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The house on mango. street analysis
Traditional gender roles in the house on mango street
The house on mango. street analysis
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Cisneros concentrates on the familiar childhood activity of seeing shapes in clouds, since she connects the different shapes of the clouds as the distinct ways each person has to live in this planet.Cisneros chose to write this vignette as a back and forth response since this chapter had lots of outbreaks, bickering, and abuses against Esperanza. She chose this narrative technique to accentuate the conversation considerably than just writing it out like a story as long as it served the aim better. When the girls start wearing the shoes, the guys started to observed them more and women admonish the girls. The men aggravate the girls with sexual asserts.Esperanza wants to eat in the canteen since it’s not appealing for her to go back home to
In the chapter “Chanclas”, Esperanza goes to a cousin's baptism party. Shes gets a new dress, and socks, but she has to wear her old school saddle shoes to the party. She notes how big and clunky they are, and denies a boy a dance, out of embarrassment for her shoes. She then stuffs her feet under her chair “My feet growing bigger and bigger”(47). Later her uncle drags her up to dance, and she stop worrying about her ordinary shoes, having a good time. Her Uncle tells her she is the prettiest girl here. Shoes show up in this chapter when Esperanza is asked to dance by a boy, but she is too uncomfortable in her shoes. Again shoes are present at an uncomfortable moment with a boy as she
I believe Esperanza thinks she is an ugly daughter because she is not like she is expected to be, and she does not want to be. Her hair is always messy and she always gets her clothes dirty. A quote from the book goes as follows: "Nenny says she won‘t wait her whole life for a husband to come and get her, that Minerva‘s sister left her mother‘s house by having a baby, but she doesn‘t want to go that way either. She wants things all her own, to pick and choose. Nenny has pretty eyes and it‘s easy to talk that way if you are pretty." I believe this quote supports the idea that Esperanza thinks she is not pretty. I think Esperanza believes that she is taking the most different route to independence, which is acting like a man. She says she leaves
The author of The House on Mango Street and the producer of The Color Purple are able to integrate numerous important thematic ideas. Many of these ideas still apply to our current world, teaching various important lessons to many adolescents and adults. The House on Mango Street is a collection of vignettes written by Sandra Cisneros, a Mexican-American writer. The novel depicts many aspects of Sandra Cisneros’ life including racism, and sexism that she and the main character face. The novel revolves around Esperanza Cordero, a young Latina girl, who is growing up in Chicago as she faces the various struggles of living in America. The various vignettes reveal many experiences Esperanza has with reality and her navie responses to such harsh
Esperanza realizes her femininity . Esperanza did not understand that the things she wears can affect her well-being. Esperanza, Rachel, and Lucy found shoes and each adored them when they state,
...k wearing those old saddle shoes with her nice pink and white dress. Here poverty stroke Esperanza and hard on the back, she could not even enjoy the new dress she finally got. She did not have good shoes, there for she was not able to dance at the party because she felt like everyone would stare. She finally decided to dance with her uncle and forgot about the fact of not having nice shoes except for the once a year pair of shoes. As she continues to explain about her shoes she says, "… I am wearing only ordinary shoes, brown and white, the kind my mother buys each year for school." (Cisneros 47), here Esperanza proves that they do buy them new shoes every year, and every year they are saddle shoes because they last longer (the entire year until, until next September).
“Someday, I will have a best friend all my own. One I can tell my secrets to. One who will understand my jokes without me having to explain them” (9). These are the longing words spoken by Esperanza. In the novel The House on Mango Street, Esperanza is young girl experiencing adolescence not only longing for a place to fit in but also wanting to be beautiful. This becomes complicated as Esperanza becomes more sexually aware. Throughout the novel, Cisneros argues the importance of beauty and how Esperanza deals with beauty as a part of her identity. When Esperanza meets Sally a new friend, Esperanza’s whole world is turned upside down. Esperanza’s views on beauty change from a positive outlook to a negative one by watching how beauty has damaged Sally’s life.
