In 1897 Bram Stoker published a book titled Dracula, meaning “dragon” in Romanian. The book astonished many, and to this day continues to. Though having endured over a century of thought the book still shows an intriguing look on female sexuality in the time period of which it was written. The book follows a group of people involved in the wraths of Count Dracula. Throughout the book marriage and relationships are encountered, and are the binding cause in the book, essentially provoking many of the problems encountered. Dracula reveals society’s belief of the two sides of women, the societal “axiom” of behavior in men and women, as well as the obligations to obtain marital status and find security in it. In Dracula, Stoker displayed what society …show more content…
The putative man was to be decisive, strong, and courageous, yet women were expected to be virginal, sweet, and motherly. Dr. Van Helsing himself praises Mina for her meeting of the Victorian requirements to be considered a “woman”. “She is one of God’s women, fashioned by His own hand to show us men and other women that there is a heaven where we can enter, and that its light can be here on earth. So true, so sweet, so noble, so little an egoist-- and that, let me tell you, is much in this age, so sceptical and selfish” (Stoker 203). There is also the presupposition that only a true “man” may be of obligation to a woman. “A brave man’s blood is the best thing on this earth when a woman is in trouble. You’re a man, and no mistake. Well, the devil may work against us for all he’s worth, but God sends us men when we want them” (Stoker 163). However, when a woman had characteristics of a “man”, or a man had characteristics of a “woman”, it was deemed either a force to be reckoned with, or regarded with great stupefaction. When a man is presumed to submit to a more feminine action it is typically a moment of humiliation, as seen on page 245. Stoker wrote, “I suppose there is something in woman’s nature that makes a man free to break down before her and express his feelings on the tender or emotional side without feeling it derogatory to his manhood; for when Lord Godalming found himself alone with me he sat down on the …show more content…
Before wedding to a husband a woman often viewed themselves as a weak figure, and that only a man can provide safety and security. Lucy Westenra, Mina’s dearest friend, thought so too. “I supposed that we women are such cowards that we think a man will save us from fears, and we marry him” (Stoker 65). Yet once married women often expected their marriage to be very stereotypical and live up to the standard expectation. “A woman ought to tell her husband everything-- don’t you think so, dear?” ( Stoker 64). During the time period men were clearly thought of as higher beings, and because of this marriage was often seen as a way of getting to a closer equilibrium between members of the opposite sex. Women often were very guilty if they didn’t marry someone they felt as an equal to. Stoker wrote, “My dear Mina, why are men so noble when we women are so little worthy of them? Here was I almost making fun of this greathearted, true gentleman. I burst into tears-- I am afraid, my dear, you will think think this a very sloppy letter in more ways than one-- and I really felt very badly. Why can’t they let a girl marry three men, or as many as want her, and save all this trouble?”
Birge, Barbara. "Bram Stoker's DRACULA: The Quest for Female Potency in Transgressive Relationships." Psychological Perspectives. 1994. 22-36.
Bram Stoker’s “Dracula,” came to print in 1897, at the height of Nineteenth century Victorian life in Europe, a progressively modern era that saw much medical and technological advancement. This era brought with it the contentious idea of an empowered woman, the “New Woman,” a woman who aspires to be educated as well as sexually and economically independent. Stoker gives a contrasting view of this notion in “Dracula.” While the main characters, Lucy and Mina, are clearly opposite in personality, they are both portrayed as unequal, defenseless objects that are to be protected and desired. However, one woman’s fate is determined by her weakness, while the other is determined by her strength.
In order to discuss the decline in masculinity (or manhood) and moral values, synonym of religious values in both books, it becomes necessary to define what Late-Victorian society considered them to be. In Dracula, masculinity is defined almost exclusively by contrasting it with femininity. The men in the book are praised when they show the opposite qualities that women are described as possessing. While women are shown as obedient and complacent, men are stern and in command of themselves and situations. Men are expected to protect women while women expect and cherish the protection of men. While men are expected to face the unpleasant facts of life, the darkness and the evil, with integrity and courage, women are to be sheltered from danger to avoid the breakdown of their fragile characters. When the group headed by Van Helsing starts their mission of vanishing the Count and all the dangers he brings for England, the men unanimously decide to hide all the unpleasant facts f...
The late nineteenth century Irish novelist, Bram Stoker is most famous for creating Dracula, one of the most popular and well-known vampire stories ever written. Dracula is a gothic, “horror novel about a vampire named Count Dracula who is looking to move from his native country of Transylvania to England” (Shmoop Editorial Team). Unbeknownst of Dracula’s plans, Jonathan Harker, a young English lawyer, traveled to Castle Dracula to help the count with his plans and talk to him about all his options. At first Jonathan was surprised by the Count’s knowledge, politeness, and overall hospitality. However, the longer Jonathan remained in the castle the more uneasy and suspicious he became as he began to realize just how strange and different Dracula was. As the story unfolded, Jonathan realized he is not just a guest, but a prisoner as well. The horror in the novel not only focuses on the “vampiric nature” (Soyokaze), but also on the fear and threat of female sexual expression and aggression in such a conservative Victorian society.
