Pure Horror in Heart of Darkness

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Pure Horror in Heart of Darkness

In Heart of Darkness it is the white invaders for instance, who are,

almost without exception, embodiments of blindness, selfishness, and

cruelty; and even in the cognitive domain, where such positive

phrases as "to enlighten," for instance, are conventionally opposed

to negative ones such as "to be in the dark," the traditional

expectations are reversed. In Kurtz's painting, as we have seen,

"the effect of the torch light on the face was sinister" (Watt 332).

Ian Watt, author of "Impressionism and Symbolism in Heart of Darkness,"

discusses about the destruction set upon the Congo by Europeans. The

destruction set upon the Congo by Europeans led to the cry of Kurtz's last

words, "The horror! The horror!" The horror in Heart of Darkness has been

critiqued to represent different aspects of situations in the book. However,

Kurtz's last words "The horror! The horror!" refer, to me, to magnify only

three major aspects. The horror magnifies Kurtz not being able to restrain

himself, the colonizers' greed, and Europe's darkness.

Kurtz comes to the Congo with noble intentions. He thought that each

ivory station should stand like a beacon light, offering a better way of life

to the natives. He was considered to be a "universal genius": he was an orator,

writer, poet, musician, artist, politician, ivory producer, and chief agent of

the ivory company's Inner Station. yet, he was also a "hollow man," a man

without basic integrity or any sense of social responsibility. "Kurtz issues

the feeble cry, 'The horror! The horror!' and the man of vision, of poetry, the

'emissary of pity, and science, and progress' is gone. The jungle closes'

round" (Labrasca 290). Kurtz being cut off from civilization reveals his dark

side. Once he entered within his "heart of darkness" he was shielded from the

light. Kurtz turned into a thief, murderer, raider, persecutor, and to climax

all of his other shady practices, he allows himself to be worshipped as a god.

E. N. Dorall, author of "Conrad and Coppola: Different Centres of Darkness,"

explains Kurtz's loss of his identity.

Daring to face the consequences of his nature, he loses his identity;

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