Shakespeare authors a conspiratorial tone through the use of directives and parenthetical clause portraying Borachio as a dominant and manipulative force throughout the passage. As Borachio divulges his scheme to Don John, Shakespeare utilizes the constant use of toxic words such as “poisonous”, “kill” and “misuse”, to establish the sinister nature of Borachio’s character. Shakespeare asserts Borachio’s authority over Don John through the use of the verbs “go” and “tell” followed by instructions at the beginning of his sentences. Don john repeatedly asks Borachio for advice, “what life is in that to be the death of this marriage?”, subverting his jurisdiction and succumbing to his overwhelming need to abolish his brother’s birthright stating
Analysis of Philip Caputo's A Rumor of War. A Rumor of War by Philip Caputo, is an exceptional autobiography on a man's first-hand experiences during the Vietnam War. Philip Caputo was a Lieutenant during the Vietnam War and illustrates the harsh reality of what war really is. Caputo's in-depth details of his experience during the war are enough to make one cringe, and the eventual mental despair often experienced by soldiers (including Caputo) really makes you feel for participants taking part in this dreadful war atmosphere.
The Vietnam War has become a focal point of the Sixties. Known as the first televised war, American citizens quickly became consumed with every aspect of the war. In a sense, they could not simply “turn off” the war. A Rumor of War by Philip Caputo is a firsthand account of this horrific war that tore our nation apart. Throughout this autobiography, there were several sections that grabbed my attention. I found Caputo’s use of stark comparisons and vivid imagery, particularly captivating in that, those scenes forced me to reflect on my own feelings about the war. These scenes also caused me to look at the Vietnam War from the perspective of a soldier, which is not a perspective I had previously considered. In particular, Caputo’s account of
Shakespeare’s portrayal of power reflects the conflicting influences of Medieval Morality plays and Renaissance literature during the Tudor period, demonstrating that the text is a reflection of contextual beliefs. The Third Citizen’s submission to a monotheistic deity in the pathetic fallacy of “The water swell before a boisterous storm – but leave it all to God” qualifies the theological determinism of power due to the rise of Calvinism. Pacino embodies Richard’s desire for royalty in LFR through the emphasis on celebrity culture, as he is determined to film himself in close-up, which although emphasizes the importance of Pacino, leaves out the broader scene. Soliloquies are substituted with breaches in the fourth wall, and his metatheatrical aside to the audience “I love the silence… whatever I’m saying, I know Shakespeare said it”, subverts the cultural boundaries which, deter contemporary American actors in performing Shakespeare. Shakespeare’s breach of the iambic pentameter in “Chop off his head…And when I’m king” strengthens the Renaissance influence, as Richa...
Shakespeare’s use of rhetoric by his characters is clearly used effectively in Othello through Iago’s and Roderigo’s conversation with Barbantio. The two make use of double meanings, animal imagery, Devil and God comparisons, the use of sexual references, and descriptive insults to confuse Barbantio and make him angry towards Othello. Through Iago’s initial torment, continued by Roderigo, they are able to force Barbantio to do exactly as they wish.
Troilus and Hamlet have much in common. Both have represented the quintessential tragic heroes of two literary periods. Both lovers, Troilus and Hamlet lose what they love despite their earth-shaking groans. Both are surrounded by traitors and are traitorous in kind. Both are embattled and--this is no secret--both die. But somewhere on that mortal coil on which they are both strung, they confront a similar question, a question which divides them in no sense less than the waters divide England and Denmark--the question of action. This essay pretends to do little more than probe the circumstances of that question in relation to a speech that appears prominently in Shakespeare’s Hamlet and tangentially as a “Proem”to Chaucer’s Troilus and Criseyde. I will delve into the specific and larger textual contexts for both of these instances, seeking to show that the manner in which the speech is reworded shows in miniature the gulf that separates Troilus and Hamlet.
Brabantio, father of Desdemona in William Shakespeare's "Othello," is not happy that his daughter is marrying the title character. This father/daughter conflict impacts the work significantly by foreshadowing the climax, giving antagonist Iago material for his evil plot.
William Shakespeare’s dramatic and poetic techniques and his use of hyperbole are used to describe the characters emotions and weaknesses. The use of dramatic irony is used to create personal conflict. This is done throughout the play to describe the characters concerns and their situations.
