The Epic of Gilgamesh, although written in the area between the West and East, is a more Western text rather than an Eastern text. Gilgamesh, in its ancientness can be seen as the catalyst for the majority of Western ideologies and texts. The text in its approach to aging, finding the truth and the pursuit of immortalizing oneself are in parallel with how Western beliefs conduct themselves and by extension show how Western motivation for their text could be constructed. In this manner, Gilgamesh is the oldest surviving Western text to pave the paradigm of Western texts rather than Eastern texts. Gilgamesh’s aversion to growing old and eventually dying is the most sympathizing and acknowledged part of Gilgamesh that is a clear echo to the Western …show more content…
The protagonist is usually lost and trying to find themselves. Gilgamesh, is the lost westerner, he finds himself at the edge of his sanity trying fruitlessly to find the greater meaning of his life at the cost of everything to him. He is completely captivated by this idea that he forgets that he has his own life to live and that life in its simplicity does not last forever. This is shown when Siduri asks him: “Gilgamesh, where are you hurrying to? You will never find that life for which you are looking. When the gods created man they allotted to him death, but life they retained in their own keeping. As for you, Gilgamesh, fill your belly with good things; day and night, night and day, dance and be merry, feast and rejoice. Let your clothes be fresh, bathe yourself in water, cherish the little child that holds your hand, and make your wife …show more content…
The manifestation of science itself as a disciple over the centuries and its clear fascination with the purpose of life and how we came to be and especially with the concept of immortality are strong resonances of Gilgamesh’s own struggles with life and death. This leads one to believe that Gilgamesh could indirectly be one of the causes of its creation. As Gilgamesh goes through his journey, his linear development can be seen. This is the way characters are developed into the plot of a Western text, hence improvement has a goal, development stops when the goal is reached whereas in an Eastern text it would be a cyclic development, and hence improvement is a never ending journey that has no limits. Gilgamesh himself and the whole epic is essentially about the idea of finding yourself and trying to overcome the realities of death, aging and life. As Western epics are written with linear methodology of problem, struggle, realization, a change of some sort and the glory of that hero idea in mind. When Gilgamesh is distraught at Enkidu’s death he promises that if he does not get to see Utnapishtim he will “roam the wilderness in my [his] grief”, this is ultimately how people of West handle themselves when faced with a situation that is less than pleasing and too morbid too handle in the time of grief.
The philosophy that comes across in Gilgamesh’s story is that he life is something to be enjoyed because once you die you will life your afterlife in eternal anguish.
The Epic of Gilgamesh. Trans. Benjamin R. Foster. Text. Martin Puncher. New York: W.W and Company, 2013.Print.
In life, whether you are human, a god, or two thirds god and one third human, one faces many challenges and obstacles. Sometimes they are dealt with alone and terrified. In The Epic of Gilgamesh, Gilgamesh goes through many challenges and obstacles on every journey he faced. However, in Tablet X, in the beginning it shows the sadness he is facing, but the language and form of Gilgamesh’s journey develops his character by revealing his perseverance in the repetition and the action that is created of him.
As Stephen Mitchell stated, “(Gilgamesh is) the oldest story in the world, a thousand years older than the Iliad or the Bible” (Mitchell, 1). Gilgamesh is the oldest text we have from the B.C./B.C.E times. Majority of scholars believe that the main theme of the book is Immortality. Therefore, it is arguable that other themes are much more important. Gilgamesh is by far the oldest known text in today’s age. Through analyzation, we know one of the main themes of the story is immortality; however, that is not the only theme nor is it the most important.The book stands the test of time because of a topical and relatable theme to today’s society. Numerous characters display that human growth is achieved through loss and journeys.
The epic of Gilgamesh is an epic poem based on Mesopotamia. These documents were used to express the lifestyle of the people in Mesopotamia. Through this document, important information has been gained from them. It has provided an insight analysis of the past life of people in Mesopotamia. The poems have also outlined the way in which different people lived in the society. The poem highlights the difference between the city dwellers and those outside the city walls.
Gilgamesh, feeling the fear of his own mortality, sets out on a journey to search for a way to preserve himself. Although the journey that he endures is much larger than life, Gilgamesh comes to realize that he can never achieve immortality. Before the creation of Enkidu, Gilgamesh is a man without an equal match. He is an individual with overwhelming power, and it is because of this that makes Gilgamesh a very arrogant person.
The story of the great hero, Gilgamesh, fulfills the requirements of an epic. Gilgamesh is consistently relevant to society and it conveys timeless themes and messages. It is in human nature for people to want to excel in life and strive to make a name in this world for themselves. We want to be remembered by name or for something we have done. Most, who actually succeed, are forgotten about in a matter of years. However, some are remembered for tens, hundreds, and even thousands of years, because of their great intellectual achievement to feats of outstanding skill.
