The Cost of Redemption in the Lord of the Rings
The struggle between good and evil is an ever present theme of the Lord of the Rings trilogy. The struggle exists in all of Middle-earth, as the followers of Sauron wage war against the realms of free men and their allies, as well as in individual characters. Boromir, a tragic hero of Tolkien’s work has essentially good qualities marred by his corrupt desires for power and the Ring. The character of Gollum has an on-going internal struggle between the part of him that is corrupted by the Ring and his originally innocent self, Smeagol, who struggles to be good. However, as long as good and evil both exist, redemption is also possible. If Gollum, for example, was portrayed as only evil, and the Smeagol part of him did not exist, the reader would never hope for his redemption, knowing it was already impossible. However, redemption can always be found throughout Tolkien’s work. Reflecting his Christian beliefs, Tolkien often depicts characters redeeming themselves through death. The conflicted characters of the Lord of the Rings demonstrate that if both good and evil exist in a person, redemption is possible at the cost of some sacrifice.
Good and evil can co-exist in a single being, as demonstrated by the struggle within Boromir and Gollum. While there are the characters such as Gandalf and Sarumon who are viewed as entirely good or entirely evil, there are also those whose morality is not as black and white. Boromir, the son of the king of Gondor, is a member of the Fellowship and helps protect the ring bearer, Frodo, on the journey in the beginning of the Fellowship of the Ring. However, Boromir is tempted by the allure of the power of the Ring and desires to use it in order t...
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...t religious undertone, like in the themes of redemption and forgiveness. Those that follow the example of Jesus by acting as a servant or sacrificing their own life, are the heroes of Tolkien’s epic.
Works Cited
Forest-Hill, Lynn. “Boromir, Byrhtnoth, and Bayard: Finding a Language for Grief in J.R.R. Tolkien’s The Lord of the Rings.” Tolkien Studies 5. (2008) Web. 22 Nov 2010.
Rosebury, Brian. “Revenge and Moral Judgment in Tolkien.” Tolkien Studies 5. (2008) Web. 22 Nov 2010
Tolkien, J.R.R. The Lord of the Rings. Boston: Houghton Mifflin Company, 2004.
Thomson, George. “The Lord of the Rings”: The Novel as a Traditional Romance.” Wisconsin Studies in Contemporary Literature. 8.1 (1967): 43-59. Web. 22 Nov 2010.
Wood, Ralph C. The Gospel According to Tolkien: Visions of the Kingdom In Middle-Earth. Louisville, Ky.: Westminster John Knox Press, 2003.
For example, Bilbo fits the role of the hero, because he sacrificed and helped all the characters along the journey. Stated in the amazing book, The Hobbit, the author wrote, “It was at this point that Bilbo stopped. Going on from there was the bravest thing he ever did. The tremendous thing that happened afterwards were are nothing compared to it. He fought the real battle in the tunnel alone, before he ever saw the vast danger that lay in wait” (Tolkien, J.R.R., The Hobbit, page #233). Bilbo had basically sacrificed himself, so all of the other characters and himself could get through the journey safely. Their hero, Bilbo became braver each and every day while he tried to help and support them. Written in the fantastic book, The Hobbit, the author has written, “‘I have no idea at the moment-if you mean about removing the treasure. That obviously depends entirely on Smaug. Getting rid of dragons is not all in my line, but I will do my best to think about it. Personally I have no hopes at all, and wish I was safe back at home’” (Tolkien, J.R.R., The Hobbit, page
It will be the contention of this paper that much of Tolkien's unique vision was directly shaped by recurring images in the Catholic culture which shaped JRRT, and which are not shared by non-Catholics generally. The expression of these images in Lord of the Rings will then concern us.
There is an epic hero in almost every legend ever told. The hero could be a mortal human who came from nothing, a creature that used to be evil, an immortal god, or even a group of people. In Seamus Heaney’s Beowulf, the mortal man-of-the-hour is Beowulf, son of Ecgtheow. After he settled the feud for his father, he then carried out more amazing deeds and accomplishments. Beowulf portrays great strength, bravery, and is also very faithful to his kingdom. The totality of these qualities is not just a large mass of adjectives; each characteristic plays a special part.
Humans exist between two distinct beliefs, one being that of individualism where the person is only focused on benefiting their self and their tribe, and the other being altruistic where the priority is put on the betterment of the group at the downfall of the individual. In nature, animals only exist in the belief of self betterment but humans have the moral dilemma between self preservation and group preservation. Through new perspectives, this inner conflict can be transformed to become more altruistic or group minded. Whether that be through the journey of saving Middle Earth or the simple journey through high school. This theme is explored in J.R.R Tolkien's novel, The Lord of the Rings: The Two Towers. This novel takes the reader through
As children, we were taught that good and evil were black and white terms. The fairy tales that our parents would read to us have conditioned us to believe that characters such as the princess in distress or the prince in shining armour were nothing but friendly and good, while the troll guarding his own bridge or the fire-breathing dragon were the most frighteningly evil creatures of all. However, as we grew up, we learned that these distinctions are never so easily black and white, but more-so different shades of grey. We learned that the characters that we initially deemed evil had reasons for acting that way, and most of them out of their control. Such is the case with the main character in John Gardner’s Grendel. The character Grendel
Although JRR Tolkien is notorious for his numerous, and often seemingly irrelevant, minor characters - the necessity of an index of names in The Return of the King proves this without a doubt - one of the most crucial and fascinating characters of The Lord of the Rings physically appears in barely more than one-sixth of the novel. The character Sméagol, often referred to by his alter ego Gollum, on a basic level serves only to guide Frodo and Sam to Mordor, as well as to destroy the Ring when Frodo cannot. However, in the course of doing so, we are revealed, hint by hint, of the enigmatic and contradictory character who "hates the Ring and loves the Ring - just as he hates and loves himself" (Sibley 170). In The Lord of the Rings, JRR Tolkien uses the character Sméagol, forged from a collection of historical and historically mythological tales, as a foil for the central hero Frodo Baggins as well as the Christian example of hope, despite the powerful corruption of evil.
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In Beowulf the concept that good and evil are constantly contending is one of the most central themes to the epic. The poet makes it expressly evident that good and evil cannot exist without the other, for there would be no way of determining which was which. The religious undertone in Beowulf that God is intervening on the side of good is apparent in many of the battles fought, allowing Beowulf to prevail where someone evil could not have. Literature has questioned, for centuries, why God would have created a creature such as Satan to cause and teach evil, and what purpose He had for human life. Beowulf stretches itself to answer this question by showing that good cannot be known without a present evil.
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The lines that define good and evil are not written in black and white; these lines tend to blur allowing good and evil to intermingle with each another in a single human being.
Joseph Campbell defines a hero as “someone who has given his or her life to something bigger than oneself” (Moyers 1). The Hero’s Journey consists of three major parts: the separation, the initiation, and the return. Throughout a character’s journey, they must complete a physical or spiritual deed. A physical deed involves performing a daunting and courageous act that preserves the well-being of another person. A spiritual deed calls for action that improves another individual’s state of mind.
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In the The Lord of the Rings, by J. Tolken, there are many things that make the story symbolic of a Christian influence. The constant emphasis of good vs. evil brings forth reason to suspect that this novel has a Christian basis. In this paper I will prove and backup my personal opinion through sighting specific examples of the influences from the book.