In all three texts, the main character, or at least an extremely prominent character, (Jim, Coates, and Othello) is black. Though the authors portray these characters in different ways, all three challenge the status quo, as the common person’s stereotype of a black man differs from the author’s character, or the disparity between the expected world and the world of those who are black. In the time period when Othello was presented, English common people typically judged black people as “given to unnatural sexual and domestic practices, as highly emotional and even irrational, and prone to anger and jealousy” (Othello and the Racial Question, page 91), along with associating them with dark magic. Huck Finn was published after the Civil War, but takes place before it. During this time, racial stereotypes were …show more content…
That was 1986. That year I felt myself to be drowning in the news reports of murder” (page 19). On the next page, he contrasts his grim reality with the white world that was “suburban and endless, organized around pot roasts, blueberry pies, fireworks, and ice cream sundaes” (page 20). The dissimilarity between the two also challenges the status quo, since in the status quo, people assume that everyone has access to the white world, while there is a gaping chasm between Coates’s world and the world of Dreamers. Coates “knew that [his] portion of the American galaxy, where bodies were enslaved by a tenacious gravity, was black and that the other, liberated portion was not. [He] knew that some inscrutable energy preserved the breach” (page 20-21). The inscrutable energy, in this case, is the status quo’s element of race. By revealing the discrepancies between the idyllic Dreamer’s world and his own personal world, and showcasing the visceral fear and pain in his life that was propagated by institutional racism, Coates challenges the status
In this passage from the novel Between the World and Me, Ta-Nehisi Coates utilizes meaningful, vivid imagery to not only stress the chasm between two dissonant American realities, but to also bolster his clarion for the American people to abolish the slavery of institutional or personal bias against any background. For example, Coates introduces his audience to the idea that the United States is a galaxy, and that the extremes of the "black" and "white" lifestyles in this galaxy are so severe that they can only know of each other through dispatch (Coates 20-21). Although Coates's language is straightforward, it nevertheless challenges his audience to reconsider a status quo that has maintained social division in an unwitting yet ignorant fashion.
Huckleberry Finn, by Mark Twain, is or is not a racist novel. The question focuses on the depiction of Jim, the black slave, and the way he is treated by Huck and other
The Adventures of Huckleberry Finn, by Mark Twain, is considered a classic novel from the realism period of American Literature that accurately depicts social conventions from pre-civil war times. Despite this reputation as a historical lens of life on the Mississippi River, elements of blatant racism overshadow the regionalist and realist depictions. Huck Finn does not promote racism because all derogatory or racist remarks are presented as a window to life during the 1850s, in a satirical context, or to show Mark Twain's moral views on racism. Huckleberry Finn accurately presents the mistreatment, abuse, and hatred that African Americans faced in pre-civil war times. Huck Finn portrays racism as a part of life and as a social normality accepted by most people.
Othello's identity in the Venetian society is his role as "the Moor". Few people use his real name when talking about him. When speaking the given quote, Othello is telling the Venetians how he won Desdemona's heart by telling her the story of his life, and he now retells it to the Venetians. This tale-telling is a way of employing the linguistic system to reshape for himself a new identity with more positive connotations than "the Moor" can offer. "The Moor" is an expression the Venetians connect to other expressions in the linguistic system which all have a negative value. Examples are such expressions as "old black ram...
Othello as A Tragedy of Outsiders The most obvious way of being an outsider in Othello is through being a foreigner, and a non-Venetian. Othello and Cassio are both outsiders in this sense, Othello is a black man, a "Moor", and Cassio is a "Florentine". Othello begins in Venice, in Shakespeare's time the great commercial centre of the western world. Venice was the place of great hustle and bustle, merchants and tradesmen from other lands were commonplace, and yet we see throughout the play how Othello and Cassio are ridiculed. Cassio is degraded as he is from Florence; Iago calls him "a great arithmetician".
Throughout history, countless writers have been commended for their work, yet people still had criticized them. Famous Writers like William Shakespeare, Harper Lee and Charles Dickens all have endured much criticism throughout their lifetime by fellow writers. Movie producers also tend to ridicule traditional stories and plays, focusing on a writer’s weaknesses. One of the most famous plays by Shakespeare, Othello, can be seen in bits of the story Tom Thumb, in which Fielding most definitely ridicules the famous play.
