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Allegory of the cave comparison to real life
Significance of conformity in social psychology
Significance of conformity in social psychology
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Is the life we live day to day real, or are we stuck in a world where we are told what to do but don’t really know? Or can we actually function ourselves? As puppeteers create images on a cave wall in the short story, “The Allegory of the Cave”, prisoners solely believe that is the real world; little do they know there is much more to life than being chained in one spot to stare at shadows for life. The Matrix, produced by Joel Silvers, goes along the same aspects as the short story of whether the world they are living in day by day is real as they follow a computer simulated game. While the two entertaining pieces portray multiple similarities such as a world being pulled over your eyes or being controlled by other, each has distinct differences of what is actually true to this so-called world.
“The Allegory of the Cave” confronts a view of modern constraints from people’s everyday lives. Plato describes how all the prisoners are chained by the legs and head forced to stare at the cave wall where they watch casting shadows and hear noises in which they believe “the truth would be literally nothing but the shadows of the images” (Plato p2). The shackles can portray limitations coming from today’s daily life. There are so many regulations and rules that we are given through the government that we really cannot control our own lives. The majority of the human race seems to believe that the government always makes the best decisions for the country. Other limitations from the shackles include money troubles, sicknesses, and the lack of food for the family. Another quality exposed is the sunlight representing the truth. As a prisoner “turns his neck around and walks and looks towards the light, he will suffer sharp pains; the gla...
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...ve; however, they do not believe there is another world out there and do nothing but disregard the man who attempts to tell them the real truth. Two different pieces of work closely relate as they have many comparisons of whether the world we live in is true or not.
As we look back upon “The Allegory of the Cave” and the Matrix, the scripts share a wide variety of comparisons which the people believe our everyday lives are not controlled. On the opposite spectrum, one piece illustrates humans being trapped in a cave to believe all the shadows they saw were real; the other is a futuristic computer game controlling their lives. Either way, imagine living in a world where you are generated through computer not knowing that there is more out there than control. What if you were stuck in a place since birth and not able to make any decisions for yourself until death?
In one of Plato’s works called The Allegory of the Cave he goes over what it means to get higher knowledge and the path you have to take to get to this higher knowledge. Plato also goes over how this higher knowledge or enlightenment will affect people and how they act. He ties this all together through what he calls the cave. Plato tells Glaucon a sort of story about how the cave works and what the people within the cave have to do to get to the enlightenment. A while down the road the Wachowski siblings with the help of Warner Brothers Studios made a movie titled The Matrix. This movie follows the came concept that Plato does in the cave. With saying that the world that Neo (the main character) was living in was in fact not real but a made
In the book The Lathe of Heaven, by Ursula K. Le Guin, there are many similarities and some differences in society in comparison to the movie Matrix. The two stories settings take place in different locations. Although, throughout both stories many huge changes are made, the people in the societies remain unaware of the changes. Then, similarly, only a certain few individuals are knowledgeable of the true reality. A difference between The Lathe of Heaven and the Matrix is the place setting. The Lathe of Heaven's characters are in the real world. The real world is physical and tangible, filled with items that tiger senses. People have feelings and react differently to situations. Each one depending on the person and the circumstance. The real world is the truth, the truth is reality. Although, this reality is changed with one night's dream, from George Orr. Orr is a man who has the ability to change truth, including history and every humans view of what reality is. When Orr dreams, his thoughts become reality. With one dream he changes today, and the history. Orr is the only one who is aware of the original, true reality. In the Matrix, however, what the society believes to be the real world, is really a computer program invented and run by Machines. In the Matrix, Machines have taken over the human population and created a world, known as the Matrix. This world is only lived out through the minds of the people, as the people are kept in holding tanks. The world, or Matrix is a computer program, and only known to be a computer program by the Machines and a few selected individuals. Similarly, in The Lathe of Heaven and in the Matrix ...
This student of Philosophy now sees the movie The Matrix in a whole new way after gaining an understanding of some of the underlying philosophical concepts that the writers of the movie used to develop an intriguing and well thought out plot. Some of the philosophical concepts were clear, while others were only hinted at and most likely overlooked by those unfamiliar with those concepts, as was this student when the movie first came out in theaters all those many years ago. In this part of the essay we will take a look at the obvious and not so obvious concepts of: what exactly is the Matrix and how does it related to both Descartes and Plato, can we trust our own senses once we understand what the Matrix is, and how Neo taking the Red Pill is symbolic of the beginning of the journey out of Pl...
