In this essay I shall discuss how the film, 'The Matrix', engages in a form of cinematic philosophy. Specifically, I will discuss how the film can be seen as making an objection to the position held by those such as Sidgwick (1907), who asserts that, positive states of consciousness, or, pleasure, is ultimately the only thing inherently valuable, which in turn becomes the basis for, and currency of, utilitarian ethics. The film should be considered as the cinematic adaptation of Robert Nozick's (1974) 'experience machine' thought experiment, which the film-makers bring to life, developing it into a narrative. The Matrix's narrative pulls heavily on our moral emotions, playing cleverly to our intuitions and biases. However, although the film-makers …show more content…
Instead, it suggests that things such as living an autonomous life, engaging in the real world, and truth, are more valuable. Nozick claims that once we imagine an experience machine, we consider the idea of exiting within one – being submersed into a fluid filled tank with electrodes plugged into our nervous systems – repellent (NOZICK Singer& *259). The Matrix visually displays Nozick's position brilliantly. When the film brings us face to face with the machinery of the actual Matrix, we see hairless, pale, slimy humans, submerged in goo, with cables protruding from their bodies. This imagery evokes repugnance, and it is likely that viewers will feel disgust at the very thought of an experience machine existence. Furthermore, the likelihood of us dismissing the experience machine in favour of reality is increased through the character of the main protagonist, Neo, who we see as principled, genuine, and someone who values truth, even at the risk of loosing pleasure, which is shown in the 'red/blue pill' scene. In this scene it is made clear that if Neo opts out of the experience machine existence to confront reality, there is no promise for anything other than truth. In Neo choosing to unplug from the Matrix, we see someone virtuous and strong, traits which are generally viewed as positive. Thus, Neo serves as the embodiment of the assertion that pleasure is not what we hold to be of ultimate value, and we come to associate his positive character with the objection against
As humans we are constantly in search of understanding the balance between what feels good and what is right. Humans try to take full advantage of experiencing pleasure to its fullest potential. Hedonism claims that pleasure is the highest and only source of essential significance. If the notion of hedonism is truthful, happiness is directly correlated with pleasure. Robert Nozick presented the philosophical world with his though experiment, “The Experience Machine” in order to dispute the existence and validity of hedonism. Nozick’s thought experiment poses the question of whether or not humans would plug into a machine which produces any desired experience. Nozick weakens the notion of hedonism through his thought experiment, claiming humans need more than just pleasure in their lives. Nozick discovers that humans would not hook up to this machine because they would not fully develop as a person and consider it a form of suicide.
For the common moviegoer and book aficionado, the movie, The Matrix and Do Androids Dream of Electric Sheep? are bizarre and peculiar. These works are not the usual themes of normal movies and books. These works have a lot of elements in common. Both works have matrices. The movie and the book stress the idea of reality. In both works the idea of what s real and what s not is the central theme.
The Matrix series is much more than an action-packed sci-fi thriller. After one view of this film for the second and third time, we start to notice a great deal of symbolism. This symbolism starts to paint a completely different picture than the images of humans battling machines. It is a religious story, with symbols deeply set in the Christian faith. The Matrix contains religious symbolism through its four main characters, Morpheus, Neo, Trinity and Cypher. In that each character personifies the “Father,” the “Son,” “Satan,” and the “Holy Spirit” of the Christian beliefs only shown through the amazing performances of the actors. A critic by the name of Shawn Levy said "The Matrix slams you back in your chair, pops open your eyes and leaves your jaw hanging slack in amazement."(metacritic.com)
The movie "Matrix" is drawn from an image created almost twenty-four hundred years ago by the greek philosopher, Plato in his work, ''Allegory of the Cave''.The Matrix is a 1999 American-Australian film written and directed by the Wachowski brothers. Plato, the creator of the Allegory of the Cave was a famous philosopher who was taught by the father of philosophy Socrates. Plato was explaining the perciption of reality from others views to his disciple Aristotle. The Matrix and the Allegory of the Cave share a simmilar relationship where both views the perciption of reality, but the Matrix is a revised modern perciption of the cave. In this comparison essay I am going to explain the similarities and deifferences that the Matrix and The Allegory of the Cave shares.In the Matrix, the main character,Neo,is trapped in a false reality created by AI (artificial intelligence), where as in Plato's Allegory of the Cave a prisoner is able to grasp the reality of the cave and the real life. One can see many similarities and differences in the film and the allegory. The most important similarity was between the film and the Allegory is the perception of reality.Another simmilarity that the movie Matrix and the Allegory of the Cave shares is that both Neo and the Freed man are prisoners to a system. The most important difference was that Neo never actually lived and experienced anything, but the freed man actually lived and experinced life.
