Throughout T. C. Boyle’s work, “Greasy Lake”, a young man’s intrepid night leads him to discover how close death is to life. This realization causes a sombre awakening for the narrator as he falls in the midst of fatality; and practically becomes a casualty himself. Following each traumatic event, the narrator’s innocence disappears and morality is called into question. When death fast approaches, and the grim reaper is breathing down his neck, the narrator subsequently realizes his mistakes, but not before it’s almost too late.
The first close-to-death experience the narrator and his posse have involves a case of mistaken identity. The group wrongly identifies a lone car as that belonging to a mutual friend and flash their headlights in a
Hiding from those who would find him and carry out the wrath of vengeance upon him, the protagonist plans his escape. About to dive in the rancid water and swim for it, a body in the shallows abruptly stops him. The bloated and decomposing corpse pulls the narrator back from his adrenaline-induced frenzy. After a few moments, he settles and reflects, “I thought about him, fog on the lake, insects chirring eerily, and felt the tug of fear, felt the darkness opening up inside me like a set of jaws. Who was he, I wondered, this victim of time and circumstance bobbing sorrowfully in the lake at my back” (193). The narrator can almost envision himself as the man whose corpse is before him. Both deceased from mysterious causes, involved in shady activities, and left to rot in the stagnant lake water, and never to be discovered by the outside world. This marks the point where the main character is the closest he has ever been to death. Although he makes it out alive, the protagonist and his outlook on life are forever changed. Proximity to death is more than a reoccurring theme in “Greasy Lake”. Mortality is almost synonymous with growing up and the inevitable change from adolescence to adulthood. The older people get and the more life people have, the closer death is to everyone. After each incident, the narrator grows and finds himself one step closer to demise, barely able to escape from the vise of
The narrator character went from being a rebel or bad guy to having a conscience. Each series of events in Greasy Lake reassured him that he wasn’t a bad ass after all. Thinking about crying, vomiting, and wanting to crawl into the bed when the girl asked to party ultimately showed he changed for the better.
Nature has a powerful way of portraying good vs. bad, which parallels to the same concept intertwined with human nature. In the story “Greasy Lake” by T. Coraghessan Boyle, the author portrays this through the use of a lake by demonstrating its significance and relationship to the characters. At one time, the Greasy Lake was something of beauty and cleanliness, but then came to be the exact opposite. Through his writing, Boyle demonstrates how the setting can be a direct reflection of the characters and the experiences they encounter.
He changed what he thought about this rebellion he was a part of and decided he did not want to be involved with it anymore. Their personalities showed how they were frauds in their lives. In “Greasy Lake,” T. Coraghessan Boyle uses the lake, the keys, and the car as symbols to develop the theme of corruption in youth.
In Alistair McLeod’s collection of short stories the Lost Salt Gift of Blood; death seems to be a constant companion. Death is important and perhaps even symbolic in this collection of short stories. It is important because it has the power to affect people and relationships, invokes freedom and even predetermines ones future, through the death of animal’s people and the impending death of others.
"One day he caught a fish, a beautiful big big fish, and the man in the hotel boiled it for their dinner" (p.191). Little did Mrs. Malins know that those words issued from her feeble old lips so poignantly described the insensibility of the characters in James Joyce's The Dead toward their barren lives. The people portrayed in this novelette represented a wealthy Irish class in the early twentieth century, gathered at the house of the Morkan sisters for an annual tradition of feast and dance. Although all of the personages had, at one point, a potential for a beautiful life, sad memories of the past and the despair that invaded Ireland had eventually boiled all true senses and desires into a dull stew, destined to rot. Of particular interest is Gabriel Conroy, whom Joyce singularly bestowed a gift of introspection, though that did not save him from becoming yet another of the living dead.
“Greasy Lake" is the story of a group of teenage boys, some what wanna be tough-guys, searching for the one episode that will establish their place in the tough-guy world. The story starts with the narrator giving us the impression that he thinks that he and the others should have taken notice of some of he signs about themselves. If they would have taken notice they would have realized that they were far from the tough-guys they wanted to be. Instead, the teenagers ignore these signs and continue in search of their tough-guy status.