As individuals overcome the inevitable process of change, they begin to realize their full potential. In the set text, the 1999 Wachowski Brother’s film, The Matrix, the concept of change is significantly explored. In the related texts “Plato’s Allegory of the cave” and “The Door” clearly represents and reinforces this concept of change; that it is inevitable and experiences from this process leads to wisdom. In each text, the individual composers explore certain themes such as “the illusion of reality”, “choices and the endless outcomes of change” and “the fear and danger of knowing”. All the texts mentioned visible represents that “It is the process of transformation that ultimately allows potential to be realized”.
Plato’s ‘Allegory of the Cave’ rotates around the notion of our vision as humans being limited, and only being exposed to a certain extent of knowledge within our surroundings. The Allegory of the Cave presented a rare case where prisoners were trapped in a cave for all their lives with hands, neck and feet bound to look at a wall with shadows beings casted by a fire that lies behind them. Once a prisoner breaks free of the binds, his curiosity allows him to follow the light that then exposes him to the real world where he is blinded by the sun. Each of the elements in the allegory are symbols that can be related to modern day situations as metaphors. Though society has evolved drastically, many struggles that we face today resemble the allegory.
The matrix, as presented in the eponymous film, operates as an Althusserian Ideological State Apparatus (ISA). The Matrix1 presents a world in which "the state [as] a 'machine' of repression" is made literal where robots rule the land (Althusser 68). It is true that they rule by force (sentinels and agents) and these constitute the Repressive State Apparatus, but their primary force of subjugation is the matrix, their ISA. The film traces the path of one man, Neo, in his painful progress from the ideology of the matrix to the "real world," or the ideology of the "real."2
The movie "Matrix" is drawn from an image created almost twenty-four hundred years ago by the greek philosopher, Plato in his work, ''Allegory of the Cave''.The Matrix is a 1999 American-Australian film written and directed by the Wachowski brothers. Plato, the creator of the Allegory of the Cave was a famous philosopher who was taught by the father of philosophy Socrates. Plato was explaining the perciption of reality from others views to his disciple Aristotle. The Matrix and the Allegory of the Cave share a simmilar relationship where both views the perciption of reality, but the Matrix is a revised modern perciption of the cave. In this comparison essay I am going to explain the similarities and deifferences that the Matrix and The Allegory of the Cave shares.In the Matrix, the main character,Neo,is trapped in a false reality created by AI (artificial intelligence), where as in Plato's Allegory of the Cave a prisoner is able to grasp the reality of the cave and the real life. One can see many similarities and differences in the film and the allegory. The most important similarity was between the film and the Allegory is the perception of reality.Another simmilarity that the movie Matrix and the Allegory of the Cave shares is that both Neo and the Freed man are prisoners to a system. The most important difference was that Neo never actually lived and experienced anything, but the freed man actually lived and experinced life.
In Book VII of The Republic, Plato tells a story entitled "The Allegory Of The Cave." He begins the story by describing a dark underground cave where a group of people are sitting in one long row with their backs to the cave's entrance. Chained to their chairs from an early age, all the humans can see is the distant cave wall in from of them. Their view of reality is soley based upon this limited view of the cave which but is a poor copy of the real world.
In “The Allegory of the Cave,” Plato describes the cave as very dark with chained people inside and a wall where they can only see shadow illusions, which they believe is reality. Outside the cave, there is “light” and “truth.” One chained person is released into the “light,” which is uncomfortable at first, because of how bright the “light” or “truth” is however, once he adjusts, he realizes the outer world is the “truth” or reality and the cave is a shadow of reality. He pities the ones in the cave, still lost in the darkness yet, when he tries to make them see reality, their ignorance overpowers them and they kill the enlightened one out of fear and confusion. This is the kind of society, full of puppet-handlers, the narrator Sylvia in “The Lesson” dwells in and the author, Toni Cade Bambara, depicts Sylvia as being freed from the chains of ignorant society. Bambara’s released prisoner, Miss Moore, is the one to free Sylvia and the other chained prisoners and exposes them to the “light,” which is the unequal distribution of wealth and the “truth,” which is educating youth on economic inequality so the freed prisoners can learn to change their society’s shadow of reality.
