Have you ever wondered what that sensation on your nose is while you sleep? Well there is a good chance that Queen Mab, a fairy that makes you have dreams, has found herself on your nose. Such a fairy has made a dream come to poor Romeo. When Romeo tells his friend Mercutio about his dream Mercutio tells him about the fairy know as Queen Mab. In a long and drawn out story of play on words Mercutio sarcastically tells Romeo this to make him forget about the Rosaline and cheer him up. This speech can tell you a lot about Mercutio.
The imagery of queen Mab is that fairy looks discussing and gross. The imagery says that Mercutio is crazy and sarcastic. Mercutio shows this by being repetitive in his words. We can see this when Mercutio says “Drawn with a team of little atomi.” (Shakespeare 1.4 59) in a way to show that Queen Mab is small, but repeats this lines meaning of her being small in many other ways. Some people may also say that Queen Mab is referenced as ugly and discussing. An example is when Mercutio says “her traces of the smallest spider’s web.” And “her wagon a small grey-coated gnat.” The counter claim that others may have would be that the Queen Mab
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Mercutio is motivated by he wants to make Romeo go to the dance. “Nay, gentle Romeo, we must make you dance.” He wants Romeo to dance and the only way to do this is to cheer him up. Since Romeo is not happy, he feels as if he can’t dance. Romeo quote’s “I am too sore enpirced with his shift to soar with his light feathers, and so bound, I cannot bound a pitch above dull woe.” This is a clear indication that he is too emotionally bound to dance or even go to the party that Mercutio wants him to. Also, Romeo quote’s “give me the torch. I do not want to dance. I feel sad.” Romeo is upset because the woman he loves, Rosaline, dose not love him back. Overall Mercutio wants Romeo to go to the dance with him. Mercutio will do anything to change Romeo’s
Throughout the speech, he frequently adds a sort of flare to the way he speaks; for example, he uses over ten lines(in the text)to simply describe the size of Queen Mab. The manner in which he speaks is loud, confident, and stylish; therefore, he attracts attention. He also manages to subtly mock Romeo when speaking about how those who are in love dream of love; this is to add a comedic flare, even though that is what he is. Mercutio’s entertainer like personality is due to the fact that he is amusing. In this tragic and serious play, he is the obnoxious character that breaks the seriousness for a while with a witty remark.It also explains why he is the dramatic foil to Romeo. This goes along with his flamboyant attitude. Nevertheless, he is also vulgar at times, which adds to his loud personality. Now, brown represents Earth and reliability, and Mercutio, in his own way, represents
As well as the Petrol station fight, Baz Luhrmann has poorly modified the Queen Mab scene. In the original Queen Mab scene spectators observed a highly imaginative Queen Mab speech in which Mercutio describes how the fairy, Queen Mab delivers dreams to humans as they sleep, but Baz Luhrmann did not see this suitable for a modern audience . This scene has been modernised by Baz Luhrmann, presenting Mercutio as a un-intelligent crossdresser that tells the story of Queen Mab. The mood that Baz Luhrmann has created in this scene greatly contradicts Shakespeare's great poetry, making the scene less understandable and relative than the original.
He is often up and happy, which immediately turns to serious brooding. The best example of this comes at his death. He has been stabbed through by Tybalt’s cruel blade and the killer has flown. All his fellows gather around laughing when Mercutio yells that he is injured. After sending for a surgeon he stumbles about saying, “No, ‘tis not so deep as a well, nor so wide as a church door; but ‘tis enough, twill serve: ask for me tomorrow and you shall find me a grave man. I am peppered I warrant for this world. A plague o’ both your houses! Zounds, a dog, a rat, a mouse, a cat to scratch a man to death” (III.i.94-99). In this quote Mercutio seems to go from cracking jokes and making puns to all seriousness, screaming plague upon the quarrel between the two houses. This was very serious considering the plague was running rampant at that time, killing thousands of people. To wish plague on someone is to wish the most feared thing of their age on them and their family. This is not the only example of such emotional instability as he often ranges from very high to very low, creating quite the dramatic and loud character. Mercutio’s characteristics are wide and varied, making him into an extremely complex, extremely prominent character. Shakespeare places this persona of varying emotions who may not be thinking exactly what he seems to be into the story of Romeo and Juliet, a stage full of such
Romeo was very loyal to his friends and family, and it is possible that Mercutio thought that Romeo would help him fight off Tybalt (since he was unaware of Romeo and Juliet’s secret marriage that somewhat united Romeo and Tybalt). However, this argument is easily deemed invalid. Romeo was not in the town square when the fight had first began, so Mercutio expecting his help in the fight would be a far-fetched idea. A person who is not present cannot help or hinder the situation at hand. In addition, Romeo tried to break up the fight when he said, “Gentlemen, for shame forbear this outrage! Tybalt! Mercutio! The Prince expressly hath forbid this bandying in Verona streets. Hold, Tybalt! Good Mercutio!” (Shakespeare 121). Romeo tried to stop the fight and therefore gave Mercutio more time before death, albeit minimal. The blame cannot be placed on Romeo since he did all that he could to stop the fight from
When Romeo is down, Mercutio is there for him, much like. the nurse is who Juliet turns to, when she needs to talk. She chooses to talk to the nurse, rather than her own mother. Mercutio is the one. who gets Romeo over Rosaline, and tells him that there is more to base.
