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Character traits for the house on mango street
Concept Of Identity
Concept Of Identity
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The identity of these characters comes from all the factors and their experiences, but also reference back to Sandra Cisneros who is the author of “The House on Mango Street”. In an interview based on identity theory by Robert Birnbaum, Sandra Cisneros is asked about the disclaimer at the beginning of her book and her responsibility for what is in the story. She states, “I wanted to admit that characters were based on real people. But I wanted to also say and be truthful that it’s based on real people but it isn’t autobiography. Many books that you read, they have those disclaimers that say that, ‘None of the events and none of the people are based on real life’ and so on… Well, I don’t believe that. I think that as human beings many people
Throughout the course of Mango Street, Esperanza’s relationship towards her house change. As time passes her feelings about the house itself change and the emotional impact of the house of her changes as well. Esperanza’s house on Mango Street symbolizes her Mexican culture. For so long she has wanted to leave it. She envisions a different type of life than what she is used to - moving from house to house. “this house is going to be different / my life is going to be different”. One can look at all the things she envisions - the "trappings of the good life" such as the running water, the garden etc. as symbols for the new life.
However, each work is special and focuses on a different aspect of life as compared to the other. In addition, the thematic ideas between the two works are often correlated and often overlap between the two. Moreover, the multiple thematic ideas in the novel and the movie can still apply to the people of today as they also go through many hard times much like Celie and Esperanza. The House on Mango Street is able to focus on abuse of women, and discrimination of the female gender much like The Color Purple. However, The House on Mango Street is able to elaborate on the topic of maturity especially through the various experiences of Esperanza. Nevertheless, many important lessons can be learned from both the novel and the movie, among these include treatment of women, discrimination, and maturity. The novel and the movie do a wonderful job at emphasizing and focusing on these relatable topics that are vital to the growth of
matter how hard people wish on a star or on a candle, the wishes never seemed to be
“Someday, I will have a best friend all my own. One I can tell my secrets to. One who will understand my jokes without me having to explain them” (9). These are the longing words spoken by Esperanza. In the novel The House on Mango Street, Esperanza is young girl experiencing adolescence not only longing for a place to fit in but also wanting to be beautiful. This becomes complicated as Esperanza becomes more sexually aware. Throughout the novel, Cisneros argues the importance of beauty and how Esperanza deals with beauty as a part of her identity. When Esperanza meets Sally a new friend, Esperanza’s whole world is turned upside down. Esperanza’s views on beauty change from a positive outlook to a negative one by watching how beauty has damaged Sally’s life.
The question, “What do you want to be when you grow up?” is often asked by teachers, parents, friends, and family addressing younger children. It would seem that most Americans have within them the sense that dreams do have the potential to become reality. People often choose to see the “bright futures” of children in order to reassure them they can be anything they want to be. It seems as though there are no barriers to reach a goal if enough hard work is applied. Does this truth transcend cultural divides? Do people of minority in the United States have the same hope about their futures as the majority does? Sandra Cisneros depicts the unique dreams of Mexican-American women despite cultural depression in her story The House on Mango Street.
“The House on Mango Street” was peaceful, easy reading for me. After trudging through many short stories documenting eye-narrowing love affairs, I was slogged down, and began to despair of ever finding a decent story that I could relate to. The main character, who is also the narrator, in Sandra Cisneros' story is never named, and the characters' physical and personality attributes are never described. However, their circumstances are made clear. Her family, like mine, has moved around to different rental houses, and now owns their own home. They had to leave their latest rental in a rush, due to plumbing issues, I too have fled a rental house because of complications with leaky pipes. Finally, the protagonist realizes that each time her family moves, another member is added, which I see as a potential allegory to my own life, as far as making new friends as a result of transitions in my life. I feel as though I can relate with her, due to our similar life experiences.
In the book The House on Mango Street by Sandra Cisneros, the main character Esperanza compares herself to a group of four trees outside her house she never really liked. In the vignette she connects herself to the trees because they have skinny necks and pointy elbows just like her. A second way that Esperanza connects herself to the trees is by saying that they do not belong there, but are there anyway. Esperanza has always wanted to leave Mango Street and live in a house on a hill away from all the problems Mango Street has to offer. Esperanza is inspired by the strength of this sad group of trees “Their strength is secret. They send ferocious roots beneath the ground. They grow up and they grow down and grab the earth between their hairy toes and bite the sky with
In the book The House on Mango Street, written by Sandra Cisneros there is a vignette named “Meme Ortiz” which is about the new kid who moved into Cathy’s old home after she has moved away. Esperanza describes to us what kind of home that Meme Ortiz lives in and the history of the house.
