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This side of paradise literary analysis
This side of paradise literary analysis
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Sea Garden “The path to paradise begins in Hell” (Dante Alighieri). In Gwen Bristow’s novel, Celia Garth, Celia fought throughout her whole young life to thrive and succeed in a cold, lonely world. Celia defeated her demons and eventually found her paradise in her home in Sea Garden with the people she loved. She felt safe and protected from the outside world and from the treacherous life she led. Her home created an ambiance of security and a new beginning for Celia. Celia’s glorious home sat at the forefront of perfection, similar to the perfect world that God had created: The Garden of Eden. However, the incontrovertible paradises of these perfect worlds were infiltrated by an evil that sought after self glory and personal gain, which allowed …show more content…
Sea Garden represented her freedom and new beginning from her treacherous life that she had left behind, but most importantly, the house stood as a biblical allusion which symbolized God’s great creation of Eden. Celia saw the “beautiful dwelling-house of Sea Garden” (Bristow 359) and immediately felt safe and at peace. Celia had seen the beautiful house as a perfect paradise for leaving the outside world and leading a fruitful and prosperous life away from dangers. Celia’s paradise was parallel to the creation of God’s Eden. God created Eden with the purpose of starting life in his image, and “God saw all that he had made, and it was very good. And there was evening, and there was morning—the sixth day” (New International Version, Genesis 1:31). Eden, created by God, was the perfect embodiment of quintessential, as the garden left no danger for Adam and Eve and shielded the dwellers from harmful knowledge that was detrimental to their lives of no sin. The “good” that God had seen in his creation was a perfect “good”, as God can create no wrong, only perfection. Celia had seen her home at Sea Garden in similar fashion as God had seen Eden, absolute perfection. Celia felt protected from dangers outside of her own world, similar to how Adam and Eve were protected by God’s grace from leading sinful lives. The life Celia led inside her humble abode at Sea Garden …show more content…
The evil they faced sought after their own triumphant paradise to rule and govern over to become renowned leaders. Celia fought her battle with Roy Garth, who attempted and succeeded to soil Celia’s paradise by making it his own. Roy yearned for Celia’s triumphant home and eventually “declared the property of his majesty’s loyal subject, Roy Garth” (Bristow 360). His need for Celia’s home was for personal gain and the glory of being able to call Sea Garden his own, taking from Celia all that she had to protect her from previous predicaments in her life. In comparison to Roy, God’s Eden was infiltrated by Lucifer, the devil. Lucifer slid into God’s great creation with the wicked intention of making Eden his own. Lucifer, “being more subtil than any beast of the field which the LORD God had made” (New International Version, Genesis 3:1) was able to blindly lead and deceive Eve; he made her tempt God’s grace by going against God’s will while simultaneously offering her the knowledge of good and evil. Similar to Roy Garth, Lucifer entered the perfect world with the mindset of making Eden his own. However, his shortcoming of not being able to takeover Eden was not a complete failure, as he was still able to exterminate God’s paradise by infecting Adam and Eve with the parasite of knowledge, which led to the inevitable damnation of the human race. His lust for being the sole owner of
Kevlar (10) - synthetic fiber that is often used as a reinforcing agent in tire and other rubber products. I is made up of high tensile strength.
In the novel, Beauty by Robin Mc Kinley, the family of a wealthy merchant looses their wealth when the shipment boats get lost at sea. There are three daughters named Hope, Grace, and Honour, whom is nicknamed Beauty, and a father. The family is forced to move to the country and start a life more modest than accustomed. After the family adapts to country life, one of the older sisters gets married to an iron worker who used to work at the shipyard owned by the father. They have babies. Life goes on in the country.
Lahiri, Jhumpa. “Hell-Heaven.” The Bedford Introduction to Literature. Ed. Michael Meyer. 9th ed. Boston: Bedford/St. Martin’s, 2011. 638-651. Print.
The poem, “Field of Autumn”, by Laurie Lee exposes the languorous passage of time along with the unavoidability of closure, more precisely; death, by describing a shift of seasons. In six stanzas, with four sentences each, the author also contrasts two different branches of time; past and future. Death and slowness are the main motifs of this literary work, and are efficiently portrayed through the overall assonance of the letter “o”, which helps the reader understand the tranquility of the poem by creating an equally calmed atmosphere. This poem is to be analyzed by stanzas, one per paragraph, with the exception of the third and fourth stanzas, which will be analyzed as one for a better understanding of Lee’s poem.