In the play Romeo and Juliet by William Shakespeare, Mercutio, a friend of Romeo plays a deep role within the play. Many characters in Romeo and Juliet can represent the masculine or feminine spaces. The masculine space is chaotic and more towards the sexual and material side of the play, which have more of a tragic potential. While the feminine space is peaceful, more romantic and spiritual in giving a better chance for the comic potential. Mercutio represents the masculine space while Romeo prefers the peacefulness of the feminine space. Mercutio tells Romeo to be rough with love, he tries to keep him within the masculine space after the ball, and he fools with the Juliet’s nurse because of his actions he pushes Romeo towards tragedy.
In William Shakespeare’s “Romeo and Juliet” Mercutio gives an imaginative speech of Queen Mab to jest Romeo for not having fun with others but dwell on his passion towards dreams. In act 1.4, Romeo explains to Mercutio that he is not going to the Capulet’s party as “dreamt a dream tonight” (1.4.50) that tell him not to. Romeo believes that dreams are reflecting reality and telling the truth and he is not joining his friends to the party. Mercutio exasperated by Romeo’s passion about dreams and scold him by giving the famous Queen Mab speech to illustrate the nature of dream to Romeo. Mercutio’s description of Queen Mab depicts that dreams are not reflecting reality but fantasy.
At the time Mercutio makes his famous "Queen Mab" speech in Shakespeare's Romeo and Juliet, he and Romeo, together with a group of their friends and kinsmen, are on the way to a party given by their family's arch-enemy, Lord Capulet. Their plan is to crash the party so that Romeo may have the opportunity to see his current love, Rosaline, whom they know has been invited to the Capulet's masque that evening.
Mercutio, though a minor character, had and enormous impact on the outcome of the play. Before the Capulet Ball, Romeo had been debating whether to go or not. Mercutio persuaded him to go by giving a big speech to him about a dream he had. This makes him partially responsible because the Ball is where Romeo first met Juliet. Mercutio also caused Romeo to be banished from Verona. Mercutio got in a fight with Tybalt and ended up dead. His death enraged Romeo enough to make him kill Tybalt in revenge. When the Prince saw what happened, he sent Romeo into exile. Romeo's banishment to Mantua made it near impossible for Romeo and Juliet to see each other. Mercutio was to blame, though only partially for the deaths of Romeo and Juliet.
Humor can be found to be a virtue and a vice; however, in the grimmest situations humor may allow the gravity to turn into glee and gayness. Mercutio’s greatest aspect is his sense of humor. Which he doesn’t fail to display even in the most inappropriate moments. An instance of such portrayal is during the scene where Romeo has ditched Benvolio and Mercutio in pursuit of Juliet, in the Capulet’s garden. In which Mercutio comically says, “Nay, I’ll conjure too. / Romeo! Humors! Madman! Passion! Lover!” (II.i.7-8). This moment can be considered much graver than Mercutio depicts it to be which makes this scene much more like comic relief than a serious scene. The fact that there are Montague’s in Capulet’s territory is serious enough and can cause some major consequences for the perpetrators if caught. And now to betray their positio...
The plot for Romeo and Juliet stems from a love story based on Romeo meeting Juliet at a ball where Tybalt from the Capulet family attends. Friction begins when Tybalt voices his dislike for Romeo of the Montague family. This sets the stage for a confrontation between Tybalt and Romeo. Mercutio's character takes on importance as the confrontation takes form. If there were no Mercutio than Juliet would still be alive. Unfortunately, Romeo would not be alive because Tybalt would have surely killed
In William Shakespeare’s play “Romeo and Juliet,” Mercutio is introduced as Romeo (the main character) and Benvolio’s (Romeo’s cousin and friend) good friend and relative of the Prince. Mercutio is a very beloved friend to Romeo, but that doesn’t mean he isn’t unkind or disrespectful. He is also very dramatic and perverted, yet somehow laid back and relaxed at the same time. He is very interesting in the way that he can seem kind, but be an awful person and friend at the same time. If Mercutio weren’t as dramatic or such an attention-seeker, he wouldn’t have died and eventually caused Tybalt, Paris, Romeo, and Juliet’s deaths and the sadness that followed each death.
Maybe I just took too much cough medicine”. This verse is significant to Shakespeare’s play, as well as Lurhmann’s film. The line “I think I fell in love again” speaks to the point that Romeo quickly fell out of love with Rosaline and in love with Juliet, as seen in both the play and the film. The fickle and short-lived love of Rosaline alludes to the lack of permanence in the lives and in the love of the teenagers. The second line pertains more to the film as Mercutio refers to Queen Mab as a drug having power over the minds of men, including their perceptions of love.
...yalty. The line said by Mercutio: “O calm, dishonourable, vile submission! Alla stoccata carries it away (He draws) Tybalt, you ratcatcher, will you walk” The use of Descriptive triplet in the words ‘vile,’ ‘dishonourable’ and ‘submission’ all have negative connotations which emphasises Mercutio’s anger with Romeo because he won’t defend for himself, thinking Romeo is submissive and cowardly in not wanting to fight.. Mercutio had paid the ultimate price of love, to protect Romeo’s honour and loyalty, his life. Mercutio’s tone of bitterness emphasises his anger with the conflict with the two families taking his life cursing them both (families): “I am hurt. A plague a’ both house! I am sped. Is he gone and hath nothing.”
In Shakespeare’s Romeo and Juliet, the views of love held by the character Romeo contrast sharply with the views of Mercutio. Romeo's character seems to suffer from a type of manic depression. He is in love with his sadness, quickly enraptured and easily crushed again on a passionate roller coaster of emotion. Mercutio, by contrast is much more practical and level headed. His perceptions are clear and quick, characterized by precise thought and careful evaluation. Romeo, true to his character begins his appearance in the play by wallowing in his depression over Rosaline who does not return his love: