasons. They are asked to write a thousand word essay in which they have to describe who they think they are, but instead refuse to do so. Due to this, they get bored and it permits for them to bond and share experiences, beliefs and values. From this, they discover that although they are all different on the outside but in fact they are similar on the inside. This then allows for them to grow and develop not only as a group, but as individual
Roland Joffé’s The Mission excellently demonstrates the powerful, far reaching, and frankly, life changing effects cultural interaction between differing cultures can have. Set in the mid 18th century in the Amazon rainforest, the film primarily focuses on Father Gabriel, a Jesuit missionary played by Jeremy Irons, as he establishes a Christian mission for the purpose of converting the native Guarani people, and later as he organizes a resistance effort opposing the closing of the mission. In critical instances throughout the movie, the positive effect of cultural interaction is evidently clear, as the Guarani way of life is greatly improved through the knowledge and technology Father Gabriel, Mendoza and the rest of the mission introduce to the Guarani, while in other scenes the obvious downsides of cultural interaction are violently and brutally exposed as Portuguese settlers destroy the mission and enslave the Guarani.
The Exorcist is a wonderfully crafted horror film that has withstood the test of time, as some even now cannot listen to "Tubular Bells" (my fiancé's father) without having flashbacks. Even though it was made almost half a century ago, people will still cower and groan with the movie; this is how it is still a household name to this day. I enjoy this movie tremendously and believe it to be a monumental achievement of the horror genre. My opinions of this movie are vast as this is another one of my favorite movies.
After watched the Shutter Island, I believe this film is combat against stigma of mental ill.
1980. Warner Bros. Directed by Stanley Kubrick. Music by Wendy Carlos and Rcachel Elkind. Cinematography by John Alcott. Editing by Ray Lovejoy. With Jack Nicholson, Shelley Duvall, Danny Lloyd.