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Dickens contribution to english literature
Dickens contribution to english literature
Dickens contribution to english literature
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Stardust is a creative postmodern fairytale which has essence of a fairytale and 18th-century Victorian era. The author mentions Queen Victoria and Charles Dickens from which we can make out the period. The author Neil Gaiman introduce us a tiny village ‘Wall’ in England. The hero Tristran Thorn is the son of Dunstan Thorn a human and Lady Una, who is a magical princess from fairyland Stromhold. The wall with a crack divide England when human lives from magical fairy land where goblin, flying ship, talking animal and tree, evil witches with magical powers can be found. The wall was always guarded by an old man who helps him in his quest. The narrow space in the wall is a portal to a magical realm.
It is a quest for the fallen star Yvaine who turn into a damsel with infinite powers. Tristran infatuated with the town beauty Victoria promises her a part of the fallen star in return for her affection. In the fairyland of Stormhold, the dying king need to determine his successor. As his sons cannot resolve who will be the king, he hurls his royal topaz in the sky with the prophesy that whoever retrieved it will be the next king. The majestic pendant
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He undertake journey, perform task, rescue Yvaine, and eventually becomes the king. The ‘Color’ archetype also can be found in the novel. The changing of the color of the gemstone identify the next king, when Yvaine is happy she shines like a star, the witches wear black clothes identifying their dark evil character. The snowdrop glass flower mean love. The story has another very strong archetypes ‘woman the hero’s quest starts with Victoria demanding the broken star. Yvaine is Tristran soul mate who turns into a woman after descending from the sky. Lady Una, who is Tristran mother protect her son and is regal even when she was a slave, and the evil witches signify the various kind of woman archetypes in the plot. Every fold of the plot is initiated by a woman
The air is cool and crisp. Roosters can be heard welcoming the sun to a new day and a woman is seen, wearing a clean colorful wrap about her body and head, her shadow casting a lone silhouette on the stone wall. The woman leans over to slide a piece of paper into one of the cracks, hoping her prayer will be heard in this city of Jerusalem. Millions are inserting their prayers into the walls of Japanese temples, while an inmate in one of a hundred prisons across the United States looks past his wall toward the prayers he did not keep. Billions fall asleep each night surrounded by four walls and thousands travel to China to witness the grandest one of all. Who builds walls and who tears them down?
The figurative walls in the novel are much harder to pin point than those that are literal. Candido’s father showed him that when he is “…lost or hungry or in danger, ponte pared, make like a wall” (Boyle
First, as Ethan watches Mattie dance, her red scarf flying behind her symbolizing youth and energy, a bright spot in Ethan’s dark and miserable life. This is a direct contrast to the perception of Ethan’s dull and dreary wife, Zeena. The description of Ethan watching while Mattie dances is an example of imagery using color to symbolize. “He had been straining for a glimpse of the dark head under the cherry-coloured scarf…. the scarf flew off her head and stood out behind her shoulders, and Frome, at each turn, caught sight of her laughing panting lips, the cloud of dark hair about her forehead, and the dark eyes which seemed the only fixed points in a maze of flying lines.” Descriptions such as this instantly gives the reader the feeling that Ethan is infatuated with Mattie. Even Mattie’s last name is a color. Her last name, “Silver”, seems to be a symbol of brightness and energy, compared to the descriptions of Ethan’s wife Zeena, which gives the feeling that she is unattractive and sickly. Zeena is described as having "grayish tinged" skin, false teeth, and having a "puckered throat." Even though Ethan is the one longing to be unfaithful to his wife, the descriptions of Zeena cause the reader to be sympathetic toward Ethan, while portraying Zeena as the villain. The imagery also provides information on the mood and atmosphere. The dreary, cold and stark landscape symbolizing how sad and discontent Ethan feels in his
Symbols are what takes a novel to another level and without them a novel would be very one dimensional and readers would lose interest. The color red is very prevailing in Ethan Frome. We associate red with blood, love, hate, passion, danger, and countless others. There are many items in this story that are specifically described as red. Ethan’s scar, the “"cherry-coloured fascinator” (Wharton 32), the pickle dish, and the sun. It seems as if the red symbols are related to angsts in Ethan’s life. The red pickle dish is a symbol of Ethan and Mattie’s marriage. When it breaks, Zeena is devastated, but Ethan, not so much. The idea of passion between the two ties into the color of the dish, red. Also, keep in mind that Mattie was the one who took the dish out of the china closet, which resulted in the cat breaking it. Just like how she broke Ethan and Mattie’s marriage. Another symbol is the tree at the end of the snow slope. Ethan sees Zeena’s face on the tree. The tree symbolizes the desire to be belligerent towards Zeena. Ethan could have avoided the crash into the tree if he wished. Even though both Ethan and Mattie ended up injured, Ethan was glad he hit “Zeena”. The night that Ethan had walked with Mattie home, he notices “A dead cucumber vine dangled from the porch like the crape streamer tied to the door for a death" (Wharton 56). This symbolizes and foreshadows a death to come. The death of Ethan Zeena’s marriage,
There were also many symbols in the play. I think that one of the biggest symbols in the play was Lena’s flower.
