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Why is suspense used in horror films
Importance of suspense in film
Analysis for animated films
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The Creation of Suspense in Different Film Genres
We humans demand a lot nowadays where a film is concerned. No longer
do we want simple, traditional storylines (well at least I don’t!),
but instead we expect big explosions, top-notch special effects and
quality acting. Film directors have a tough task keeping its audience
happy; however the more suspense they create in their films, the more
appreciative we will be of it. A classic horror or an intense thriller
tends to leave us all on the edge of our seats and this is how
suspense affects viewers; what will happen next? This is the only
question we want to know the outcome of.
I have decided to study three different genres for this article: an
animation, a sci-fi thriller and a late western. All three have many
elements of suspense in them, some more obvious than others and are
portrayed under these ideas:
* Chicken Run- The Escape
* The Matrix- The Chase
* Unforgiven- The Shoot-Out
*****
‘Chicken Run’ is a witty parody which takes the clear set of
conventions from ‘The Great Escape,’ but uses them to form comical
moments and to keep the young audience glued to their sets! Directed
by Nick Park, the plot is set at a repressive chicken farm, where
Ginger and her friends decide to rebel against the evil Mr. and Mrs
Tweedy, in order to escape from certain death.
The very first scene immediately introduces symbolism. You see the
image of the moon as symbolising freedom and hope, but as the camera
pans down you sense the contrast and harsh reality of the chicken
world. An image of barbed wire comes into focus encapsulating ideas of
imprisonment and en...
... middle of paper ...
...s being similar and also different. Chicken
Run mainly focuses on the variety of shots available in an animation,
with the odd bit of parallel editing; The Matrix focuses on lighting
and also bullet time photography to maximise the action in an intense
scene by manipulating time, either by slowing it down or speeding it
up; Unforgiven focuses heavily on setting and characters in order to
build up its suspense. As far as I’m concerned ‘The Matrix’ is the
most effective at this, as it totally left me on the edge of my seat
at the first time of watching it. ‘Chicken Run’ is more light-hearted
therefore allowing its audience to relax a little bit more, which is
why it’s aimed at children. ‘Unforgiven’ just does not leave me
feeling as edgy as the other two do, yet I feel it has many good
points in building up its suspense.
Analysis of the Ways the Director Builds Suspense in the Opening to the Film Jaws
Development of Suspense by Hitchcock in Psycho 'Psycho,' the somewhat infamous film by Alfred Hitchcock was produced in 1961, a time when the American censors, The Hays Office, still dominated the film industry with their strict rules and principles. It earned its notoriety by defying the traditional cinematic convections of that time and pushing the boundaries of what could be shown in mainstream cinema. The rules implemented by The Hays Office were far stricter than they are today, and Hitchcock uses all available means to reach and go slightly beyond the set limit. Using clever and different camera angles, he implies things that are not shown. He proves that innuendoes can portray the same image and retract the same audience responses as blatant actions and pictures.
The article Why We Crave Horror Movies by Stephen King distinguishes why we truly do crave horror movies. Stephen King goes into depth on the many reasons on why we, as humans, find horror movies intriguing and how we all have some sort of insanity within us. He does this by using different rhetorical techniques and appealing to the audience through ways such as experience, emotion and logic. Apart from that he also relates a numerous amount of aspects on why we crave horror movies to our lives. Throughout this essay I will be evaluating the authors arguments and points on why society finds horror movies so desirable and captivating.
sample, but it also appeals to population and emotion. To further explain why we crave
The Importance of Aesthetic Distance in American Horror Movies What then do we make of American horror movies? In the canon of horror pictures they almost always come second in respect to foreign horror movies and any American horror film that is considered to be artful is the one with the most aesthetic distance. Upscale slashers like Johnathan Demme's The Silence of the Lambs (1991) or David Fincher's Seven (1995) are both gruesome and bloody borrowing many of the same shock techniques as their lower budget counterparts (for example, Russell Mulchahy's Sevenish thriller Resurrection (1999)), both focus on the body and its violation, either through sexual means or violent means, and both feature villains who fit easily into Carol Clover's
There is one name that comes to mind when you think of a great director of the suspenseful film industry. That name that you immediately think of is Hitchcock. Sir Alfred Hitchcock is the greatest director there is for intense movies, and he is the master of suspense. Hitchcock did things with movies that other directors can only dream of accomplishing. He directed many major films in his career that a lot of directors can’t even get close to.
