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Rhetorical analysis of othello quotes
Rhetorical analysis of othello quotes
Shakespeare's dramatic techniques in othello
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Effective Use of Rhetoric in Othello
Shakespeare’s use of rhetoric by his characters is clearly used effectively in Othello through Iago’s and Roderigo’s conversation with Barbantio. The two make use of double meanings, animal imagery, Devil and God comparisons, the use of sexual references, and descriptive insults to confuse Barbantio and make him angry towards Othello. Through Iago’s initial torment, continued by Roderigo, they are able to force Barbantio to do exactly as they wish.
Iago primarily makes use of the double meaning of the word thieves to get Barbantio out of bed and force him to be confused with the situation. Iago and Roderigo call out “thieves, thieves” to the sleeping Barbantio, who wakes up believing that there are thieves in his house. However, Iago quickly switches the meaning of the word away from common house thieves to mean that Desdemona is gone from the house, “stolen” by Othello. This double word play confuses Barbantio and Iago manipulates him ...
Iago’s Use of Rhetorical Strategies to Manipulate Othello in Shakespeare’s Othello. Rhetorical strategies are continually used to get a point across, or to manipulate another. Iago uses many devices to put false accusations into Othello’s head. In lines 330-447 in Act 3 scene 3, Iago uses rhetorical questioning, imagery, and sarcasm.
King Lear gathered his three daughters and was thinking about giving them his kingdom divided equally. King Lear made each daughter take her chance and to express her love for him, before he can give them a part of the Kingdom. After Goneril's sweet deceiving words of extreme love and loyalty and Reagan's Fancy admiring words, Cordelia’s speech seemed bad. Cordelia said the truth, however she was punished by her father.
After hearing Iago speak, Brabantio has had his eyes open to a new perspective of the situation. Iago then begins to uses a new manipulative strategy, he starts using bestiality to describe Othello.
Brick and Maggie both have a sense of loneliness; however Brick precisely instigated both characters feelings of loneliness for different reasons. Brick instigates Maggie’s loneliness because of his hatred towards her and the consequence of her husband’s hatred results in neglect, inattentiveness and rejection when she tries to seduce him, which causes her to feel lonely. Whereas Brick generated his loneliness when he lost his friend Skipper; he built up a wall to hide behind and conceal all his emotions.
With Roderigo, someone he commands control over, Iago employs pathos, allowing his plan to appeal to Roderigo’s sensitive emotions about Othello. Roderigo and Iago discuss about how each of them despise Othello when Iago says, “If ever I did dream of such a matter, / Abhor me” using pathos to confirm his hatred towards the General (1.2. 5-6). The play commences with Iago employing direct rhetoric and partnering up with Roderigo to enhance a sense of comradery. Harsh language such as “Abhor me”, exemplifies the hateful emotions Iago feels toward Othello as well as enhances the emotions Iago wants to appeal to in Roderigo (1.2. 6). Affecting Roderigo more influentially, Iago uses deeper, more personal pathos, by highlighting the seemingly good qualities in Roderigo. Iago contrasts Roderigo to Othello pointing out, “Let not they discreet heart think it…manners and beauties: all which the/ Moor is defective in” (2.1. 215, 219-220). Firstly, Iago weighs Roderigo’s positive qualities against Othello’s negatives ones, convincing Roderigo to feel more confident with Iago and following along with his scheme. Secondly, Iago alters this rhetoric to include Roderigo’s love interest, Desdemona. By exemplifying a more personal and sensitive side when talking about “manners and beauties”, Iago can create a bigger impact in
Emilia is excited that she finally is in possession of the handkerchief. It has been something that Iago has been urging her to steal, and the fact that she did not explicitly steal it makes her feel a bit relieved as well.
Emotions have some control over our actions. However, there are other factors that influence what we do. In the play Othello though, emotions have way more power over the characters' actions. For example, the actions committed by characters consumed by love are greatly amplified. Another example of this is that the characters in the play that are consumed by jealousy go to far greater lengths than one normally would to quench their thirst for vengeance. The last instance that proves this is that the actions of characters overcome by despair are based solely on their hopelessness. These three points all help to show that in the play Othello, Shakespeare exaggerates how much our actions are affected by the major emotions of love, jealousy, and despair.
Language and imagination are among the most dangerous weapons Iago has at his disposal in Othello. Jealous and angered by Othello’s - his commanding officer - passing over him for a promotion, Iago develops a fierce, antagonistic perspective the aforementioned character; this sentiment quickly corrupts his volition, and he subsequently concocts a plot bent on destroying Othello. He renders this revenge scheme credible by concealing his true feelings behind a facade of loyalty and trustworthiness, and fabricating a fictitious story concerning the infidelity of Desdemona, Othello’s wife. Until the play concludes, Iago utilizes purposeful rhetoric to drive his agenda, and also a mastery of deception to mislead the minds of his targets.
Othello is a man of romantic nature. He fell in love with the beautiful Desdemona. He was accused of stealing her away from her father. Othello was of a different race and did not fit in with her family. Othello makes a plea for Desdemona and tells his story which wooed her to begin with. Othello tells of the love that her father showed him since his boyish days. This was like a match made in heaven that overcame many obstacles which got in their way. Othello could not understand why he was good enough to work and fight alongside of her father, but was not good enough for his daughter.
Othello is a man who is respected as a General in the Army. Brabanzio even considered him a friend. Thanks to Iago planting a seed in Brabanzio ear about his daughter, Desdemona, Brabanzio accused Othello of taking his daughter away from him by means of drugs or poision. Othello has fought on the battle-field and now finds himself on a very different kind of battle-field. He finds himself in a position of being forced to defend his honor, friendship and his love. There has been accusations made against Othello, so in a room filled with signors, masters, the Duke, and Brabanzio, Othello has a strategy of battlement in his own way. He tells the Duke to send for Desdemona, “Send for the lady to the Sagittary, And let her speak of me before her father” (1.3-115-116).
Iago advises Roderigo to spoil some of Othello’s pleasure in his marriage by rousing Desdemona’s family against the general. The two men come to the street outside the house of Desdemona’s father, Brabantio, and cry out that he has been robbed by “thieves.” Iago speaks in inflammatory terms, vulgarly telling the senator that his daughter and Othello are having sex by saying that they are “making the beast with two backs”. Brabanzio begins to take what he hears seriously and decides to search for his daughter.
In the play Othello by William Shakespeare, Iago is one of the worst villains of all time because his jealousy causes him to ruin many people’s lives. Roderigo, a character in Othello, is used as a part of Iago’s plan. Iago convinces Othello that Cassio cheated with Desdemona. Iago’s plan ultimately causes Cassio to lose his job and Othello’s trust.
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