In their film, The Matrix, Andy and Larry Wachowski have included many literary allusions and symbols to enhance the appeal of this groundbreaking science fiction film. As incredible as the special effects and cinematography are in this film, the Wachowski brothers have significantly bolstered the appeal of The Matrix by an elaborately constructed story spanning time and reality. These allusions and symbols include references from infamous writers such as Lewis Carol, Jung, John Bunyan and Descartes. However, the most meaningful and abundant references come from The Holy Bible.1
The Matrix is a 1999 science fiction film written and directed by The Wachowskis, starring Keanu Reeves and Laurence Fishburne. It tells a story of a future in which reality to most humans is actually a computer program called "the Matrix”. In "the Matrix” humans are really sleep while their bodies are fed on my machines. The movie while directed to entertain audiences but also gave us many insights into philosophy. Many scenes in this movie reflect Descartes, and his many writings explaining them in a visual manner. In this paper I will show various examples of philosophy within the scenes and give commentary explaining each scene.
The Matrix, directed by the Wachowski brothers, a film about the journey of Neo discovering the real and simulation world, revolves around how he is “The One” destined to save mankind. As critics may say that The Matrix is either an action packed movie containing philosophy or a philosophical movie containing action, critics also miss the fact that it could possibly be considered as a religious themed movie because it contains a plethora of Biblical references, such as symbolic evidence. In Gregory Bassham’s article, “The Religion of The Matrix and Problems of Pluralism”, he discusses how the film contains Christian themes, non-Christian themes, and lastly, religious pluralism. The rhetorical
I chose to analyze Despicable Me, an animated film geared towards a younger audience, because I was interested in examining underlying theories and messages that this film would be relaying to its viewers. Often times, when watching animated films, children are not aware of these messages, as they are absorbed by the characters, special effects, and humor. But as we have learned throughout this semester, our brains are subconsciously primed by the various surroundings we are exposed to. Since we also studied the impacts of entertainment, such as television and video games, on children, I wanted to see how a popular children’s film might also affect them.
...The Matrix” and Plato’s “The Allegory of the Cave” almost gives the idea that the movies writers may have had a lot of influence from Plato’s allegory. The creation of this movie gives and futuristic prospective of “The Allegory of the Cave” letting the people who have seen the movie think about reality and the truth. In conclusion, Plato’s story of the cave brings up many philosophical points and most significantly, addresses the topic of society’s role in our lives. On some level, we are all influenced by the thoughts and actions of everyone else, but at the same time, we as humans have the ability to question, make our own conclusions, and finally make our own choices.
Nozick presents a strong argument, in regards to whether someone would want to spend time or not spend in the experience machine. I believe that when faced with the choice of experiencing a life only by stimulation in the Experience Machine or attained by the presence in reality, most people would choose reality. Most people would prefer to experience the journey, rather than just the destination. This experience and journey is crucial as it helps to develop one’s values and beliefs. One cannot truly develop genuine values in a superficial programmed machine. Hence, the experience through reality is more valuable than the hedonic artificial experience of the Experience
The culture and philosophy of Ridley Scott (pp. 231-243. United States: Lexington Books, Inc. Pramaggiore, M., & Wallis, T. (2005). Film: A critical introduction to the film.
... as they tend to promote happiness and wrong if they produce the reverse of happiness. The great majority of good actions are intended not for the benefit of the world, but for individuals of which the good of the world is made up of. Through Mill’s reading “Defense of Utilitarianism” his idea was that there are many simple, sensual pleasures in life. He posited that someone who has experienced both forms of pleasure high and low would choose would naturally choose the higher pleasure. In addition, Elliot Sober criticizes Mills thoughts about Utilitarianism. He also discusses the thought experiment created by Robert Nozick “the experience machine.” Sober takes a stand against the experience machine for various reasons as he believes that there are many other important things in life other than pleasure. He also states that we value much more than just happiness.
Nozick‘s experience machine creates experiences based on selections made by human beings themselves for their own individual. Every two years they are required to make this selection whilst feeling some distress (in reality they exist in a floating tank). Then they submerge into a fake world for another two years and so on (Timmons, 122-123). He believes that rational humans would choose not to plug into the experience machine because they would want the actual experience of life instead of a virtual existence. It is a shallow reality that they are provided which will not satisfy them for long. Especially because it does not allow them to develop their own person, or personality, it strips away their human qualities and turns each of them into an “indeterminate blob” (Timmons, 123). In fact, this is a man-made world that provides nothing but a selection of experiences to choose from, it is not an actual experience an individual can have. It is ...
The Matrix is a sci-fi action film about a computer hacker named Neo that has been brought into another world deemed “the matrix.” The Matrix is a prime example of cinematography. The film uses many different types of cinematography such as mise-en-scene, special effects, and camera shots to make it interesting and entertaining to the audience guiding their attention to the important aspects of the film.
Gladiator (2000) is an action drama about a Roman general that is betrayed by his country and is forced to fight in the Colosseum. This particular scene, which runs for approximately 5 minutes, is the aftermath of the fight scene between Maximus, the betrayed general, and Commodus, the jealous emperor who betrayed him. This scene is not only significant because it is the concluding scene of the film, but also because it represents the end of Maximus’s enslavement and his coming to peace with dying.