The two literary works, “Ain't I a Woman?” and “Sweat,” focus on the lives of African-American women and the racial inequalities and gender stereotypes they face. In Zora Neale Hurtson’s short story “Sweat,” Delia challenges the male-dominant relationship between herself and her husband, Sykes, by being the provider in their household. As a person of color in the 1920s, Delia already lacks power in society; because of her gender, she is also objectified in her home by an abusive husband. Delia’s tolerance of Sykes’s disrespect towards her fades throughout the story, redefining Delia’s perception of herself as woman. At the end of the story, Delia finally experiences freedom from Sykes’s objectification, when she chooses to not save him, letting …show more content…
In “Sweat,” Delia’s tolerance toward Sykes slowly vanishes, bringing Delia to the realization that she is powerful. Towards the beginning of the story when Sykes threatens Delia, she ignores him to avoid mirroring his argumentative nature. As “Sweat” progresses, however, Delia begins standing up for herself and showing little fear. Similar to how Sykes bashes Delia’s appearance, Delia responds, “‘Yo' ole black hide don't look lak nothin' tuh me, but uh passle uh wrinkled up rubber, wid yo' big ole yeahs flappin' on each side lak uh paih uh buzzard wings’” to Sykes when he insults her looks (Hurston). By reciprocating Sykes’s critical tone, Delia embodies Sykes’s nature which proves that she is fully capable of obtaining the power men have. By doing this, Delia begins to view herself as an independent and powerful woman. Truth, on the other hand, does not mention a personal growth in her speech that leads her to redefining womanhood. Because “Ain’t I a Woman?” is a speech, at the beginning Truth already knows her intention is to broaden and change the definition of womanhood to include African-American women. During her speech Truth mentions that she has “ borne thirteen children, and seen most all sold off to slavery” (Truth). Saying she has given birth reiterates that she is biologically a woman, appealing to the readers logos. Following that fact by saying that her children were sold, Truth shows the reader the motherly role that society stole from her because she was a slave and viewed as property, which appeals to the readers pathos. Although Truth can speak from only her own experiences, her speech shows how many African-American women are denied the role of motherhood. After broadening womanhood, Truth then argues against a mans statement that women should be seen as lesser “‘cause Christ wasn't a woman!’” (Truth). She then follows that by saying, “Where did your Christ
The woman in Alice Walker’s The Color Purple and the woman in Tennessee Williams’ A Streetcar Named Desire both struggle with discrimination. Celie, a passive young woman, finds herself in mistreatment and isolation, leading to emotional numbness, in addition to a society in which females are deemed second-rate furthermore subservient to the males surrounding them. Like Celie, Blanche DuBois, a desperate woman, who finds herself dependent on men, is also caught in a battle between survival and sexism during the transformation from the old to the new coming South.
Laurence Hill’s novel, The Book of Negroes, uses first-person narrator to depict the whole life ofAminata Diallo, beginning with Bayo, a small village in West Africa, abducting from her family at eleven years old. She witnessed the death of her parents with her own eyes when she was stolen. She was then sent to America and began her slave life. She went through a lot: she lost her children and was informed that her husband was dead. At last she gained freedom again and became an abolitionist against the slave trade. This book uses slave narrative as its genre to present a powerful woman’s life.She was a slave, yes, but she was also an abolitionist. She always held hope in the heart, she resist her dehumanization.
"Sweat" by Zora Neale Hurston is filled with symbolism ranging from images that are easily captured to things that require a little bit more insight. Religion has apparently played a major role in Hurston's life, readily seen in "Sweat" with the references to a snake and Gethsemane. Symbolism plays a big part of this story and after analyzing these, they give the story a deeper meaning and can enlighten the reader as to the full meaning of "Sweat".
Deborah Gray White was one of the first persons to vigorously attempt to examine the abounding trials and tribulations that the slave women in the south were faced with. Mrs. White used her background skills acquired from participating in the Board of Governors Professor of History and Professor of Women 's and Gender Studies at Rutgers University to research the abundance of stories that she could gather insight from. It was during her studies that she pulled her title from the famous Ain’t I A Woman speech given by Sojourner Truth. In order to accurately report the discriminations that these women endured, White had to research whether the “stories” she was writing about were true or not.
