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Importance of settings in literature
Importance of setting in literature
The importance of settings in novels
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Setting plays a large role in the story “Greasy Lake.” The rebellion and dialogue in “Greasy Lake” suggests that the story was set in the 60’s. Even the title itself suggests the time of “greasers.” The 1960’s was a series of rebellious acts, loud music, and muscle cars. There are many different pieces of evidence to support this time period. For example, the “torn-up leather jackets” were the style of the decade. The author describes cars such as a “’57 mint, metallic blue Chevy” and a Trans-Am. This story begins with a quote from Bruce Springsteen. “It’s a mile down on the dark side of Route 88,” suggesting that the story is set in the East, as Route 88 runs through New York. Readers can also infer that this story is set in or near New York …show more content…
First, the narrator is a very responsible man who wants his work to be very neat and orderly. Turkey works well in the mornings, but once in hits noon, his qualifications begin lacking. In the afternoon Turkey is hasty when it comes to his afternoon work. He spills ink blots on the pages of important documents but insists upon staying and working. Nippers is the opposite of Turkey. He works much better in the afternoons and is agitated in the mornings. Nippers is tidy when doing his work, which he sometimes does so aggesively. Ginger Nut holds his position in the office as a way to please his father. He is very quick-witted and a loyal worker for his age. Bartleby is a very mysterious character. He is quiet and ultimately sneaky. These characters all play a specific role in the story. The narrator of the story is the protagonist while Bartleby serves as the antagonist. The three other characters act as foils for both Bartleby and the …show more content…
In the beginning of the story, the narrator finds Bartleby to be very helpful and an excellent worker. He sees him as the person that will make up for the flaws in his other employees. The narrator states, “… glad to have among my corps of copyists a man of so singularly sedate an aspect, which I thought might operate beneficially upon the flighty temper of Turkey, and the fiery one of Nippers.” As the story progresses, the lawyer bounces back and forth between being irritated and perplexed by Bartleby. He attempts to fire the unresponsive employee but Bartleby refuses to leave. The narrator gives in and allows Bartleby to stay. When Bartleby is arrested, the lawyer feels bad for him and pays for him to have better meals. Upon Bartleby’s death, the narrator feels especially bad for
Some people go through life thinking they are invincible or a bad until events happen in your life where you find out whether your bad or not. People go through this all the time and this is part of growing up. In "Greasy Lake:" by T.C. Boyle, the narrator of this story undergoes a "character arc;" by the end of the story he has developed more as a character (i.e undergone changes), and is noticeably different than he was at the onset of the narrative.
The lake itself plays a major role throughout the story, as it mirrors the characters almost exactly. For example, the lake is described as being “fetid and murky, the mud banks glittering with broken glass and strewn with beer cans” (125). The characters are also described as being “greasy” or “dangerous” several times, which ties the lake and the characters together through their similarities. The narrator explains, “We were bad. At night we went up to Greasy Lake” (124). This demonstrates the importance that the surroundings in which the main characters’ choose to be in is extremely important to the image that they reflect. At the beginning of the story, these characters’ images and specifically being “bad” is essentially all that mattered to them. “We wore torn up leather jackets…drank gin and grape juice…sniffed glue and ether and what somebody claimed was cocaine” (124). They went out of their ...
In 'Greasy Lake,' the dualism of the characters' nature is ever-present. They are self-proclaimed bad guys who 'cultivated decadence like a taste' (79). As the story progresses, however, it is revealed that just the opposite is true. While they are essentially caricatures of themselves, it is this dynamic that drives the story. Their tough exterior is just that, an exterior veneer that permeates their actions as 'dangerous characters.' The narrator is somewhat detached from the younger self of his story. It is an ironic detachment'a parody of his moral ignorance. He recalls the 'bad? antics of his youth: driving their 'parents' whining station wagons,' but doing so as bad as humanly possible, of course. He mocks both himself and his friends in his retrospection of their experience in Greasy Lake, the consummate locale of 'bad.' To the boys, the lake serves as a kind of haven for bad characters such as themselves. Truly, however, the lake is an extension of the dynamic between who the boys are and who they parade around as. It is here where the previous and false understanding about their world is shattered, and they are thrust into a moralistic reformation. Ultimately, the dichotomous nature of the protagonist is resolved by his visit to the lake, and perhaps, the lake itself.
Proximity to death is more than a reoccurring theme in “Greasy Lake”. Mortality is almost synonymous with growing up and the inevitable change from adolescence to adulthood. The older people get and the more life people have, the closer death is to everyone. After each incident, the narrator grows and finds himself one step closer to demise, barely able to escape from the vise of
Bartleby demonstrates behaviours indicative of depression, the symptoms he has in accordance with the DSM-IV are a loss of interest in activities accompanied by a change in appetite, sleep, and feelings of guilt (Diagnostic and Statistical Manual of Mental Disorders, 4th edition, 320). Very shortly after Bartleby begins his work as a Scrivener he is described by the narrator as having done “nothing but stand at his window in his dead-wall revery”. (Melville, 126) In contrast, Bartleby had previously been described as a very hard worker and this process of doing increasingly less shows how his a diminishing sense of interest both in his work but also of the perception others have of him. It is also noted that included in this lack of interest is a social withdrawal (DSM—IV, 321) which corresponds well to Bartleby in that his workspace becomes known as his “hermitage”. During small talk which included Bartleby he says that he “would prefer to be left alone”. (Melville, 120) Bartleby only emerges from his hermitage when called upon and quickly returns when faced with confrontation.
