Stereotypes Of Popular Music

When the terms “pop music” and “serious music” come to mind, they are often associated hi my name is with their differences from each other. While it is understood that both types play large roles in society’s general musical, one has gained the reputation of being trashy, rebellious, and “non real” music. The other has an elitist, serious, complex, and perhaps boring demeanor. Popular music like rock and pop is widely assumed to be different from what we call serious music or “art music” like Beethoven’s symphony 9 for example, until very recently, this topic controlled discussion in nearly all philosophical discussions of music.

Probing into the validity of these stereotypes has been the center of debates and criticism amongst scholars and music lovers alike, as shown in Theodor W. Adorno’s publication, “On popular Music.” Moreover, the effects of these stereotypes also come with social implications, especially in regards to popular music. According to Adorno, the realities surrounding popular music have led to a number of negative aspects. These include the lack of compositional freedom and standardization of popular music in regards to commercial production, music, and

It created a new society of Repetition and mass production. During this time music was being consumed to the extreme and was becoming an essential mode of sociality in the world. Every one always wants the latest records and cassettes and Cd’s. Because of this the role of the Music Industry in socializing children into consumers and in managing demand becomes crucial. Since access to music has become so easy the demand of music has skyrocketed. With the demand increasing everyday pirating becomes a greater issue creating even more