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How drugs affect the youth of america
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The Velvet Underground was a band from the New York area, active from 1964 to 1973. At the time when their albums came out they got very little recognition, but today they have found a larger audience and because of the touchy subject matter of some of their songs and the nihilistic themes throughout their discography they essentially paved the road for punk rock and alternative/indie music. When they were making music they were the polar opposite of what was happening on the west coast with the hippies and the love movement, in 1967 no one was making music as dark and innovative as the Velvet Underground. The lead guitarist/vocalist and songwriter, Lou Reed wrote the song “Heroin”. In “Heroin” Lou Reed brilliantly symbolizes what it is like …show more content…
In the beginning of the first verse, Lou’s description of what he feels when he shoots heroin, “When I’m rushing on my run and I feel just like Jesus’ son”, emphasizes how he uses heroin to escape from his life. Lou still does not state why heroin is so great, although feeling like the son of God would be a great feeling, it does not establish why he chooses to do heroin. Throughout the song however, he gives more details that show he understands that heroin can hurt him or even kill him. By stating that “I’ve made the big decision, I’m gonna try to nullify my life… When I’m closing in on death”, Lou is using logos to show that he knows heroin will one day be the death of him. He also states that no one can stop him, he knows what it can do to him but he has chosen to devote his life to it, therefore alienating himself from his own life. In the third verse where Lou states that he wishes he was born a thousand years ago he uses pathos to establish that the effects of heroin are enjoyable for him because he escapes the the troubles of the big city. He uses imagery and is extremely descriptive when he is describing his ideal life, sailing the darkened seas, he wishes to be exploring unknown places, in a purer world away from the city. He ends this longing for adventure by stating that he just doesn’t know, he wants another life but just imagining it will not cut it, he is alienated from his
Drugs is one of the themes in this story that shows the impact of both the user and their loved ones. There is no doubt that heroin destroys lives and families, but it offers a momentary escape from the characters ' oppressive environment and serves as a coping mechanism to help deal with the human suffering that is all around him. Suffering is seen as a contributing factor of his drug addiction and the suffering is linked to the narrator’s daughter loss of Grace. The story opens with the narrator feeling ice in his veins when he read about Sonny’s arrest for possession of heroin. The two brothers are able to patch things up and knowing that his younger brother has an addiction.
“The withering of the economic dimensions of class, the destruction and demoralization of the politics of place, the betrayal of institutions designed to protect workers, and the amplification and mobilization of cultural nationalism…” and when comparing the electric version to the acoustic, “the artistic decision to juxtapose the song’s two contrasting dimensions ought to be central to any approach to understanding the essence of ‘Born in the U.S.A.’ The heart of the song rests at the intersection, not the selection, of its internal oppositions.” (Cowie & Boehm, 2011)
In fact, Clapton eventually added the line “that dirty cocaine” during his live performances, reiterating the anti-drug message of the track. Throughout his decades-long career, Clapton, on retrospection, laments most his “old records” that were performed “stoned or drunk”, in which he fails to achieve a desired virtuosity. Thus, he seeks to remind listeners of his own troubled past and warn them from tainting their own lives by consuming cocaine. This is evident by the line: “If you want to get down, get down on the ground, cocaine.” The act of “get[ting] down on the ground” is reminiscent of one falling unconscious or even dropping dead, a morbid allusion made by Clapton to dissuade listeners tempted by cocaine and its stimulatory
The United States, during the 1960’s was a very progressive time for our country; the way people lived there life changed dramatically and has not been the same since. The sixties counterculture is the leading role in this progressive time period; from a wide spread of drug use, to the British invasion of music, and very importantly, feminism. After the Korean War, the CIA came across information that prisoners were being brainwashed with a “truth serum.” They acted quickly and started during human research; the research was called MKULTRA. They gave LSD and other hallucinogens to their test subjects. After the research was finished, Ken Kesey and the Merry Pranksters, started doing testing of their own; this testing included close friends and family. The popularization came from their, acid tests, which included many more people. Following the new drug scene, it played an important role in music. The sixties changed the classical rock the new psychedelic rock. This new form of music came from the drug use and people wanting art music, versus the normal rock. The first large wave of feminism came from the flappers; in the sixties the second wave came and it was larger...
Many believe that the interrelations between the “I” and the “not- I”, the self and the other is the essential relationship in order to understand fantasy literature. As Rosemary Jackson stipulated in her text Fantasy: the Literature of Subversion the limitations of realist novels comes from their “rational, ‘mono- logical’ world” (172) were “otherness cannot be known or represented except was foreign, irrational” (172). She goes on to suggest that since the other cannot be accepted it is “either rejected altogether… or written out as romance or as fable” (172). The concept of the “I” and the “not- I” within fantasy literature is what has allowed this growing form of writing to explore the deep, shadowy and sometimes vicious depths of the human psyche we attempt to hide, while elaborating upon the art of the fantasy novel in modern literature. Dan Simmons Song of Kali heavily relies on the interrelationship between the “I” and the “not- I” in order to broaden the readers journey into the fantastic world they have created. Literary works such as Song of Kali that utilize these ideas of the self and the otherness call upon the traditional and seemingly logical base of the Western culture and society in order keep themselves grounded in “the self.” Through these literary techniques Simmons novel seeks to question the authenticity of what we call modernity as well as the inexplicable and untouchable worlds of the taboo and magical. These realms are called into questions in order to understand how they relate to the loss or finding of the “I” and the “not- I.” Through the exploration of these ideas and themes, it is evident that the relationship between the “self” and the otherness is essential in providing fantasy literature with thei...
