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The effect of advertising on consumer behavior
Media influence in society
How are gender represented in advertisement
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Explicit and Implicit Social Messages in a Recent Coca-Cola Commercial Directed by feature-filmmaker Bryan Singer, Coca Cola’s most recent television ad in their “Real” campaign features Salma Hayeck in the supposed natural setting of a business meal at an upscale Hollywood restaurant[1]. While presenting many of the elements that Jib Fowles discusses in his essay “Advertising’s Fifteen Basic Appeals,” this Coke ad also portrays the duality of women in our society. The only unambiguous message of this commercial is the product it endorses: as product recognition is most important in advertising, Singer subtly creates the “Affiliation”[2] appeal. The fast-moving ad features unidentified people and indeterminate foods; however, amidst the myriad of attractive imagery stands the easily-recognized Coca-Cola contour bottle. While Coke is rarely dispensed in glass bottles anymore, the choice to present it in this container distinguishes it as nostalgic and thus familiar, as opposed to the vague and thus anonymous food that the ad is not promoting. This dichotomy of the indeterminate food and prominent Coke bottle serves as one example of the duality I will discuss throughout the essay: Salma Hayeck resembles the Coke bottle’s distinction in contrast to the unknown people also featured in the commercial[3]. Additionally, the ad evokes affiliation from audiences with its text “Craving” “Coca-Cola” “Real,” which resonates the company’s previous slogan, “The Real Thing.” Essentially viewers acknowledge the reality of Coke through their memories of prior ad campaigns. As I mentioned, the pace of this commercial is fast-moving, likely intended to mirror real life; in a thirty-second ad, viewe... ... middle of paper ... ...y be women who feel the pressure of this duality, the ad reinforces the rigid social expectations for women’s behavior as distinguished private or public. This recent Coca-Cola commercial illustrates the complexity of advertising’s explicit and implicit social messages: because directors intentionally include all elements, audiences should thoughtfully analyze the expectations, stereotypes, and assumptions companies perpetuate and measure our complicity with these messages by unconsciously viewing. [1] http://www2.coca-cola.com/presscenter/nr_20030917_americas_real_salma_hayek.html [2] The “Appeals” I discuss henceforth are taken from Jib Fowles’ essay “Advertising’s Fifteen Basic Appeals.” [3] Though I will admit that I mistakenly identified the featured actress as Penelope Cruz, who stars in another commercial for Coke’s “Real” campaign.
Ballaro, Beverly, and Ann Griswold. “Condom Distribution: An Overview.” Points of View: Condom Distribution (2013): 1. Points of View Reference Center. Web. 23 Oct. 2013.
Coca-Cola’s “America the Beautiful” commercial premiered February 2, 2014, during halftime of the NFL Super Bowl for a total of 60 seconds. It depicts shots of American people in all parts of the country doing ordinary things such as riding horses, dancing, and surfing. Katherine Bates’ song, “America the Beautiful”, is sung in the background in nine different languages: English, Spanish, Tagalog, Mandarin, Hindi, Hebrew, Keres, French and Arabic (Younge). Coke’s “America the Beautiful” commercial uses each of Aristotle’s appeals to project their product into the living rooms of everyday Americans.
Americans have long since depended on a falsified ideology of idealized life referred to as the American dream. The construct of this dream has become more elusive with the emergence of popular cultural advertisements that sell items promoting a highly gendered goal of achieving perfection. In “Masters of Desire: The Culture of American Advertising,” Jack Solomon states that ads are creating a “symbolic association between their products and what is most coveted by the consumer” to draw on the consumer’s desire to outwardly express high social standing (544). The American dream has sold the idea of equality between genders, races, and socioeconomic backgrounds, but advertisements have manipulated this concept entirely through representations
“Ads sell more than products. They sell values, they sell images, they sell concepts of love and sexuality, of success, and perhaps most important, normality.” Jean Kilbourne, a media critic, goes into great detail of this disgrace to modern society in her documentary, “Killing Us Softly 4: Advertising 's Image of Women.” Many people like Kilbourne could argue that women have falsely been depicted as a minority to men over the years. All different forms of advertising have been guilty of womanizing in this way at one time or another. Some of the largest companies have been caught displaying woman in a sexual and desirable way in order to sell products; some even make the woman seem weak or dependable on a male figure. While many companies are guilty of the form of advertisement described in Kilbourne’s video, a handful of corporations bring hope into our often sexist society. One particular Nike ad contradicts Kilbourne’s theory of worsening feminization by showing a ruthless, successful female athlete. However, when analyzed, an Old Spice ad suggests that women are subjective to men, proving Kilbourne’s theory to have some truth.
The documentary Killing Us Softly 4 discusses and examines the role of women in advertisements and the effects of the ads throughout history. The film begins by inspecting a variety of old ads. The speaker, Jean Kilbourne, then discusses and dissects each ad describing the messages of the advertisements and the subliminal meanings they evoke. The commercials from the past and now differ in some respects but they still suggest the same messages. These messages include but are not limited to the following: women are sexual objects, physical appearance is everything, and women are naturally inferior then men. Kilbourne discusses that because individuals are surrounded by media and advertisements everywhere they go, that these messages become real attitudes and mindsets in men and women. Women believe they must achieve a level of beauty similar to models they see in magazines and television commercials. On the other hand, men expect real women to have the same characteristics and look as beautiful as the women pictured in ads. However, even though women may diet and exercise, the reality...