The Matrix, directed by the Wachowski sisters, is a film that discusses free will, artificial intelligence and poses a question: ‘How do we know that our world is real?’ This question is covered in the philosophical branch of epistemology. Epistemology is a component of philosophy that is concerned with the theory of knowledge. The exploration of reality is referenced in the film when Neo discovers he has been living in an artificial world called ‘The Matrix’. He is shocked to learn that the world in which he grew up is a computer program that simulates reality. The questioning of knowledge and its irreversibility provoked by The Matrix invites the audience to wonder whether their own world is an imitation of true reality, thus making it a
...The Matrix” and Plato’s “The Allegory of the Cave” almost gives the idea that the movies writers may have had a lot of influence from Plato’s allegory. The creation of this movie gives and futuristic prospective of “The Allegory of the Cave” letting the people who have seen the movie think about reality and the truth. In conclusion, Plato’s story of the cave brings up many philosophical points and most significantly, addresses the topic of society’s role in our lives. On some level, we are all influenced by the thoughts and actions of everyone else, but at the same time, we as humans have the ability to question, make our own conclusions, and finally make our own choices.
Stimulating deep philosophical thought, The Matrix depicts a world in which all human brains are programmed to believe a fabricated reality. Some humans, like the protagonist of the film, Neo, were recused from this mirage and shown the truth about their perceived reality. Some found great discomfort and refused to live with the truth and they returned to live in the illusion. Others however, chose truth over comfort and happiness. After watching this film I soon began to question many aspects of my own life. Is it possible that the world I deem real is a fabricated dream? What if everything around me was designed and that my actuality is simply a perception? These looped questions consume my though and lead me to realize that my reality to
In the novel, Do Androids Dream of Electric Sheep? by Philip K. Dick and in the motion picture The Matrix, by the Wachowski brothers, both stories enclose worlds that relate because the humans are repressed against their will and are living under the parameters of machines. In each, the worlds are slightly different, in, Do Androids Dream of Electric Sheep? The inhabitants opt to enter an altered world where machines control their consciousness. As opposed to The Matrix, the world is controlled by machines, which suppress the populace and hold them against their will. In Do Androids Dream of Electric Sheep? the altered reality has been created on the people's general will and it is their own construction but in the other case, in The Matrix, reality is a creation based on the technology without the human's perception. In both cases the communities' world can be considered artificial, but it is clear that in one, humanity is further imprisoned. To begin, citizens of both of these societies remain dependent to a faith by which contemporary equipment is a requirement. In The Matrix, the rebellious Neo and Morpheus, the two main characters, enter this virtual state by hooking up wires directly to their brain, "Morpheus guiding a coaxial line into the jack at the back of his [Neo] neck He [Neo] relaxes, opening his eyes as we pull back to a feeling of weightlessness inside another place." Neo and Morpheus are capable to enter a virtual world whenever they please. Nonetheless, in the saga of The Matrix, Neo and Morpheus are renegades disengaged by the rule recognized by the regulating technology. They are part, of a group of few, that can release themselves from the false reality of the "Matrix". The rest of the public are stuck in this dream and unfortunately cannot enter and leave as they please. As opposed to Do Androids Dream of Electric Sheep? in which it is the people's decision whether or not they would like to enter this altered state. They use this virtual reality to correspond with their God Mercer, an evident leader, who is the ruler and controller of the Mercerism. To gain this opportunity the willing participant enters a virtual world through a device called the "Empathy Box ." With that process, the people will always be able to connect with Mercer. John Isidore, a character in the book, who enters this virtual reality recurrently with his own free will.
In this essay I shall discuss how the film, 'The Matrix', engages in a form of cinematic philosophy. Specifically, I will discuss how the film can be seen as making an objection to the position held by those such as Sidgwick (1907), who asserts that, positive states of consciousness, or, pleasure, is ultimately the only thing inherently valuable, which in turn becomes the basis for, and currency of, utilitarian ethics. The film should be considered as the cinematic adaptation of Robert Nozick's (1974) 'experience machine' thought experiment, which the film-makers bring to life, developing it into a narrative. The Matrix's narrative pulls heavily on our moral emotions, playing cleverly to our intuitions and biases. However, although the film-makers
Plato, a student of Socrates, in his book “The Republic” wrote an allegory known as “Plato's Cave”. In Plato's allegory humans are trapped within a dark cave where they can only catch glimpses of the world above through shadows on the wall.2 Plato is describing how the typical human is. They have little knowledge and what they think they know has very little basis in fact. He describes these people as prisoners, in his allegory, and they are only free when they gain knowledge of the world above the cave.