The story that Jess Walter tells, much like any other novel, is one of joy and sorrow. Lives intersect and separate, people fall into and out of love, and dreams are made and broken. What Walter does with his plot though is quite different. He writes it in a way where the whole book itself relies on the reader’s ability to realize that though some people meet for only a brief amount of time, their dreams and hopes, can hinge on even the briefest moments. Sometimes the characters in the novel have their stories intersect, some in very interesting ways, and other times you see their story as it is and was, just them. Walter does a wonderful job of bringing together many different lives, many stories, and showing how just because you feel alone, does not mean you are, your life and story can at any moment intersect with another and create a whole different story. Perhaps, Alvis Bender puts the idea that Walter is trying to convey into the best words, “Stories are people. I’m a story, you’re a story . . . your father is a story. Our stories go in every direction, but sometimes, if we’re lucky, our stories join into one, and for a while, we’re less alone.”
Is water our most precious resource? In the novel A Long Walk to Water, writer Linda Sue Parks writes about two young children named Nya and Salva who live in Southern Sudan. Their biggest challenge is finding water to drink. Nya and Salva must hunt for the nearest water and conserve it for their long journey home. Without water, extreme dehydration and even death may occur. I believe water is our most precious resource.
Lauren Olamina, the protagonist in Parable of the Sower. She lives in the walled town of Robledo, near Southern California in 2024, which is a devastated world caused by the environmental degradation and economic, governmental corruption. Lauren’s father was a Baptist minister, who emphasize Bible based religion and also raising her under an intensely religious belief. Though Lauren admires her father she
“Miss Brill” by Katherine Mansfield tells a story of a lonely, English lady in France. Miss Brill is a quiet person who believes herself to be important. The whole afternoon at the gardens, Miss Brill does not converse with anyone, nor does anyone show any inclination to talk with her. She merely watches others and listens to their conversations. This provides her with a sense of companionship; she feels as if she is a part of other people’s lives. Miss Brill is also slightly self-conceited. She believes that she is so important that people would notice if she ever missed a Sunday at the park. It does not occur to her that other people may not want her to be there.
Toni Morrison's novel Paradise addresses the idea of "paradise" and how it is achieved. Morrison uses the town of Ruby to demonstrate how isolation can not and will not create a "paradise," while also using the women of the Convent to reveal that "paradise" is an inner concept that can only be achieved through understanding and acceptance. The author takes four broken women, kills them, and has them reborn into a "paradise" of their own making.
God knew that since both Adam and Eve had now gained knowledge of both good and evil they would soon learn to really appreciate life and all it has to offer. And for this reason the couple was expelled from paradise. Had Eve ignored the serpent and refused to eat from the tree of knowledge of good and evil perhaps civilization would still exist as nirvana. However happiness and in effect perfection is relative. A beautiful spring day is only as beautiful as the worst s...
The Flowers By Alice Walker Written in the 1970's The Flowers is set in the deep south of America and is about Myop, a small 10-year old African American girl who explores the grounds in which she lives. Walker explores how Myop reacts in different situations. She writes from a third person perspective of Myop's exploration. In the first two paragraph Walker clearly emphasises Myop's purity and young innocence.
Many arguments have been made that Dante’s Inferno glimmers through here and there in Milton’s Paradise Lost. While at first glance the two poems seem quite drastically different in their portrayal of Hell, but scholars have made arguments that influence from Dante shines through Milton’s work as well as arguments refuting these claims. All of these arguments have their own merit and while there are instances where a Dantean influence can be seen throughout Paradise Lost, Milton’s progression of evil and Satan are quite different from Dante. Dante’s influence on Milton is noted by many scholars and is very apparent in several instances throughout Paradise Lost, however, Milton shows a progression of evil through his own vision of Satan and creates a Hell that is less meticulously constructed than Dante’s and more open to interpretation.
To what extent does Carol Ann Duffy’s poem ‘Medusa’ challenge stereotypical masculine and feminine attributes?
Paradise Lost by John Milton thrives off the implicit and explicit aspects of Hell offered by the narrator and the physical and psychological descriptions offered by various characters. Their separate perspectives coincide to expose the intentions of Milton and the purpose Hell serves in this epic poem. Each character adds a new element to the physical and psychological development of this alternative world. The narrator and Satan provide the greatest insight into the dynamics of this underworld by attempting to redress the issues of accommodation.
Milton, John. Paradise Lost. The Norton Anthology of English Literature: The Major Authors. Ed. M. H. Abrams. 6th ed. New York: Norton, 1990. 770-71.