Coca-Cola is a globally recognized company known for one of the most popular drinks in the world. Coca-Cola. Normally as the Super Bowl grows closer audiences anticipate the coming of some of the best commercials for the year to be televised nation-wide for American’s. Some may not even watch the game, they only watch for the commercials. As past years can example, Coca-Cola never leaves audiences unsatisfied with their commercials and this year was no different. This year’s Coca-Cola commercial uses a vast amount of rhetorical devices from the pathos based ideas to how the marketers intentioned for the audience to view the commercial. Coca-Cola’s was pieced together by advertisers whose main priority was to leave the audience with a feeling of what Coca-Cola could intentionally bring into their lives.
"Sexually Transmitted Diseases: MedlinePlus." U.S National Library of Medicine. U.S. National Library of Medicine, n.d. Web. 5 April 2014.
“Women need to be put in their place” and “women need to know their place” both clearly suggest that women are not equal to men. This suggests that they shouldn’t be allowed freedom to do what they want to do and to express themselves, but rather that they need to be taught how to behave and what they are allowed to do; that women aren’t equals! Women are subordinates, and they need to understand that. “Women need to be controlled” and women need to be disciplined” suggests that women are not equal to men and that, once again, they are objects and they are subordinates; women cannot be equal in a world where they “need to be controlled” and where they “need to be disciplined.” The ad does a very good job of showcasing the prevalence of sexism, discrimination, and oppression of women in the modern day. The auto-filled words themselves are enough to send the
When one tries to appeal to another, they must communicate in terms the other party understands or identifies with. In the context of advertising, this concept is crucial to maximize the allure of the product sold. Since marketers have a limited amount time in the span of a televised commercial, they must rely on shortcuts to convey their message quickly and efficiently. These shortcuts are in the form of stereotypes and common associations that allow the audience to understand the idea being portrayed. As stereotypes are illustrated on a massive scale, they reinforce our view on what is typical of certain traits and characteristics, regenerating the method relied upon. In the commercial, “Bean Counter”, produced by Apple, a number of traits are presented that have cultural significance in how they are widely perceived.
This advertisement makes Diet Coke popular because it focuses on why the consumers drink the product; it 's refreshing and does not cause weight gain. This is proved in the advertisement because the women portrayed are happy and having a good time while sharing a Diet Coke, which leads the consumers to believe that they should buy a Diet Coke as well. This association increases sales and helps improve the overall market
Commercials play a huge impact as to changing one’s attitude towards buying a good or service. Commercials are seen in many different places; on television, radio, and other places that are widely seen such as benches. But can a commercial change one’s mind or attitude towards a certain product? For decades, Americans and others couldn’t help but love the dark-carbonated beverage. Switching their drink from water to Coca-Cola, many people are now consuming Coca-Cola as one of their daily beverages. It’s been spoiling many people’s dinners since the year of 1886. One famous producer who promoted the drink was Lee Garfinkel. He proposed a coke commercial in the year of 1994. The commercial with its outstanding
The can is sporting a blood red cloak that shows a striking resemblance to Dracula’s cloak. The cloak is partially opened in the front so the viewer can still see the Pepsi symbol clearly on the can. It also looks like it is being ruffled a little bit by the wind. There is white lettering written across the cloak that reads, ‘Cola-Coca’ in the Coca-Cola font type. Pepsi cleverly swapped the ‘C’ and the ‘L’ in Coca-Cola’s name to give the impression that the Pepsi can is wearing an imitation Coca-Cola costume. The background of the ad is a mountain ravine complete with dark shadows and sharp rocks, giving this ad a mood of dark and scary. The only text is, ‘We wish you a scary Halloween!’ which is thinly printed with white letters towards the top of the
The researcher suggested follow-up studies to indicate if the apparent trend of increased self-censorship in small schools can be attributed to smaller budgets or lack of support structure in these schools. Preferably these future studies will employ larger sample sizes, make use of proportionate stratified sampling, include comparisons of holdings of non-controversial well-reviewed works, and use data analysis methods.
For every Super Bowl, millions of excited fans tune in to watch their favorite teams compete and enjoy the ecstatic atmosphere. One aspect of the Super Bowl are the usual entertaining advertisements. During the 2014th Super Bowl, an American based company, Coca Cola, had advertised their product in a rather different way causing some political controversy. Coca Cola’s advertisements always highlights the theme of people enjoying a moment of happiness and can be united while drinking a delightful Coke. In this case, their 60 second advertisement, “America the Beautiful” featured visuals of people of different ethnic or racial background all drinking a coke living their daily lifestyles while enjoying a Coca Cola. The music featured children singing the well-known national song, “America The Beautiful”, not only in English but in seven other languages. Xenophobic comments and a boycott against Coca Cola caused the controversy, but this advertisement was met
In the Coca-Cola ad the first thing clients will observe is the colors and how it is within the image. This ad uses main, additional, and a few fairly neutral colors all booming out of a coke container and in the center is a female's satisfied cheerful experience. With an image such as this provided to a individual, each factor included to the image gives a kind of satisfied sensation which the customer would want to experience. The satisfied experience results in illustrating in a individual by indicating that the lady is cheerful because the item is really excellent. The colors and the grin performs with a individuals psy...