Love and Reality in “The Things They Carried” and “Araby” Within Tim O’Brien’s “The Things They Carried” and James Joyce’s “Araby,” the two main protagonists share a similar internal struggle and conflict, despite being worlds apart in circumstances. O’Brien and Joyce both perfectly articulate the complete infatuation of First Lieutenant Jimmy Cross and “Araby’s” unnamed narrator with each of their respective loves. Even being separated by largely different writing styles, the reader follows the two with equal intrigue and wonder at the depth of their fascination, only to find them both within a moment of epiphany, where they realize the profound misfortune of their love. Amidst two largely different, almost opposite, stories these two young …show more content…
He mentions how he would habitually watch her door in the mornings and follow her until he had to go his separate way to school. Despite this, “I had never spoken to her, except for a few casual words” (539). This shows the boy’s youth and relative lack of experience with any sort of true love. Rather, like Cross, he is head over heels for the appearance, the idea, and the temptation of Mangan’s sister, then any true relationship established between the two. Having almost no actual interaction between the two, the narrator is rather surged forward via “foolish blood” and “confused adoration” so often exhibited in younger men (539). Even when this silence between the two was broken, the narrator seemed shell-shocked and barely able to hold of the “innumerable follies [that] lay waste my waking and sleeping thoughts” …show more content…
In “The Things They Carried,” Lee Strunk is set to investigating a tunnel while the others waited up top. Cross watches over the men, “but he was not there. He was buried” with thoughts of Martha (600). He wakes up from this glassy-eyed state to Ted Lavender being shot straight through the head. Both Lavender and Cross drop like cement, each in their own respects. Cross immediately feels great remorse sorrow, for “he had loved Martha more than his men, and as a consequence, Lavender was now dead, and this was something he would have to carry like a stone in his stomach for the rest of the war” (602). It’s one challenging thing to watch someone die, it’s even worse to have someone die on your watch, and it’s absolutely horrid to have someone die since you were slacking off. One of the worst possible forms of guilt shakes Cross to the very core. This literal and figurative gunshot suddenly makes Cross realize the foolishness of his obsession. He burns the letters and pictures from Martha symbolically but only further realizes that he “couldn’t burn the blame” (606). He wakes up to the true world he’s living in, takes in the war around him, and starts fresh, anew, ready to carry the weight of his
Although Rivka Galchen’s “Wild Berry Blue” and James Joyce’s “Araby” have some differences, there even more similarities. The narrators, their journeys, and their conclusions at the end of their journeys are analogous. Both attempt to win over the object of their affection through a gift, and yet thorough the purchase of that gift they realize their folly in love. As Joyce wrote “Araby” in 1914, yet Galchen did not write “Wild Berry Blue” until nearly 100 years later, Galchen may have written “Wild Berry Blue” as a modern retelling of Joyce’s classic short story.
‘The Things They Carried’ by Tim O’Brien provides a insider’s view of war and its distractions, both externally in dealing with combat and internally dealing with the reality of war and its effect on each solder. The story, while set in Vietnam, is as relevant today with the conflicts in Iraq and Afghanistan as it was in the 1960’s and 1970’s in Southeast Asia. With over one million soldiers having completed anywhere from one to three tours in combat in the last 10 years, the real conflict might just be inside the soldier. O’Brien reflects this in his writing technique, using a blend of fiction and autobiographical facts to present a series of short narratives about a small unit of soldiers. While a war story, it is also an unrequited love story too, opening with Jimmy Cross holding letters from a girl he hoped would fall in love with him. (O’Brien 1990).
In the two novels of recent war literature Redeployment, by Phil Klay, and The Things They Carried, by Tim O’Brien, both call attention to the war’s destruction of its soldiers’ identities. With The Things They Carried, we are introduced to the story of a young Lieutenant Jimmy Cross who is currently fighting in the Vietnam War and holds a deep crush for his college-lover Martha. Jimmy carries many letters from Martha with him throughout the war, and he envisions this romantic illusion in which “more than anything, he want[s] Martha to love him as he love[s] her” (1). However, a conflict quickly transpires between his love for Martha and his responsibilities with the war, in which he is ultimately forced to make a decision between the two.
The idea of love is very complex and can be interpreted in a variety of ways. Both “The Things They Carried” by Tim O’Brien and “Araby” by James Joyce portray the lives of two individuals who are in love. “The Things They Carried” is about a young lieutenant named Jimmy Cross during the Vietnam War. Lieutenant Cross was incapable of focusing on the war because of his constant thoughts of the girl he loved, Martha. “Araby” is about a boy who is infatuated with a girl he has never had a conversation with. Although both protagonists in “The Things They Carried” and “Araby” eventually realize that the girls they loved didn’t feel the same way about them, Lieutenant Cross tried to move on by destroying everything he had that reminded him of Martha, while the boy in “Araby” was left disappointed.
Written by author Tim O’Brien after his own experience in Vietnam, “The Things They Carried” is a short story that introduces the reader to the experiences of soldiers away at war. O’Brien uses potent metaphors with a third person narrator to shape each character. In doing so, the reader is able to sympathize with the internal and external struggles the men endure. These symbolic comparisons often give even the smallest details great literary weight, due to their dual meanings. The symbolism in “The Things They Carried” guides the reader through the complex development of characters by establishing their humanity during the inhumane circumstance of war, articulating what the men need for emotional and spiritual survival, and by revealing the character’s psychological burdens.