Marriage is a concept that society takes extremely inaccurately. It is not something one can fall back from. Once someone enter it there is no way back. In Zora Neale Hurston’s short story “Sweat” she tells the story of Delia, a washerwoman whom Sykes, her husband, mistreats while he ventures around with other women and later attempts to kill Delia to open a way for a second marriage with one of his mistresses. By looking at “Sweat” through the feminist and historical lens Hurston illustrates the idea of a sexist society full of men exploiting and breaking down women until men dispose of them.
This novel also looks at social norms overseeing gender in the southern states around the 1960's. White women in the book are valued by the amount of children they can reproduce for the black women to raise. Even though getting a job is difficult for these black woman, the white women have a hard time seeking out a job as well. But these black women sacrifice their lives to be major workhorses surrendering their own families to work for white employers. Aibileen, Minny, and Skeeter confront the roles put upon them by society and receive fulfillmen...
One of the key components of literature is the usage of elements, these elements of literature provides readers underlying themes that authors put into their story. Without these elements of literature, the author would have no way to convey their true messages into their works. In Zora Neale Hurston’s story “Sweat”, Hurston uses many elements of literature to convey the seriousness and true relationship of couples that have a history of domestic violence. However, a specific element of literature that Hurston uses are symbols which give readers a clearer understanding of domestic abuse and most importantly, the characteristics of the victim and perpetrator of an abusive relationship. The symbols that Hurston uses in her story are what fortifies her plot and characters in “Sweat”. The symbols that Hurston uses are necessary because it destroys the typical gender role stereotypes between men and women. This is necessary because there is such a difference between the portrayal of men and women, men often being superior to women. Hurston uses through her symbol to show some equality between men and women or at points women can also be superior against men.
Zora Neale Hurston’s “Sweat” is a distressing tale of human struggle as it relates to women. The story commences with a hardworking black washwoman named Delia contently and peacefully folds laundry in her quiet home. Her placidity doesn’t last long when her abusive husband, Sykes, emerges just in time to put her back in her ill-treated place. Delia has been taken by this abuse for some fifteen years. She has lived with relentless beatings, adultery, even six-foot long venomous snakes put in places she requires to get to. Her husband’s vindictive acts of torment and the way he has selfishly utilized her can only be defined as malignant. In the end of this leaves the hardworking woman no choice but to make the most arduous decision of her life. That is, to either stand up for herself and let her husband expire or to continue to serve as a victim. "Sweat,” reflects the plight of women during the 1920s through 30s, as the African American culture was undergoing a shift in domestic dynamics. In times of slavery, women generally led African American families and assumed the role as the adherent of the family, taking up domestic responsibilities. On the other hand, the males, slaves at the time, were emasculated by their obligations and treatment by white masters. Emancipation and Reconstruction brought change to these dynamics as African American men commenced working at paying jobs and women were abandoned at home. African American women were assimilated only on the most superficial of calibers into a subcategory of human existence defined by gender-predicated discrimination. (Chambliss) In accordance to this story, Delia was the bread victor fortifying herself and Sykes. Zora Neale Hurston’s 1926 “Sweat” demonstrates the vigor as wel...