William Shakespeare’s Hamlet is laden with tragedy from the start, and this adversity is reflected in the title character. Being informed of his father’s murder and the appalling circumstances surrounding the crime, Hamlet is given the emotionally taxing task of avenging his death. It is clear that having to complete this grim undertaking takes its toll on Hamlet emotionally. Beginning as a seemingly contemplative and sensitive character, we observe Hamlet grow increasingly depressed and deranged as the play wears on. Hamlet is so determined to make his father proud that he allows the job on hand to completely consume him. We realize that Hamlet has a tendency to mull and ponder excessively, which causes the notorious delays of action throughout the play. It is often during these periods of deep thought and reflection that we hear one of Hamlet’s famous soliloquies, which are obviously relative to Hamlet’s apprehensions and worries surrounding his current situation. The seven soliloquies throughout the play offer insight pertaining to the deteriorating mental state of Hamlet, and the circumstances which induce his decent into madness.
Crime Fiction is a genre which deals with elements of criminal activity and the investigators who solve the crime. This genre engages the audience by allowing them to solve the puzzle and put the clues together to find a criminal. The story ‘Upon the flesh’ by John Franklin is about a murder that occurred in an alleyway. It is told through the point of view of the private investigator, this is how we see the crime being solved. Another short story that would fit into this genre would be ‘fresh bait’ written by Sherryl Clark. This story tells us about a hitchhiker trying to investigate into a crime committed some time ago. He/she is nervous and doesn’t know how to approach each question without seeming like he/she is an undercover
William Shakespeare’s Hamlet is a complex play regarding the kingdom of Denmark, and the unusual stage it is going through. The main focus of the play concerns Hamlet, prince of Denmark, and his feeling of ambiguity toward his recently lost father and his remarried mother. Hamlet is a complicated character who plays assorted roles in order to manipulate people. These various roles make it problematic to develop a sense of the real Hamlet. Only during the soliloquies is the reader given a chance to understand Hamlet, they allow the reader to attempt to decipher who is the real Hamlet and what is an act. The first soliloquy allows the reader to initially delve into the character of Hamlet, by showing his anger and distaste towards his mother. The soliloquy also shows that, even through his anger, he is in a coherent state of mind.
In Hamlet’s speech, Shakespeare’s efforts to target his Elizabethan audience develop the theme of the frailty of man. Shakespeare conveys this underlying theme of the play by subt...
Shakespeare uses a variety of characters in his famous play, Hamlet, Prince of Denmark, who effectively demonstrate family loyalty, one of the values relevant to our society. The play focuses on the thoughts, feelings, emotions, and actions of this young prince, Hamlet, seeking revenge for his father’s death. When Hamlet decides to act on the information the angered ghos...
In the opening scenes, Shakespeare portrays Othello as a noble character. When Brabantio seeks vengeance (for "stealing" his daughter) on Othello, Othello expresses his actions will "tongue out his [Brabantio's] complaints" (1.2.21). Thus he shows his calmness against the verbal slander of Brabantio. Throughout this scene, Othello remains calm and confident. Moreover, he humbly tells the story of his relationship with Desdemona. He does not flaunt the situation over Brabantio but speaks modestly.
Othello’s speech to Brabantio and the Duke in Act 1, Scene 3 is of major importance in describing Othello’s personality. This long speech, found in lines 149 to 196, shows Othello for the first time as a person with depth and less as a soldier. This speech is important to the book as a whole because it is a testimony to the strength of the love between Othello and Desdemona, which will later play a major role in the plot. It is also one of the first times that we see Othello trying to influence his audience with his words. The speech given by Othello is intended to convince Brabantio that Desdemona is with him willfully, and not by “spells and medicines bought of montebanks” (line 74).
Bosola's inconsistency makes him different to some of the other characters in the play; the Cardinal is always cold and calculating, Antonio is honorable and benevolent and Ferdinand is fierce and aggressive, even in his mad state. There is no change in their characters, yet Bosola reaches beyond the confinements of the stereotypical role of `black malcontent', as Antonio describes him, altering his opinion of the Duchess as a prostitute, `this precise fellow is the Duchess' bawd', to seeing her as a noble woman and feeling compassion for her in her last moments of life, `Return fair soul from darkness, and lead mine out of this sensible hell!' Bosola's capricious nature makes him more convincing and realistic as a character. At the beginning of the play, the audience will probably dislike Bosola's cruel, pessimistic look on life. His change in opinion t...