The roles of women are central to the story and in maintaining a civilized society. The hostess serves as a political instrument that brings hospitality and order to the land, while the peacemaker weaves herself between lands to form alliances. At last, the monster is a complex female that opposes the social expectations of a female and utilizes the law of man to solve problems. The epic does not exalt the women in the story for their influence over men, however, it should be considered in order to fully grasp the purpose of the actions (made by the women or all characters?) taken throughout the story.
Three of the archetypal elements are the number seven, the damsel in distress, and the hero. First, the number seven appears at the beginning of the tale, when seven fairies attend the birth of Briar Rose. Each fairy gives the newborn princess a gift. However an older fairy shows up, who had not invited, and grants a horrible spell on the newborn. The seventh fairy attempts to make the spell better, but there was only so much the fairy could do. She was able to change death to a one-hundred year sleep. The number seven is important because “it appears in the Bible in many places in numbering years and other important events” (Annotations for Sleeping Beauty). Some scholars say that the first seven fairies were ‘holy’ like and the last was evil. Next is the damsel in distress. After Briar Rose was pricked by the spindle she fell on the bed and began her century of sleep. Briar Rose was a princess, who was always vulnerable. When the angry fairy placed her evil curse on the baby princess, the king and queen took every precaution in protecting her daughter. Even though her parents burned almost every spindle in the kingdom, Briar Rose was still vulnerable. Briar Rose was vulnerable, and she required the help of a hero to be rescued. When she was pricked everyone the castle fell asleep, and the castle was surrounded by a huge rose bush that did not allow anyone in for a century. This is when the hero arrives at Briar Rose’s
...eroes without worrying about conflicting loyalties. Both Lunete in Yvain and Dame Lyonet in Malory's Tale of Sir Gareth have female attachments, Lunete to Laudine and Lyonet to her sister, but these not only do not obstruct them from but encourage them to help the heroes in their stories.
The Princess Bride puts a twist on the archetypes of, Star-Crossed Lovers, the Color Black and Evil Character with a Good Heart to render the material new. The Star-Crossed Lovers archetype is rendered new, when Goldman leaves the ending of weather or not Buttercup and Westley will live happily ever after up to the reader. The Color Black archetype is rendered new, because the man in black is the hero and not the villain. The last archetype that is rendered new in this story is the Evil Character with a Good Heart which is rendered new by the fact that Inigo and Fezzik were never really evil but they seemed evil because of who they worked for. The Princess Bride is a modern tale of star-crossed lovers who have to face obstacles just as big as Romeo and Juliet to be together.
Tristan, in search of a star to prove his love to Victoria, collides with Yvaine, a star that has been knocked out of the sky. Blinded by his preconceived ideas, Tristan is unable to see Yvaine for what she truly is—a star. When Tristan realizes his mistake, he immediately takes Yvaine captive in order to secure his proof of love for Victoria. As a result, when Tristan locks up the star, she becomes incapable of shinning; so in doing, he is locking up the truth, and therefore, his love. The foreshadowing in this first pivotal scene lays the groundwork for the rest of the film and introduces the importance of light.