One of the hardest events that a soldier had to go through during the war was when one of their friends was killed. Despite their heartbreak they could not openly display their emotions. They could not cry because soldiers do not cry. Such an emotional display like crying would be sign of weakness and they didn’t want to be weak, so they created an outlet. “They were actors. When someone died, it wasn’t quite dying because in a curious way it seemed scripted”(19). Of course things were scripted especially when Ted Lavender died. It had happened unexpectedly and if they didn’t have something planned to do while they were coping they would all have broken down especially Lieutenant Cross. Cross...
... ahead of his men ever again, the letters he carried were only ten ounces but probably felt like a 1000 pounds. The morning after Ted was shot, Cross-burned his letters and even though he knew that he would always remember Martha, it meant a passage a lifting of the burden. No more wanting at night, no more wishing he was with her, no more letting his men die because of his love. He decided that he would become straighter, harder, a real leader even if his men didn’t like it. He would move on to the next village and after that the next until his tour was up and never again did he want to lose another man.
This also supports his carelessness towards his duty and risking the life of others with him. There were sixteen other soldiers who just marched from sunrise to sunset, and they don't even know what the next step holds for them. The author writes, "After five minutes, Lieutenant Jimmy Cross moved to the tunnel, leaned down, and examined the darkness. Trouble, he thought- a cave- maybe.
In this essay I will discuss the short stories A&P by John Updike and Araby by James Joyce which share several similarities as well as distinct differences between the themes and the main characters. I will compare or contrast two or more significant literary elements from each of the stories and discuss how those elements contribute to each story’s theme.
In The Things They Carried, an engaging novel of war, author Tim O’Brien shares the unique warfare experience of the Alpha Company, an assembly of American military men that set off to fight for their country in the gruesome Vietnam War. Within the novel, the author O’Brien uses the character Tim O’Brien to narrate and remark on his own experience as well as the experiences of his fellow soldiers in the Alpha Company. Throughout the story, O’Brien gives the reader a raw perspective of the Alpha Company’s military life in Vietnam. He sheds light on both the tangible and intangible things a soldier must bear as he trudges along the battlefield in hope for freedom from war and bloodshed. As the narrator, O’Brien displayed a broad imagination, retentive memory, and detailed descriptions of his past as well as present situations. 5. The author successfully uses rhetoric devices such as imagery, personification, and repetition of O’Brien to provoke deep thought and allow the reader to see and understand the burden of the war through the eyes of Tim O’Brien and his soldiers.
The novel, “The Things They Carried”, is about the experiences of Tim O’Brian and his fellow platoon members during their time fighting in the Vietnam War. They face much adversity that can only be encountered in the horrors of fighting a war. The men experience death of friends, civilians, enemies and at points loss of their rationale. In turn, the soldiers use a spectrum of methods to cope with the hardships of war, dark humor, daydreaming, and violent actions all allow an escape from the horrors of Vietnam that they experience most days.
The short story “Araby” by James Joyce is told by what seems to be the first person point of view of a boy who lives just north of Dublin. As events unfold the boy struggles with dreams versus reality. From the descriptions of his street and neighbors who live close by, the reader gets an image of what the boy’s life is like. His love interest also plays an important role in his quest from boyhood to manhood. The final trip to the bazaar is what pushes him over the edge into a foreshadowed realization. The reader gets the impression that the narrator is the boy looking back on his epiphany as a matured man. The narrator of “Araby” looses his innocence because of the place he lives, his love interest, and his trip to the bazaar.
Although “Araby” is a fairly short story, author James Joyce does a remarkable job of discussing some very deep issues within it. On the surface it appears to be a story of a boy's trip to the market to get a gift for the girl he has a crush on. Yet deeper down it is about a lonely boy who makes a pilgrimage to an eastern-styled bazaar in hopes that it will somehow alleviate his miserable life. James Joyce’s uses the boy in “Araby” to expose a story of isolation and lack of control. These themes of alienation and control are ultimately linked because it will be seen that the source of the boy's emotional distance is his lack of control over his life.
The visual and emblematic details established throughout the story are highly concentrated, with Araby culminating, largely, in the epiphany of the young unnamed narrator. To Joyce, an epiphany occurs at the instant when the essence of a character is revealed, when all the forces that endure and influence his life converge, and when we can, in that moment, comprehend and appreciate him. As follows, Araby is a story of an epiphany that is centered on a principal deception or failure, a fundamental imperfection that results in an ultimate realization of life, spirit, and disillusionment. The significance is exposed in the boy’s intellectual and emotional journey from first love to first dejection,
In “Araby”, author James Joyce presents a male adolescent who becomes infatuated with an idealized version of a schoolgirl, and explores the consequences which result from the disillusionment of his dreams. While living with his uncle and aunt, the main character acts a joyous presence in an otherwise depressing neighborhood. In Katherine Mansfield’s, The Garden Party, Mansfield’s depicts a young woman, Laura Sherridan, as she struggles through confusion, enlightenment, and the complication of class distinctions on her path to adulthood. Both James Joyce and Katherine Mansfield expertly use the literary elements of characterization to illustrate the journey of self-discovery while both main characters recognize that reality is not what they previously conceptualized it as.