In Herman Melville's short story, Bartleby, the Scrivener, the narrator's attitude towards Bartleby is constantly changing, the narrator's attitude is conveyed through the author's use of literary elements such as; diction-descriptive and comical, point of view-first person, and tone-confusion and sadness.
Herman Melville uses a first person point of view to show the narrator’s first hand fascination with his employee Bartleby, as well as Bartleby’s strange behavior and insubordination.
In the short story “Bartleby, the Scrivener,” which was written by Herman Melville, the character named Bartleby is a very odd, yet interesting individual. In the story, Bartleby is introduced when he responds to a job opening at the narrator’s office. Although there is no background information given about him, it becomes very apparent that he will be the antagonist in this story. Unlike the usual image put on the antagonist, Bartleby causes conflict with a very quiet and calm temperament. This character’s attitude, along with the fact that he is a flat and static character, makes him a very unique antagonist, and this fact is shown through the way other characters approach and deal with his conflict.
To begin, the focus will be set on the issues posed by the story of Bartleby. The audience may wonder why Bartleby goes from the employee who does his work without being problematic, to one who repetitively
McCall focuses his argument within the way in which Melville has written Bartleby, The Scrivener, he goes into detail about the comical aspects within the story and uses Melville’s description of Bartleby’s saying “I prefer not to,’ he respectfully and slowly said, and mildly disappeared.” (272). McCall suggests that the adverbs Melville uses, “respectfully” , “slowly” and “mildly” , “create[s] a leisurely little excursion into the uncanny” (279). I agree that the lawyer must have had some wit and good intentions in making the claim about Bartleby up to a point, I cannot accept this fully because many people still believe that the lawyer is unreliable. Most critics within the majority, as McCall reinstates, “believe, “the lawyer is “self-satisfied”, “pompous”…”a smug fool” who is ‘terribly unkind to a very sick man’ “(2660. I disagree with the idea that the lawyer was unkind and Bartleby was sick. The lawyer was fascinated by Bartleby’s responses to the job, and Bartleby, I feel knew exactly what he was doing in stating his responses. McCall acknowledges that “these cure two central problems in the story: the nature of Bartleby’s illness and the lawyer’s capacity to understand it,”
There are many themes highlighted in the short story Greasy Lake, by T. Coraghessan Boyle. Some of these themes include being adventurous, violence, and being young and restless. However, there is a main message that stands out more than the others and is the most centered theme of the story. This is the theme of coming of age through the narrator’s journey to finding out what it means to be “bad,” and whether or not he wanted to make bad choices.
Bartleby- The Scrivener In Herman Melville’s “Bartleby the Scrivener”, the author uses several themes to convey his ideas. The three most important themes are alienation, man’s desire to have a free conscience, and man’s desire to avoid conflict. Melville uses the actions of an eccentric scrivener named Bartleby, and the responses of his cohorts, to show these underlying themes to the reader. The first theme, alienation, is displayed best by Bartleby’s actions. He has a divider put up so that the other scriveners cannot see him, while all of them have desks out in the open so they are full view of each other, as well as the narrator. This caused discourse with all of the others in the office. This is proven when Turkey exclaims, “ I think I’ll just step behind his screen and black his eyes for him.”(p.2411) The other scriveners also felt alienated by the actions of the narrator. His lack of resolve when dealing with Bartleby angered them because they knew that if they would have taken the same actions, they would have been dismissed much more rapidly. The narrator admits to this when he said, “ With any other man I should have flown outright into a dreadful passion, scorned all further words, and thrust him ignominiously from my presence.” (2409) The next theme is man’s desire to avoid conflict. The narrator avoids conflict on several occasions. The first time Bartleby refused to proofread a paper, the narrator simply had someone else do it instead of confronting him and re...
Throughout his tale, Bartleby spends time in the office of his workplace for an unrelenting amount of time grinding away as a scribe. However, whenever asked to help with an additional task, his only response is, “I would prefer not.” His boss and coworkers consider this response strange, because his fellow employees would never think to express their true feelings to their superiors. They believe that they must do what they are told with no questions asked. In addition to this, Bartleby’s work place is predominantly male. The only female mentioned within the story is the housekeeper, who “weekly scrubbed and daily swept and dusted [the office].” This shows how traits that are considered feminine by societal gender roles are not favored in Bartleby’s occupation, and when Bartleby expresses his
My conclusion, then, is that the lawyer strays from the zone of comfort to only lead him back to it. For instance, he does not try to understand Bartleby through Bartleby’s perspective, but he wants to understand who Bartleby is so that Bartleby will conform to the way he is. The lawyer’s empathy that he shows towards Bartleby is not a genuine display for Bartleby, but as a selfish way to restore the order in which he does not have to deal with this conflict.
His efforts though are fruitless because he was not able to get to Bartleby and never truly understood him, even in prison as the man eventually dies of starvation. Although after his death the lawyer does learn of Bartleby’s previous and listless job at a ‘Dead Letter Office’ which made the lawyer sympathize for him and wonder if that job is what made Bartleby so distant. Bartleby was a loner who distanced himself from everyone, even in death, he was aloof and never interacted with anyone which is not considered normal human behavior because humans are supposed to be social. This story went a little deeper and gave the idea of humanity as a whole being apathetic towards each other, because only the lawyer showed any sort of humane concern for Bartleby while the others cared less. Bartleby himself displayed apathetic behavior as he showed little to no care for how his behavior affected others or even himself. Outside in the world, many people who are stressed out and constantly working tend to only focus on themselves and have little to no care for other people most of the time. It’s another negative view on humanity, but at the same time it’s not that wrong, as society made by humans also makes others so busy and stuck in tedious schedules that they gradually become more jaded and some even become distant and