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Literature in education
Indigenous literatures
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The Heart of Darkness
The debate on what novels should be required for certain courses in high school has been a major discussion for some time now. The racism and inhumanity that some novels portray is deemed cruel and offensive. Joseph Conrad’s, The Heart of Darkness is one of those novels whose relevance is questioned as a requirement. According to Chinua Achebe, famous Nigerian author and critic, the book is too offensive and hurtful towards the native Africans. Racism and slavery have been a major part of the world’s history and always will be. It is an inevitable subject that needs to be taught in schools so the world’s history is constantly being exposed. The Heart of Darkness, written by Joseph Conrad, should definitely be taught
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Achebe believes that the book brings up sore subjects of those who suffered, “his heart of darkness plagues us still” (Achebe 6). It can be deemed very offensive for some people and very hurtful. As Achebe states, the novel “parades in the most vulgar fashion prejudices and insults from which a section of mankind has suffered untold agonies and atrocities in the past and continues to do so in many ways and many places today… the very humanity of black people is called in question” (Achebe, 6). The Heart of Darkness refers to the natives as “’Black shapes”’ (HOD, 19) whose faces looked “like grotesque masks” (HOD, 15). The novella does not portray the native African people in a pleasant manor so it is understandable for Achebe to be disgusted with the novel and its’ portrayal of “my own people in Nigeria” (Conrad, 5). Throughout Achebe’s criticism, he cannot deny “Conrad’s great talents. Even Heart of Darkness has its memorably good passages and moments” (Achebe 5). Achebe was not consistent with his criticism of Conrad. He even stated, “the most interesting and revealing passages in Heart of Darkness are, however, about he people. I must crave the indulgence of my reader to quote almost a whole page” (Achebe 2). He did not specify which people so he could very well have meant the natives which would counteract his …show more content…
The Heart of Darkness’s “…strongest statements about imperialism…” come directly from Conrad; “‘the criminality of inefficiency and pure selfishness when tackling the civilizing work in Africa is a justifiable idea. The subject of our time distinctly”’ (Hawkins). Conrad is a representation of his time and is an example of a man coming from that time. The whole point of imperialism comes from the “white mans burden” Europeans felt towards natives of underprivileged countries. Men like Conrad wanted to educate and Christianize the natives because they felt guilty. However, they took it too far and turned it into a tyranny for the natives and mainly started working to fulfill their greed. The Heart of Darkness also represents the impressionistic art that was famous in the 19th century. Much like impressionistic art, the novel up close may look like it has a lot of tiny little paint strokes, but when the reader stands back to look at the big picture everything looks blended and very well thought out. Conrad’s novel not only has artistic and historical elements to it that are worth discussing in certain high school courses, but it also has prime literary elements that were popular during that time, such as ambiguity and allusions. The numerous themes the novel contains are important to discuss in certain courses, like the roles of women. The only way
... himself. It seems that Achebe was closed-minded in his essay regarding racism. He did not propose any other possibilities regarding the novel, only to say that a conceivable reason for this is that "it is the desire in Western psychology to set African up as a foil to Europe" (Achebe, p.251). Achebe only set forth his views and did not take into account other interpretations of the same passage, as did Saravan.
Joseph Conrad's Heart of Darkness shows the disparity between the European ideal of civilization and the reality of it, displayed by the domination, torture, exploitation and dehumanization of the African people. Conrad often emphasizes the idea of what is civilized versus what is primitive or savage. While reading the novel, the reader can picture how savage the Europeans seem. They are cruel and devious towards the very people they are supposed to be helping.
"I don't want to bother you much with what happened to me personally,' [Conrad] began, showing in this remark the weakness of many tellers of tales who seem so often unaware of what their audience would most like to hear" (Conrad, 9). Heart of Darkness, Joseph Conrad's best-known work, has been examined on many bases more than I can possibly list here, but including imperialism, colonialism, and racism. I would reason that all bases of analysis are perfectly acceptable through which to critique Conrad's novella, or any piece of writing. I would reason this, were some of these bases mainly, racism not taken to an extreme level. In arguing racism, many critics seem to take Heart of Darkness as Conrad's unwavering view on Africa, Africans, life, or whatever else one may please to take it as. I, therefore, propose that Heart of Darkness be taken for what it truly is: a work of fiction set in late 19th century Europe and Africa.
Heart of Darkness by Joseph Conrad is one of the most widely recognized and acclaimed novellas written. But with fame and recognition comes controversy, which is clearly demonstrated by the broad interpretations of the book. Many people believe Heart of Darkness is racist, while others believe the book is perfectly civil. Chinua Achebe, one of Africa's most renowned novelists, strongly believes that the book is dehumanizing and racist; I agree with him, to a certain extent. Three of the most prominent ways that Achebe discusses Conrad’s racism is by the way the African people are portrayed, the African culture, and the comparison of Europe to Africa.
In 1899 Joseph Conrad published a short work of fiction called Heart of Darkness. This novella is often read, discussed, criticized in literature programs throughout the world. It is a work that allows us to tackle a variety of topics, and is therefore responded to in a variety of ways. The work itself as one critic puts it “might most usefully be considered hyper-canonized” (Padmini “Why” 104). The work is taught beyond the realm of a normal work in the literature program. Many forms of criticism have taken on the subject matter within the book. Feminism, psycho-analytic, Marxism have all had things to say about the novella. They’ve discussed things such as imperialism, the psychology of Marlow and Kurtz, the role of women in the novella (both literally and symbolically), all these issues are important topics in the novella. For a long time, however one crucial issue in the work was not addressed, that of race.
Whether or not Joseph Conrad’s novella Heart of Darkness is strictly racist has become a serious, controversial debate. Since its events are inspired by Conrad’s experience in Africa, critics are quick to assume that any negative connotations towards Africans are based on his own racist opinions. While some critics, such as Chinua Achebe, feel that this novel was written in order to blatantly disrespect Africa and its inhabitants, others believe that Conrad’s intentions were not so cruel. Any content that undermines Africans was not to simply be arrogant, rather it was included to enhance the purpose of this story. With the repeated dehumanization of Africans by Europeans, emphasis on African-European relationships and distinction between
Joseph Conrad: Heart of Darkness, A Case Study in Contemporary Criticism , ed. Ross C. Murfin. New York: St. Martin's Press, 1989.
then thought of their humanity – like yours. Ugly.” [pg.5] Conrad is a kingship, and a kingship is a kingship. Achebe makes the point that this racism is overlooked simply because racism against Africa is a “normal way of thinking” [pg.4].
Heart of Darkness was a huge milestone in the history of literature do to the impeccable way Conrad used ambiguity to describe his story. He does this by using symbols, themes, and archetypal images. These include light and dark, the Congo river, colors, and by not explaining everything to the reader. While reading the novel, the reader is actually required to interpret the text and really think about what certain details mean. The way Conrad wrote the novel is for the reader is to look for clues and develop ideas. It is completely subjective and trying to find exact answers is not an option. This writing style opened the eyes of many writers and changed the way literature was understood.
A nation of tortured slaves with bodies so emaciated one could count the ribs, death lingering in every corner as overworked natives line the ground with their lifeless forms, a people so scarred that evil men are allowed to rule as gods. Unfortunately, the gruesome description reigns true for African tribes that fell victim to the cruelty of colonialism. Pointing out the abhorrent evils of the imperial tradition, Joseph Conrad wrote Heart of Darkness to expose the possibility of malevolence in a human being. Throughout the novella, Conrad illustrates sickening images of the horrendous effects of colonizing African tribes while incorporating themes such as a reversal of black and white imagery, the “fascination of the abomination”, and the inherent evil within humanity. Uniquely, Conrad often describes good and virtuous situations or people using the commonly negative description black. Likewise, Conrad also uses the word “white” to describe negative, evil, or unfortunate events and people. Another use of theme arises as Conrad’s main narrator, Marlow, becomes fascinated with the savage people and the cruelty under which they live. Although the situations and people are described as wild, Marlow pays special attention to the details of these people because they are all human, like him. Lastly, the protagonist, Kurtz, falls into deep evils as his soul is consumed by power-hungry and greedy ambitions. Conrad often discusses the possibility of evil within every man if the environment is unrestrained and open to a dictatorship-like control. Despite the main idea of the novel being the evil within man, a native Nigerian professor, Chinua Achebe, greatly criticizes what he believes to be both obvious and subtle racist undertones through...
Joseph Conrad’s Heart of Darkness has a symbolic meaning behind its title like many other great works of literature. The title can actually be interpreted in many different ways. One way the title can be looked at is that it portrays how Conrad viewed the continent of Africa. It might also represent entering into a more primitive society, witnessing humans transforming from civilized to savage. Perhaps the Heart of Darkness refers to the colonialism and imperialism that the Europeans were practicing at the turn of the 20th century.
In the opening of his novel, Heart of Darkness, Conrad, through Marlow, establishes his thoughts on colonialism. He says that conquerors only use brute force, "nothing to boast of" because it arises, by accident, from another's weakness. Marlow compares his subsequent tale of colonialism with that of the Roman colonization of Northern Europe and the fascination associated with such an endeavor. However, Marlow challenges this viewpoint by painting a heinous picture of the horrors of colonialist ventures as we delve deeper into the recesses of the novel. Here we find that Marlow sees colonization as "robbery with violence, aggravated murder on a great scale, and men going at it blind - as it is very proper for those who tackle darkness." Further, he sees such conquests as taking land and materials away from those people who "have a different complexion or slightly flatter noses." As he understands it, colonization is only successful if there lays within it a "devotion to efficiency" and a creation of civilization, not exploitation (Conrad, 4). In the novel, as seen through the eyes of his narrator Marlow, Conrad offers a frank critique of European imperial colonialism be alluding to the poignant differences between black and white and dark and light.
* Conrad, Joseph. “Heart of Darkness” in The Norton Anthology of English Literature, M.H. Abrams, general editor. (London: W.W. Norton, 1962, 2000)
To Joseph Conrad, the Africans were not just characters in his story, but rather props. After reading Achebe’s famous essay and Conrad’s novella, I’ve come to a side with Achebe. Conrad “was a thoroughgoing racist”; Heart of Darkness platforms this clearly. Throughout the novella, Conrad describes and represents the Africans and Africa itself in a patronizing and racist way. Constantly throughout the novel, Joseph Conrad was describing Africans by using words bearing a negative connotation.
Heart of Darkness is a story full of irony and deception. At one point, Conrad made a very interesting point. He suggested that the light is used to indicate deceit in Heart of Darkness. Conrad uses the character of Marlow to make use of his own thoughts and views about the people in the Congo. He feels pity for them as he sees them falling down carrying heavy packages and Kurtz commanding them like a battalion of troops.