The 1970s were a very influential time in American society and is certainly one that will be remembered for a while to come. Most of the music created during the early 1970s was heavily influenced by the psychedelic rock music from the 1960s. However, towards the end of the decade the psychedelic movement became less popular. Although the 1970s did not provide as much innovation or creativeness as the 1960s had, it was the decade that shifted American music from the hippy lifestyle of the 1960s to the more conservative and preppy lifestyle of the 1980s and despite the numerous musical, social, and political changes that took place during the 1970s, the main focus remained nearly the same throughout most of the decade: lyrics with subtle, underlying messages to stand up and fight for the changing times hidden behind a relaxing leisure sound.
Rock and Roll is commonly known as the greatest music ever created. Most people do not know that Rock and Roll emerged out of the United States in the 1950s. Artists during this time like Elvis Presley, The Everly Brothers, Buddy Holly, and Bob Dylan were the first major stars among the birth of Rock and Roll in America. Since the 1950s, we have seen a rise in Rock and Roll culture. A peak in the 1960s-1970s was when the world began a musical, political, and social revolution. The revolution takes place during some tense times in the world- The Vietnam War, Political Issues with Cuba, JFK Presidency/Assassination, Malcolm X’s Assassination, Martin Luther King’s Assassination — you name it. The world was in a turmoiled state of mind, but what
In this song, Kanye West thanks for all of people supporting him making his first album. Originally, Kanye West was well known as a producer but wanted to release his own music as a rapper. However, his boss Jay Z didn’t think Kanye could be a rapper and told him just keeping producing music. Kanye was disappointed but didn’t get discouraged by it. Instead, he worked harder to produce more great songs and collaborated with more musicians. Eventually, people all saw his talents and was willing to help him to make his own album. As a producer, Kanye West followed the rules to produce great songs and then get appreciated by other musicians, so later on he got all the supports to make his own
Referring to the sixties, Pete Townshend said, “By and large, the past two generations have made such a colossal mess of the world that they have to step down and let us take over”. Political issues of the sixties included topics such as, racism, sexism, and many more, resulting in violent raids and protests. This era strived to rid our society of these issues and was even looked at as the “golden age”. During this time, social barriers were broken down, and people were offered a chance to peacefully stand up for what they believed in, these were some of the great qualities of this era. The sixties were the most significant era with regards to American culture because of it’s important influence of psychedelic music, edgy fashion, and peaceful
The Chainsmokers recently released interesting news about their new single, Sick Boy. The new song is a big change for the pop duo that are known for their electronic dance music. Their new release takes their fans for a walk on the dark side. The duo consist of Alex Pall and Drew Taggart, who are former music producers. Surprisingly, the duo are relatively new to the music charts. They first hit the charts back in 2015 with Roses. The team followed up that hit with several more hits. Now, the pressure is on to match their earlier success.
Rihanna’s song, “American Oxygen,” promotes pride and hope in being an American. The song contains the concept of becoming successful as it generalizes the idea that “you can be anything at all.” This line suggests that anyone has the capability to have the career they want. This statement is more of a hope one may have rather than an actual possibility as conflicts one must overcome to be successful are not addressed.
The songs “Stronger”, “Remember the Name”, and “I’ll Show You” all go along with a big theme in my life. Since I had surgery a big saying in my life has been, “always be bigger, better, faster, and stronger.” As I have started to recover, I remind myself everyday to do my exercises. Even though I hate doing them, I know that they make me stronger than I was the day before. It may be painful some days, but I know that if I continue to work hard and show people that I can get through this they will remember my name. Not because I’m the girl who got injured, but because I’m the girl who got injured and came back bigger, better, faster, and stronger than ever before.
The Velvet Underground had several songs with existential themes. One of the most prominent examples of this is the song, “Heroin”, off their album The Velvet Underground & Nico. The song has the themes of “existence precedes essence” (Sartre), freedom, dread, nothingness and alienation. The song starts out with the lyric, “I don’t know just where I’m going” (The Velvet Underground, “Heroin” 1) and then continues with the
Amor deliria nervosa. The disease of love. In Delirium by Lauren Oliver, a dystopian novel, love is a fatal disease. The disease comes in four phases whose symptoms include, but are not limited to:
“Talking to Grief,” by Denise Levertov approaches the topic of grief by using a homeless dog as the primary symbol in which we see the dog make the transition from acceptance to becoming a permanent household member. The theme of the poem is the welcoming and acceptance of grief and viewing it as a friend rather than an enemy. The narrator gets the point across that grief is a misunderstood companion and sometimes needs to be present for the sake of healing.