A girl runs frantically through the woods trying to escape an axe wielding villain. The defenseless victim suddenly trips and collapses to the ground. The villain laughs wickedly as he lifts the axe above his head. The girl releases a final scream as the weapon quickly ends her life, causing the audience to go silent as they watch the villain drag away the lifeless body. Death, blood, guts, suspense, screaming, and terror are all just a few things to expect when watching a modern day horror film. What is horror? Horror can be defined as an intense feeling of fear, shock, or disgust. (Wilson) The description of horror is not very pleasant, but for some reason horror films are extremely popular. Why is this so? People are addicted to the synthetic feeling of being terrified.
And the genre of the film is horror or thriller and it is about a great white shark that hunts in the seas of Amity Island. The film is set around the 4th of July in New Jersey. It may be set 4th of July because is their independence day or their freedom from Great Britain. It may be set on the 4th of July because this day is very important or significant for the whole of America. It is celebrated around the whole of America in various ways to celebrate the American tradition. This also creates tension because if people get killed on this day or maybe Christmas it has a greater effect because often people are unaware or not expecting something like this to happen on a day like that.
Many devices such as theme, subject and meaning reflect different aspects of a film. The time and place that the movie is made are usually affected but this.
to the rest of the movie. It had me on the edge of my seat the whole
We crave horror movies simply for “the fun of it” in agreeing with Stephen King Why We Crave Horror movies. King gave multiple examples in his story as to why we crave horror movies and I can agree with just about each and every one of them. After watching a few horror movies for yourself, you will understand why it is easy to agree with King. If you have watched movies such as the 2004 movie Dawn of the Dead, The Purge, or The Conjuring you will also be able to relate to Chuck Klosterman My Zombie, Myself “Zombies are just so easy to kill.” Klostermans theory of zombies are extremely useful because it sheds insight on the difficult yet exciting problem of zombies in the real world. Klosterman’s argument that the repetition of modern life is
While there are many different ways to classify a Neo-noir film, Roman Polanski’s, Chinatown captures many. The 1974 movie consists of many of these elements, including both thematic and stylistic devices. One of the main themes of neo-noir film that is constant throughout the film is the deceptive plot that questions the viewers’ ideas and perceptions of what is actually happening in the film. Every scene of Chinatown leads to a twist or another turn that challenges the practicability of the film’s reality. All of the never-ending surprises and revelations lead up to the significant themes the movie is trying to convey in the conclusion of the film.
The world knows him as the Master of Suspense. He has also changed the way people look at film. Alfred Hitchcock was born at the turn of the century in England. His was raised in a very religious upbringing. He went to college at the University of London only to leave after the death of his father and to support himself he worked for Henley Telegraph and Cable Company as a technical clerk. His skills at this job would only propel him into the world of the film industry. His attention to the tiny details helped him land his first films at Players-Lasky Corporation. He would go to Germany to work on his first two films where he would meet his future wife, Alma Reville, also a film director and editor. Hitchcock and his wife are later married
In his book, Horror and the Horror Film, author Bruce F. Kawin remarked “horror itself resists formulation and can be difficult and unpleasant to contemplate.” This year was a phenomenal year for both horror and contemplative movies. Two prime examples: Get Out and mother!. Despite being both horror films with subliminal messaging and allegories, they had drastically different reactions and box office performances. To understand why this happened, it is imperative to analyze marketing, storyline, climate, and audience interpretation.
As we speak, there is a man holding a gun to the back of your head. The cold muzzle stings the tender skin of your scalp and blood trickles to the floor from where the handcuffs have cut into your wrists. Your heart, sensing death approaching, struggles in vain to slip through its cage of ribs and run screaming into the night, much like how the scream just behind your eyes makes your vision blur and muscles twitch spastically. But perhaps you know the man behind you. Does that make you more or less afraid? Perhaps there’s no man at all. Perhaps it’s you who’s holding that gun. Maybe that gun isn’t there either. Is such a thing possible? A loud BANG is your only answer.