The sewing circle is a matrifocal space of political and social engagement that serves as Hopkins’ fictionalization of the black women’s club movement (Patterson 72). Here, the women of Contending Forces gather together to raise money, discuss political concerns, and forge social coalitions. A blackboard occupies a central space in the parlor of Ma Smith’s boardinghouse, and upon it each woman has contributed some news or raised a concern pertaining to the community. The gathering and discussion of these women makes the circle fertile ground for Hopkins’ linking of race, class, and gender concerns through the figure of the New Negro Woman. This space, filled with female voices and domestic tasks, features several versions of womanhood. And like other communal spaces, Hopkins argues for the collaboration of each woman figure and the value of all expressions of womanhood when united under the collective goal of racial uplift. Mrs. Willis and Mrs. Smith represent alternative approaches to motherhood—Ma Smith offers space but cedes the intellectual energy to the younger women, while Mrs. Willis figures more as a race mother that influences and directs the path of racial progress. Mrs. Willis is also a foil to Sappho in this scene as a
Pauline Hopkins’ novel “Of One Blood” was originally published serially in a magazine called Colored American, from 1902-03. Within this novel Hopkins discusses some of the prominent racial and gender oppressions suffered by African Americans during this time. Following the Emancipation Proclamation of 1849 which resulted in African American freedom from slavery, but unfortunately not freedom from oppression and suffering. One of the minor characters, and the only dominant female role, within the novel is Dianthe Lusk. Within the novel Dianthe has many identifiers, which limits not only the readers but Dianthe’s understanding of her identity. Some of these identifiers include: women or ghost, black or white, sister or wife, princess or slave, and African or American. However, the most prominent of these juxtapositions in the novel is the racial identity. This paper will argue that the suffrage of Dianthe through her experiences with racial identity and rape serve to locate racial identity as an agent of politics, rather than of one’s color.
Deborah Gray White’s Ar’n’t I a Woman? details the grueling experiences of the African American female slaves on Southern plantations. White resented the fact that African American women were nearly invisible throughout historical text, because many historians failed to see them as important contributors to America’s social, economic, or political development (3). Despite limited historical sources, she was determined to establish the African American woman as an intricate part of American history, and thus, White first published her novel in 1985. However, the novel has since been revised to include newly revealed sources that have been worked into the novel. Ar’n’t I a Woman? presents African American females’ struggle with race and gender through the years of slavery and Reconstruction. The novel also depicts the courage behind the female slave resistance to the sexual, racial, and psychological subjugation they faced at the hands of slave masters and their wives. The study argues that “slave women were not submissive, subordinate, or prudish and that they were not expected to be (22).” Essentially, White declares the unique and complex nature of the prejudices endured by African American females, and contends that the oppression of their community were unlike those of the black male or white female communities.
Throughout her novel Meridian, Alice Walker exemplifies the ways in which racism is gendered. In my reading of the novel, I recognize Walker’s portrayal of the struggles against both racism and patriarchy as a call for intersectionality. By addressing the expectations and oppression of women within society as well as the habitual racial violence in the defense of white security, Walker provides readers with an understanding of the complex link between patriarchy and racism while implying the importance of combining the struggles against both structures of power in order to transform society.
In “How It Feels to Be Colored Me,” Hurston breaks from the tradition of her time by rejecting the idea that the African American people should be ashamed or saddened by the color of their skin. She tells other African Americans that they should embrace their color and be proud of who they are. She writes, “[A socialite]…has nothing on me. The cosmic Zora emerges,” and “I am the eternal feminine with its string of beads” (942-943). Whether she feels “colored” or not, she knows she is beautiful and of value. But Hurston writes about a time when she did not always know that she was considered colored.
In literature, the significant themes of a story can sometimes be developed within dramatic death scenes. With that being said, Zora Neale Hurston 's presents an unappreciated housewife and her high-class husband 's sinful ways which ultimately lead to the husband 's unplanned death, in her short story “Sweat”. The concluding death scene can best be described as illustrating the theme as “what goes around comes around”. Sykes was abusive and tried plotting his wife, Delia 's, death by using a rattlesnake, but his plan backfired and it was Sykes that was killed in the end.
For this very reason Jacobs uses the pseudonym Linda Brent to narrate her first-person experience, which I intend to use interchangeably throughout the essay, since I am referencing the same person. All throughout the narrative, Jacobs explores the struggles and sexual abuse that female slaves faced on plantations as well as their efforts to practice motherhood and protect their children from the horrors of the slave trade. Jacobs’ literary efforts are addressed to white women in the North who do not fully comprehend the evils of slavery. She makes direct appeals to their humanity to expand their knowledge and influence their thoughts about slavery as an institution, holding strong to the credo that the pen is mightier than the sword and is colorful enough to make a difference and change the the stereotypes of the black and white