The three brides are introduced to the reader on page 51 of the novel, when they seduce Jonathon. This is one of the main reasons they are traditional and don’t obey the modern laws of the Victorian era. For women to seduce and show their sexuality in those times was one of the huge horrors of the novel for the intended audience of the Victorian age. It was also one of the most wanted yet fearful thing men had; they wanted women although they were afraid to lose power from a...
This essay explores the blurring of gender roles within Bram Stoker’s Dracula and Angela Carter’s The Lady of the House of Love, focusing on the presentation of a sexually assertive female and its threat to the patriarchal society, and the duality of the female characters as they are presented as enticing and thrilling, but also dangerous and somewhat repulsive.
Bram Stoker’s Dracula illustrated fears about sexual women in contrast to the woman who respected and abided by society’s sexual norms. Joseph Sheridan LeFanu’s “Carmilla” represented not only the fear of feminine sexuality, but also the fear of sexuality between women. John William Polidori’s “The Vampyre” showed society’s fear of sexuality in terms of the seductive man who could “ruin” a young girl.These texts are representative of vampire stories in the Victorian Era, and will be the focus here.
This essay will attempt to discuss the two gothic tales ‘Carmilla’ and ‘Dracula’ in relation to cultural contexts in which they exist as being presented to the reader through the gender behaviour and sexuality that is portrayed through the texts. Vampire stories always seem to involve some aspect of sexuality and power.
Similar to almost every piece of literature ever created, Dracula by Bram Stoker has been interpreted many different ways, being torn at from every angle possible. Just as one might find interest in interpreting novels differently, he or she might also find interest in the plot, prose, or theme, all of which ultimately lead to the novels overall tone. Throughout the novel, it becomes blatant that the novel contains an underlying theme of female incompetence and inferiority. Through a true feminist’s eyes, this analysis can clearly be understood by highlighting the actions of Mina and Lucy, the obvious inferior females in the book. Through Stoker’s complete and utter manipulation of Mina and Lucy, he practically forces the reader to analyze the co-existence of dominant males and inferior females in society and to simultaneously accept the fact that the actual text of Dracula is reinforcing the typical female stereotypes that have developed throughout the ages.
In reading Bram Stoker's Dracula, I find the treatment of the two main female characters-- Lucy Westenra and Mina Harker-- especially intriguing. These two women are two opposite archetypes created by a society of threatened men trying to protect themselves.
...sitive depiction of their sexual relationship. For Mina, however, renunciation of Dracula's evil must include the renunciation of her own physical needs and desires. The roles played by social mores and conceptions of gender and sexuality are, in the end, more than incidental. Indeed, the difference between Victorian England and 1990s America causes the subtle -- but significant -- valuation of the connections between good and evil and women and sexuality in two in many ways similar texts.
Despite popular culture today with shows like The Vampire Diaries where vampires are often continuing their daily lives as if they are human and being the heroes to their friends and/or family, Dracula is a depiction of how vampires have, for centuries, been exposed as bloodthirsty, supernatural beings with sexual appeal. The way women are portrayed in Bram Stoker’s, Dracula, is a result of the Victorian ideals. Once Dracula begins to feed on the women, they become bloodthirsty temptresses which are exactly what society fears and try to prevent. In Dracula, Stoker makes sexuality directly linked to the vampirism in the novel. This is seen through the change of Lucy’s somewhat modest behavior into a temptress, the blood-sharing between characters in the novel, and the description of the way Lucy was killed.
As the saying goes, “Women can do everything Men can do.” In the Gothic Novel Dracula by Bram Stoker, there is a constant theme of sexuality, from both male and females in society. In the Victorian era, the roles of male and females have caused a lot of tension. After reading Dracula, some would argue the roles men and women hold in society. As mentioned in Dr. Seward’s Dairy from Val Halsing., “Ah, that wonderful Madam Mina! She has man’s brain—a brain that a man should have were he much gifted—and a woman’s heart. The good God fashioned her for a purpose, believe me, when He made that so good combination” (Stoker and Hindle, 2003 250). A women’s mind is not the always the first thing on a males mind. Some would overlook what a woman really has to offer.
Bram Stoker and Sheridan Le Fanu’s texts, Dracula (1898) and “Carmilla” (1872), use gothic tropes in similar ways to captivate readers with horror and terror. This essay will illustrate how, in comparison, both texts include gothic tropes: the New Woman, sexuality and setting, in order to provoke emotions and reactions from the readers. To achieve this, this essay will focus on the women that challenge traditional gender roles and stereotypes, and deconstruct each text in regards to the very strong undertones of homosexuality; specifically between Carmilla and Laura, and Dracula and Harker. By discussing the harshness and darkness of the environments described, including ruined castles and isolated landscapes; this essay will also explore the
There are a few characters in Dracula that embody society’s views of the time towards the uprising of women for better rights. On the other hand there are also characters that portray the Victorian ideals that men are stronger than women and how it should stay that way. As author Bram Dijkstra mentions in his response essay, “Stokers work demonstrates how thoroughly the war waged by the nineteenth century male culture against the dignity and self -respect of women had been fought”.(Dijkstra , p.460).