Emily Dickinson is well-known as a poet who lived a secluded and sheltered life. Many of her poems focus on subjects of death and dying. In “Because I could not stop for death”, Emily Dickinson expresses her very personal thoughts on death and what follows. She presents these thoughts in the form of a poem in which she shares her feelings and philosophies as someone who experienced life as a sheltered recluse. This paper will review Emily Dickinson’s poem, and will evaluate her use of familiar sensory stimuli to describe the three stages of life as well as her use of personifications, metaphoric devices, and tone to illuminate death in a pleasant light and contradict its connotation as the end.
There are many themes highlighted in the short story Greasy Lake, by T. Coraghessan Boyle. Some of these themes include being adventurous, violence, and being young and restless. However, there is a main message that stands out more than the others and is the most centered theme of the story. This is the theme of coming of age through the narrator’s journey to finding out what it means to be “bad,” and whether or not he wanted to make bad choices.
Emily Dickinson’s “Death is a supple Suitor,” speaks of Death, as if it is an innocent, gentle caller who seeks to win the attention of his fair lady. Dickinson metaphorically tells a story of Death’s win over the one he is pursuing by contrasting the processes of courting, as a gentleman would do, and dying, as Death would occur. Dickinson incorporates many details, which will be discussed, and presents us with two sides of the running metaphor, which speaks of Death as a suitor, and also as the one who takes away life.
Throughout his villanelle, “Saturday at the Border,” Hayden Carruth continuously mentions the “death-knell” (Carruth 3) to reveal his aged narrator’s anticipation of his upcoming death. The poem written in conversation with Carruth’s villanelle, “Monday at the River,” assures the narrator that despite his age, he still possesses the expertise to write a well structured poem. Additionally, the poem offers Carruth’s narrator a different attitude with which to approach his writing, as well as his death, to alleviate his feelings of distress and encourage him to write with confidence.
In the first instance, death is portrayed as a “bear” (2) that reaches out seasonally. This is then followed by a man whom “ comes and takes all the bright coins from his purse / / to buy me…” This ever-changing persona that encapsulates death brings forth a curiosity about death and its presence in the living world. In the second stanza, “measles-pox” (6) is an illness used to portray death’s existence in a distinctive embodiment. This uncertainty creates the illusion of warmth and welcomenesss and is further demonstrated through the reproduction of death as an eminent figure. Further inspection allows the reader to understand death as a swift encounter. The quick imagery brought forth by words such as “snaps” and “shut” provoke a sense of startle in which the audience may dispel any idea of expectedness in death’s coming. This essential idea of apparent arrival transitions to a slower, foreseeable fate where one can imagine the enduring pain experienced “an iceberg between shoulder blades” (line 8). This shift characterizes the constant adaptation in appearance that death acquires. Moreover, the idea of warmth radiating from death’s presence reemerges with the introduction to a “cottage of darkness” (line 10), which to some may bring about a feeling of pleasantry and comfort. It is important to note that line 10 was the sole occurrence of a rhetorical question that the speaker
“The Swimmer,” a short fiction by John Cheever, presents a theme to the reader about the unavoidable changes of life. The story focuses on the round character by the name of Neddy Merrill who is in extreme denial about the reality of his life. He has lost his youth, wealth, and family yet only at the end of the story does he develop the most by experiencing a glimpse of realization on all that he has indeed lost. In the short story “The Swimmer,” John Cheever uses point of view, setting and symbolism to show the value of true relationships and the moments of life that are taken for granted.
In “Once More to the Lake,” E.B. White expresses a sense of wonder when he revisits a place that has significant memories. Upon revisiting the lake he once knew so well, White realizes that even though things in his life have changed, namely he is now the father returning with his son, the lake still remains the same. Physically being back at the lake, White faces an internal process of comparing his memory of the lake as a child, to his experience with his son. Throughout this reflection, White efficiently uses imagery, repetition, and tone to enhance his essay.
In the play “everyman” death is depicted as something that is terribly feared as no one seemed ready for it, death is perceived as something that takes one away from the pleasures of this world.
Death can be very scary for the elder and young. One never really knows how they will react to the event of death. Even though inevitable, death can be shocking for some or troubling for others. A shocking and a troubling reality of death are depicted in two short stories, Used to Live Here Once by Jean Rhys and A Father’s Story by Andre Dubus. How characters in a story react to death are often different from one another.