Characteristics are what define us as human beings. When comparing and contrasting one person to another, characteristics is used to do so. Characteristics such as physical appearance or emotional perceptions help define how a person is perceived, and how we do, or do not compare in such ways. Authors use descriptions of physical characteristics to help us paint a picture in our mind of characters’ appearance from their books while, characteristics of a character’s mentality help develop a personality for us to relate to. It is important for authors to develop personality so readers can relate or understand the differences from themselves and the characters of their stories. The house on mango street is a book written by Sandra Cisneros which, is about main character Esperanza coming to age. Esperanza speaks frequently about having a house she can be proud to call her own. The house in this story represents both physical and intangible wants and needs of the main character. I cannot compare myself physically due to the difference in sex but, Esperanza and I do have similarities
She dreams about a young boy named Sire, a neighborhood boy who she always catches looking at her, and she starts to develop a small crush on him. Esperanza is told by her parents that he’s a punk and to not talk to him. “I want to sit out bad at night, a boy around my neck and the wind under my skirt. Not this way, every evening talking to the trees, leaning out my window, imagining what I can’t see” (Cisneros 73). All Esperanza wants to do is leave her little red house with boarded up windows, and move into the house of her dreams. Not only is leaving her house a desire of hers, but also growing up and finding some place better, no matter where it is. Esperanza’s desires of getting older are stronger, but she’s also becoming more independent. She’s beginning her transition into young womanhood. Her fall of innocence occurs in the chapter called ‘Red Clowns’. In this chapter, she experiences something she’s never thought of going through before. This experience teaches Esperanza that she shouldn’t believe everything she hears, and the world is nothing like it is said to be in the books and magazines. I would say Esperanza, so you emphasize what she learned. She also learns that the world is not a perfect place either, but is full of many bitter things and
In the book, Esperanza doesn’t want to follow the norms of the life around her; she wants to be independent. Esperanza states her independence by stating, “Not a man’s house. Not a daddy’s. A house all my own,” (Cisneros 108.) The syntax of these sentences stick out and are not complete thoughts, yet they convey much meaning and establish Esperanza’s feeling of not belonging. Esperanza’s feeling of not belonging is also emphasized when her sisters tell her that the events of her life have made her who she is and that is something she can not get rid of. Her sisters explain that the things she has experienced made her who she is by saying, “You will always be esperanza. You will always be mango street. You can’t erase what you know” (105.) What her sisters are trying to tell her is that the past has changed her but it doesn’t have to be a negative thing; it can be used to make her a better person who is stronger and more independent. Esperanza realizes that the things around her don’t really add up to what she believes is right, which also conveys the sense of not
When Esperanza was starting to mature, she started to like guys and cared about what she wore. Esperanza was suppose to go to a dance, but she refuses to dance because she thought her heels were ugly. Another scene that shows the theme “loss of innocence” was when Esperanza got her first job. During her job, she met a man and they started to talk about the man’s birthday and he asked for a birthday kiss. When Esperanza went to go kiss him in the face, he grabbed her face and kissed her on the mouth and doesn't let go (Cisneros 55). As the result of this, Esperanza matures emotionally because she cares about how she looks and physically because she is growing
Who does not want a home? A shelter to sleep and a roof to dine under. Of course no one wanted to stay home forever, but once in awhile and even when far away, they will long to return to that sacred place, the place where they grew up and the place they have left behind, home. The desire for a home (or house to be precise, though there was not much of a different for this case) was realistically reflected through a fiction work of Sandra Cisneros, a Mexican American write, a story called The House on Mango Street, where we shall discuss about its setting, plot and character.
At first, Esperanza is young, insecure, and immature. Her immaturity is apparent when she talks about her mom holding her, saying it is, “sweet to put your nose into when she is holding you and you feel safe” (Cisneros 6-7). This shows Esperanza’s insecurity because her mom is still a big comfort source to her. She feels a false sense of comfort because her mom is there and will protect her. In addition, Esperanza’s immaturity is shown through her dislike for outsiders of the neighborhood when she says, “They are stupid people who are lost and got here by mistake” (Cisneros 28). This indicates how defensive and protective Esperanza is towards her barrio by calling outsiders stupid for reacting the way they do, even though she dislikes Mango Street....
Sandra Cisneros's writing style in the novel The House on Mango Street transcends two genres, poetry and the short story. The novel is written in a series of poetic vignettes that make it easy to read. These distinguishing attributes are combined to create the backbone of Cisneros's unique style and structure.
“Home is where the heart is.” In The House on Mango Street, Sandra Cisneros develops this famous statement to depict what a “home” really represents. What is a home? Is it a house with four walls and a roof, the neighborhood of kids while growing up, or a unique Cleaver household where everything is perfect and no problems arise? According to Cisneros, we all have our own home with which we identify; however, we cannot always go back to the environment we once considered our dwelling place. The home, which is characterized by who we are, and determined by how we view ourselves, is what makes every individual unique. A home is a personality, a depiction of who we are inside and how we grow through our life experiences. In her personal, Cisneros depicts Esperanza Cordero’s coming-of-age through a series of vignettes about her family, neighborhood, and personalized dreams. Although the novel does not follow a traditional chronological pattern, a story emerges, nevertheless, of Esperanza’s search to discover the meaning of her life and her personal identity. The novel begins when the Cordero family moves into a new house, the first they have ever owned, on Mango Street in the Latino section of Chicago. Esperanza is disappointed by the “small and red” house “with tight steps in front and bricks crumbling in places” (5). It is not at all the dream-house her parents had always talked about, nor is it the house on a hill that Esperanza vows to one day own for herself. Despite its location in a rough neighborhood and difficult lifestyle, Mango Street is the place with which she identifies at this time in her life.
In the Book women are looked upon as objects by men whether they are boyfriends, friends fathers or husbands. The girls in the novel grow up with the mentality that looks and appearance are the most important things to a woman. Cisneros also shows how Latino women are expected to be loyal to their husbands, and that a husband should have complete control of the relationship. Yet on the other hand, Cisneros describes the character Esperanza as being different. Even though she is born and raised in the same culture as the women around her, she is not happy with it, and knows that someday she will break free from its ties, because she is mentally strong and has a talent for telling stories. She comes back through her stories by showing the women that they can be independent and live their own lives. In a way this is Cinceros' way of coming back and giving back to the women in her community.