In the article, “A Letter My Son,” Ta-Nehisi Coates utilizes both ethical and pathetic appeal to address his audience in a personable manner. The purpose of this article is to enlighten the audience, and in particular his son, on what it looks like, feels like, and means to be encompassed in his black body through a series of personal anecdotes and self-reflection on what it means to be black. In comparison, Coates goes a step further and analyzes how a black body moves and is perceived in a world that is centered on whiteness. This is established in the first half of the text when the author states that,“white America’s progress, or rather the progress of those Americans who believe that they are white, was built on looting and violence,”
In The Adventures of Huckleberry Finn by Mark Twain, Twain’s main characters depicted the societal issues of racism in the South. Huck Finn, a poor white boy, and Jim, an African American slave, both encounter situations that cause these characters inter turmoil because of the societal standards of the time. According to Mark Twain in The Adventures of Huckleberry Finn,
In Shakespeare's tragedy, Othello, Iago is uncharacteristically honest when he says "I am not what I am". However, he is not the only character whose appearance differs from the reality. Nonetheless, he is possibly the only person who intends this duplicity. Unfortunately everyone is under the impression that Iago is "honest and just". Once alone, Iago reveals "when devils will the blackest sins put on, they do suggest at first with heavenly shows as I do now". Iago is two-faced in his relationships, even in the language he uses. After referring to Othello as a "black ram", he then tells him "my lord, you know I love you". Iago has no shame in appealing to heaven and godly images in the presence of others, but alone he conversely appeals to hell and evil. His appearance depends on those present, for instance his companion Roderigo, or his loathed acquaintance, Othello. His sycophantic language leads others such as Othello to be drawn into his web.
Texts and their appropriations reflect the context and values of their times. Within Shakespeare’s Othello and Geoffrey Sax’s appropriation of Othello, the evolution of the attitudes held by Elizabethan audiences and those held by contemporary audiences can be seen through the context of the female coupled with the context of racism. The role of the female has developed from being submissive and “obedient” in the Elizabethan era to being independent and liberated within the contemporary setting. The racism of the first text is overtly xenophobic and natural, whilst the “moor” is unnatural whereas the updated context portrays Othello’s race as natural and racism as unnatural. Therefore these examples show how Shakespeare’s Othello, and it’s appropriation, Geoffrey sax’s Othello, reflect the context and values of their times.
In Act three, Scene three, Desdemona agrees to speak to Othello in Cassio’s behalf) As Desdemona and Cassio discuss Cassio’s loss of rank and trust in Othello’s eyes. Iago brings to Othello’s attention the discussion taking place between Cassio and Desdemona. Iago knowing full well why the discussion is happening. Iago hints the pair seems to be spending a lot of time together. Iago plants the seed of doubt in Othello’s mind Othello begins to ponder the idea of whether Iago suspicions are true.
Internal conflict caused by culture is a concept that Edward Hall explores in his book “Beyond Culture”. In this examination of intercultural interactions, Hall argues that people are born into the cultural prison of one’s primary culture. He then goes on to claim that from people can only be free of this prison and experiencing being lost in another (Hall). For Coates, this cultural prison is the permeating fear resulting from the blackness of his body. His internal conflict is therefore created when seeing the world of white, suburban culture. Because this world of pot-roasts and ice cream Sundays seems impossibly distant from the world of fear for his black body, Coates comes to feel the contrast of cultures. He tells his son, “I knew my portion of the American galaxy, where bodies were enslaved by tenacious gravity, was black and that the other, liberated portion was not” (21). As a result of the shocking divide, Coates comprehends the burden of his race. Coates therefore feels “a cosmic injustice, a profound cruelty, which infused an biding, irrepressible desire to unshackle my body and achieve the velocity of escape (21). The quality of life between the culture belonging to Coates’s skin in contrast to the culture of suburban America creates for Coates a sense of otherness between himself and the rest of the world. Disillusioned, Coates avidly pursues answers to this divide. Coates thereby embarks on a quest to satiate this internal conflict of cultures, beginning his journey towards
The Tragedy of Othello William Shakespeare’s, The Tragedy of Othello, the Moor of Venice, from the sixteenth century is an excellent example of Renaissance humanism. “A poet of unparalleled genius, Shakespeare emerged during the golden age of England under the rule of Elizabeth I.”(Fiero 3:98) He produced comedies, tragedies, romances and histories. According to Webster’s pocket dictionary, a tragedy is defined as a form of drama in which the protagonist comes to a disaster, as through a flaw in character, and in which the ending is usually marked by pity or sorrow. I would like to concentrate on the character Iago and the theme of deceit.
The tragedy of Othello, the Moore of Venice. As it hath beene diuerse times acted at the Globe, and at the Black-Friars, by his Majesties servants. Written by William Shakespeare set in Venice. The plot is based on a story about two people who love each other dearly and the problems and conflicts they face from the start. The conflicts are, for the most part, tied in with racial issues and questions of loyalty. These conflicts stem from the society around the couple, as well as from the couple themselves as they too are part of this society, but with very different backgrounds: The female protagonist is the daughter of a highly-respected Venetian senator: Brabantio. Othello--also known as the Moor--is a foreigner, black in color, has a past
Act two of the play introduces the setting of Cyprus, the area where the remainder of the play will take place and shows the stricken Desdemona, worried out of her mid for her lover who is behind schedule in his arrival. Iago soon makes his entrance and when questioned, expresses his views as to why women are deceitful and cunning in the way they act towards others as well as how they attract men. What started out as frivolous questioning soon turned into a full out debate between Iago, his wife Emilia, and Desdemona. Their quarrel soon ended upon the arrival of the vessel carrying Othello, as well as great news of the destruction of the Turkish fleet. Iago immediately begins planning his next move upon hearing Othello’s joyous cries of victory