While writing the book House on Mango Street Sandra Cisneros uses unusual language throughout the story to highlight the theme, characters, setting, and conflict. For example, on page eight during the Boys and Girls vignette, Cisneros uses the word we to show the contrast between the girls and the boys that live on Mango Street.
A role model an influential person whom one imitates. Role models contribute key life lessons to anyone looking up to them. Role models provide basic structure both to achieve greatness and to learn from the mistakes that they have made in their lifetimes. Role models provide many benefits to those who look up to them, making life decisions easier because of the examples they have set. The book The House on Mango Street by Sandra Cisneros reveals many role models for the young, female Latina protagonist, Esperanza. As expected, the women in the Mango Street neighborhood significantly influence Esperanza. She has a variety of female role models. Many are trapped in abusive relationships, waiting for others to change their lives. Some are actively trying to create change on their own. Through these women and Esperanza’s reactions to them, Cisneros not only shows the hardships women face, but also explores their power to
Sandra Cisneros's writing style in the novel The House on Mango Street transcends two genres, poetry and the short story. The novel is written in a series of poetic vignettes that make it easy to read. These distinguishing attributes are combined to create the backbone of Cisneros's unique style and structure.
The short story, Geraldo No Last Name, comes from a collection of many stories written in the book The House on Mango Street. The narrative is about a young Puerto Rican woman named Marin. Marin enjoys dancing and tends to go out to different dance halls around the city, one night she meets a young, attractive Mexican man named Geraldo. Although they dance and talk together for hours Marin only learns two things about the young gentleman. One, he worked at the restaurant and two, his name was Geraldo. Later that night, Geraldo dies in a hit and run accident and is brought to a hospital’s emergency room. Being that Marin was the last person with Geraldo and he has no form of identification on his person, Marin has to come to the hospital to
One vignette in The House on Mango Street is when Louie, Marvin, all the little sisters, and Esperanza came out to see the big yellow Cadillac that Louie cousin was driving. Louie cousin told everyone to get in for a ride. So everyone went in the car and the sisters had to sit on other peoples lap. They drove up the alley and around the alley 6 times. Louie’s cousin did get annoyed when they were playing with the windows or touching the FM radio but they eventually stop.
Identity is a state of mind in which someone recognizes/identifies their character traits that leads to finding out who they are and what they do and not that of someone else. In other words it's basically who you are and what you define yourself as being. The theme of identity is often expressed in books/novels or basically any other piece of literature so that the reader can intrigue themselves and relate to the characters and their emotions. It's useful in helping readers understand that a person's state of mind is full of arduous thoughts about who they are and what they want to be. People can try to modify their identity as much as they want but that can never change. The theme of identity is a very strenuous topic to understand but yet very interesting if understood. How the Garcia Girls Lost Their Accents by Julia Alvarez and Farewell to Manzanar by Jeanne Wakatsuki are two remarkable books that depict the identity theme. They both have to deal with people that have an identity that they've tried to alter in order to become more at ease in the society they belong to. The families in these books are from a certain country from which they're forced to immigrate into the United States due to certain circumstances. This causes young people in the family trauma and they must try to sometimes change in order to maintain a comfortable life. Both authors: Alvarez and Houston have written their novels Is such an exemplifying matter that identity can be clearly depicted within characters as a way in adjusting to their new lives.
In Esperanza’s life, she learns to value friendship and other relationships along with her background and education, turning her into a well-rounded individual. In Esperanza's heart, for example, she values those around her and her relationships with them. In “Boys & Girls” Esperanza states, “Someday I will have a best friend all my own” (9). You can see her accomplish this in “Sally” when she says to Sally, “Sally, not since then, you don’t have a best friend to lean against the schoolyard fence with” (82). In this, she implies that she will be Sally’s best friend, following her heart in the process. However, Esperanza’s life is formed by more than people. It is also formed off of her foundation through school and education. She has been taught