Even though fairy tales don’t always end the way we want them to, we usually expect them to end with prince charming saving a princess. However, according to the Grimms Brothers version, “The Frog King,” the princess actually saves the prince. An innocent naive princess comes across a frog that once was a prince. Therefore, the only way he can overcome this curse is to ask a princess to fully have her assurance into becoming his companion. The moral of this fairy tale is express how appearances are deceiving. We don’t fully have an understanding what true beauty looks like until it is standing in front of us. The three main symbols that emphasize the true beauty in this fairytale is the frog, the fountain, and the golden ball.
Although, Yvaine, the star, and Tristran, the rude half-human boy, are enemies at first, Tristran tries to befriend the star and take her back to Wall (Gaiman 103). Tristran, at this point, is still trying to grow as a person and ends up chaining Yvaine to himself. This is not a high point in Tristran’s process of becoming his true self, but it does show that he wants to be reliable and trustworthy, at least towards Victoria. Yvaine has a broken leg and tells Tristran that she will do everything in her power to keep him from getting to his destination. Despite Yvaine dismissing Tristran, he still makes a splint for her leg and crutches so she can walk (Gaiman 108, 110). Tristran knows that Yvaine is in pain and by helping her by making a splint and crutches for her, he shows some of his true self and the person he wants to be. So far throughout the novel, Yvaine has been the only character to do this. Later on in their adventure together, Yvaine and Tristran come across a lion and a unicorn fighting over a crown. Tristran remembers an old nursery rhyme and gives the lion the crown (Gaiman 115). While the animals were fighting, Tristran realized that he knew a way to help the losing unicorn. In Wall, he would have been laughed at for remembering a nursery rhyme, but in Faerie, he was praised. The unicorn then throughout helped carry Yvaine and Tristran. Tristran eventually trusts Yvaine, wanting to have faith in people, and lets her out of the chain while he goes into a town for food. When he returns, Yvaine and the unicorn are gone (Gaiman 133). Tristran meets up with a lord, pursuing Yvaine to take back to his home as well. Tristran is not aware of this, but helps the stranger in an effort to become a nice man. The two travel together and reach an
It is used in this story as it helps to create a contrast between the good and pure Snow White and, the evil Wicked Queen. The two main characters represent the seven holy virtues and the seven deadly sins respectively. The characteristics of each aid the audience in determining how to act truly good and truly evil. At the end of the story we realize how good will triumph over evil. After realizing Snow White is still fairer than she, “The wicked woman uttered a curse, and she become so frightened, so frightened, that she did not know what to do. At first she did not want to go to the wedding, but she found no peace (8).” We see that the Queen’s envy and wrath has overcome her yet again and it is ultimately her evil actions that lead to her demise against the purity of Snow White. Using main characters to exemplify the characteristics of virtue and sin allow young audiences to easily recognize the difference between good and bad. This use of symbolism allows the audience to be able to understand the moral of the story, which is that good will always triumph over
Firstly, the literary technique symbolism has been used to represent power. The ruby choker, given to the Bride by the Marquis, is a symbol of power. The Bride describes the choker as a ‘choker of rubies, two inches wide, like an extraordinarily precious slit throat...bright as arterial blood’. This depiction is a useful method of representing the Marquis power because the necklace acts like a collar. This signifies how the Marquis behaves like his Bride’s master. (why master?) An example of the Marquis expressing this power is when the Marquis takes the Bride’s virginity. The Marquis tells the Heroine to wear the choker before consummating their marriage; in relation to power, this shows how the Marquis has the right to her body. Moreover, the overwhelming presence of lilies in the bridal chamber represents the loss of virginity. The quote ‘[mirrors] on the wall...reflected more white lilies that I’d ever seen in my life’ (pg10-11). This exhibits the overpowering image of lilies for the reason that lilies in reality connote death or loss, in the context of the story; this is the loss of the Brides virginity. In addition to this, the resemblance of th...
They symbolise her constant spirit and determination and are typical products of their authors and also the times and societies in which they were created. The presentation of the heroine begins in biblical times with notorious characters such as Eve and the Virgin Mary. These early female characters started the development of our literary heroines. Throughout Classical, M... ...