The stories of the hunt for immortality gathered in the Epic of Gilgamesh depict the conflict felt in ancient Sumer. As urbanization swept Mesopotamia, the social status shifted from a nomadic hunting society to that of a static agricultural gathering society. In the midst of this ancient "renaissance", man found his relationship with the sacred uncertain and precarious. The Epic portrays the strife created between ontological nostalgia for a simpler time and the dawn of civilization breaking in the Near East. In this Epic, Gilgamesh is seen trying to achieve immortality through the methods of both the old and the new. His journeys through the sacred and the profane in many ways characterize the confusion arising from the unstable social climate. Therefore, the society, by writing the story of Gilgamesh, guarantees not only his immortality, but the immortality of the new order being established.
One of the main themes in the epic is that death is inevitable, which is shown through Enkidu's death. When Enkidu dies, Gilgamesh becomes very worried, because he realizes for the first time that everyone is going to die at some point in time. The fact that Enkidu is a close friend makes it even more visible to Gilgamesh that everyone is mortal. Then, along with this realization, comes the theme of denial. Gilgamesh does not want to accept the fact that he will die. He denies the truth, because he does not want to think about the truth or cope with the tragedy that has struck him. "And he-he does not lift his head. 'I touched his heart, it does not beat'" (Tablet VIII, Column II, 15-16). "'Me! Will I too not die like Enkidu? Sorrow was come into my belly. I fear death; I roam over the hills. I will seize the road; quickly I will go to the house of Utnapishtim, offspring of Ubaratutu. I approach the entrance of the mountain at night. Lions I see, and I am terrified. I lift my head to pray to the mood god Sin: For...a dream I go to the gods in prayer: ...preserve me!'" (Tablet IX, Column I, 3-12).
Character deficiencies and external events force these three characters to embark on a journey that may be physical, metaphorical, or both. In the Epic of Gilgamesh, Gilgamesh is the king of Uruk, but he is not a kind or gentle ruler. The narrator describes Gilgamesh as "surpassing all kings, for his stature renowned" (I.30) and yet the people pray to the gods for help because Gilgamesh "would leave no son to his father" (I.67) or "girl to her mother" (I.73). In other words, Gilgamesh sees nothing wrong with taking what he wants from his people, including their lives. However, when Gilgamesh's best friend dies, he finds himself face-to-face with his own mortality, which he is not prepared to accept as inevitable. Gilgamesh states, "I have grown afraid of death . . ." (IX. 5). He decides to continue wandering the land un...
The Epic of Gilgamesh is a story that deals with various sub conflicts that are known to create a lasting impression on how we view the characters and their status in the general schemes. Sub conflicts like Immortality vs mortality, betrayal, death, violence and sorrow, gives us a grand perspective of how negative and pessimistic the general schemes and plot of the Epic truly is. Today I will be arguing that The Epic of Gilgamesh takes a pessimistic view on mortality. In the Epic of Gilgamesh, the main character Gilgamesh is conflicted with the death of his best friend Enkidu, in fear of death; he goes to Utanapishtim who is an immortal that is also human. Utanapishtim tells Gilgamesh about the cure and where to find it; Gilgamesh finds the cure but sets it
In many literary works we see significant transitions in the hero's character as the story is developed. This is also true in the Epic of Gilgamesh with its hero, Gilgamesh. In this narrative poem, we get glimpses of who Gilgamesh is and what his purposes and goals are. We see Gilgamesh act in many different ways -- as an overbearing ruler resented by his people, a courageous and strong fighter, a deflated, depressed man, and finally as a man who seems content with what he's accomplished. Through all of these transitions, we see Gilgamesh's attitude toward life change. The goals he has for his own life alter dramatically, and it is in these goals that we see Gilgamesh's transition from being a shallow, ruthless ruler to being an introspective, content man.
Throughout time, people of all cultures have told stories of heroes and kings. The most ancient story we have on record is the tale of King Gilgamesh. This story is an account of the King's journeys and accomplishments. Although it was written over four thousand years ago, many comparisons can be made between the society in which the story was written and our own modern society. In this essay, differences and similarities between the two societies will be examined.
Gilgamesh is an epic of great love, followed by lingering grief that causes a significant change in character. It is the story of a person who is feared and honored, a person who loves and hates, a person who wins and loses and a person who lives life. Gilgamesh's journey is larger than life, yet ends so commonly with death. Through Gilgamesh, the fate of mankind is revealed, and the inevitable factor of change is expressed.
The Epic of Gilgamesh and The Odyssey both are held in high respect by literature analysts and historians alike for the characterization of the hero and his companion, the imagery brought to mind when one of them is read, and the impressive length in relation to the time period it was written in. The similarities that these two epics share do not end with only those three; in fact, the comparability of these works extend to even the information on the author and the archetypes used. However, The Odyssey and The Epic of Gilgamesh contrast from one another in their writing styles, character details, and main ideas. Both epics weave together a story of a lost man who must find his way, but the path of their stories contrast from one another.