Peter Sculthorpe is an Australian composer who is renowned for his experimentation and exploration of ideas and symbolism in his music. His music is a representation of his feelings in response to socio-cultural, political and historical viewpoints. For instance, his String Quartet No. 16 is a representation of the emotions of refugees trapped in detention centres. It consists of five movements entitled Loneliness, Anger, Yearning, Trauma and Freedom. Musical elements such as pitch, duration and other expressive devices show how effectively Sculthorpe evokes the feelings of refugees through each movements, especially the movements Trauma and Freedom. Sculthorpe skilfully uses the musical element of pitch to portray the feelings of the
The name of this evening’s program, “Wanderlust,” refers directly to its definition: a strong desire for or impulse to travel and explore the world. The selected song cycles were written by composers of different backgrounds who were inspired by cultures outside of their own through travel or other means of exposure. In each piece, one can see these sources of inspiration manifest itself in various ways, whether it be through the composer’s choice of text, their style of composition, or other musical elements borrowed from other cultures.
However, the most fitting work with the concert theme may be Philip Glass’s String Quartet No. 2. This work is often entitled Company and was originally intended for an adaptation of Samuel Beckett’s prose poem entitled Company. This cross-disciplinary collaboration resulted in Glass extracting material from the theatre score and making it a four movement concert work that could stand alone. This 1983 minimalist work is clearly characteristic of Glass’s style in the repeating arpeggios, harmonic language, and his recognizable rhythmic structure. However, the most important aspect of the work in relationship to the other music on the concert may be its inspiration. While Beckett’s work was the inspiration for the Glass’s music, Beckett was also a collaborator in the creation of the staged work. Like the works of The Brooklyn Rider Almanac, Der Blaue Reiter Almanach, and The Onomatopoetic Project, Philip Glass’s String Quartet No. 2 provides a unique prospective on art through a different medium. This concert is a wonderful example of how music, the visual arts, theatre, and literature can all be used to comment on and inspire one another by simply looking at art through the prospective of all forms of
Composers effectively reflect and communicate how universal human experiences can explicitly modify an individual’s understanding and acceptance of one’s sense of identity and maturation. Goldsworthy’s novel Maestro, Don McLean’s song ‘Vincent’ and Baz Luhrmann’s film Australia all inter-relate within the deeper realisation of the impact the appreciation of art, and the development of understanding the concept of love acting as a compelling emotion can create towards one’s self-image.
For almost half a century, the musical world was defined by order and esteemed the form of music more highly than the emotion that lay behind it. However, at the turn of the 19th century, romantic music began to rise in popularity. Lasting nearly a century, romantic music rejected the ideas of the classical era and instead encouraged composers to embrace the idea of emotionally driven music. Music was centered around extreme emotions and fantastical stories that rejected the idea of reason. This was the world that Clara Wieck (who would later marry the famous composer, Robert Schumann) was born into. Most well known for being a famous concert pianist, and secondly for being a romantic composer, Clara intimately knew the workings of romantic music which would not only influence Clara but would later become influenced by her progressive compositions and performances, as asserted by Bertita Harding, author of Concerto: The Glowing Story of Clara Schumann (Harding, 14). Clara’s musical career is an excellent example of how romantic music changed from virtuosic pieces composed to inspire awe at a performer’s talent, to more serious and nuanced pieces of music that valued the emotion of the listener above all else.
The Lives of Others experimented with the use of sound as an element to convey narrative structure and did so brilliantly. The use of music is an accomplishment which celebrates the arts as an essential part of our human condition. If our right to express ourselves freely is imposed upon, we can no longer communicate our deepest thoughts and no longer discover that we are all united by the same qualities. Our need for love and companionship transcends our political aspirations or ideological shortcomings. We are human and we need other human in order to give our lives a deeper and richer meaning than just the solitary musings or an ideal world. This film took these ideas and expressed them with a piece of music which was able to break down a wall around a human’s heart and function as a symbol for the greater global instance of the Berlin Wall’s demise.
The purpose of Philip Slater’s book The Pursuit of Loneliness is to “reach some understanding of the forces which are unraveling our society” for his readers (xxii). It is a common conception that America is the best country, an idea which is substantiated by economic figures. However, Americans are not happy. According to Slater, “all societies frustrate certain human needs and satiate others (because) humanity and any particular society’s idea of what humanity should be is never very exact” (2). In America, the gap between reality and perception is growing farther and farther apart, at human expense. Americans work their entire lives for the future, in the pursuit of economic security, which ultimately leads to continued unhappiness in the present. American culture “struggles more and more violently to maintain itself, (but) is less and less able to hide its fundamental antipathy towards human life and human satisfaction” (122). Slater’s book teaches people about the existence of the “wide gap between the fantasies Americans live by and the realities they live in,” in the hopes that this will inspire people to react in positive ways (xxiii).
Music is an art and a wonderful gift to human race. It soothes, stimulates and makes us feel happy. It affects our moods in many different ways from lullaby to war cry for changes in the society. Music is actually distinct to different people. Above all, it has a transformational importance that is captured in its art and nature. Music draws our emotions and it has an impact of bridging different cultures across the continents. Slave songs were very vital channels through which all kind of information was conveyed both positive and negative.
The name of this evening’s program, “Wanderlust”, refers directly to its definition – a strong desire for or impulse to travel and explore the world. The selected song cycles were written by composers of different backgrounds who were inspired by cultures outside of their own through their travels or other means of exposure. In each piece, one can see these sources of inspiration manifest itself in various ways, whether it be through the composer’s choice of text, their style of composition, or other musical elements borrowed from other cultures.
... themes of individualism and alienation. The chief value of living with music lies in its power to give us an orientation in time. In doing so, it gives connotation to all those indefinable aspects of experience which nevertheless helps us make what we are.
Forced Migration is a complete contrast to what Voluntary Migration stands for and is a movement that results in destroying cultures and soundscapes. The process of Forced Migration forces groups of people, from their homeland unwillingly stripping them of their culture and forcing them to conform to a new way life, against their own choice. This process results in people longing for their nostalgia of their homeland and maintaining musical traditions as a part of their shared identity. While both of these migrations create different and unique soundscapes, one particular soundscape can be traced back through text and oral transmission and lead to the genre of music of American Spiritual, that genre of music can be traced back to the Forced Migrations of African Americans.
This concert is held by the Stony Brook University music department and is to perform seven pieces of music written by seven student composers. The concert is performed in Recital Hall of Staller Center in Stony Brook University. Since it is a small hall, audiences are very close to the performers. In fact, it is the first time I am this close to the performers and the sound for me is so clear and powerful that seems like floating in front of my eyes. Among the seven pieces, “Ephemeral Reveries” and “Gekko no mori” are piano solo, “Two Songs for Joey” is in piano and marimba, “Suite” and “Fold Duet No. 1” are in woodwinds, “Elsewhere” is played by string groups, and “e, ee, ree, and I was free” is in vocal. Personally, I like the sound of piano and guitar the best. Therefore, in the latter part I will analysis two pieces in piano, “Gekko no mori” and “Two Songs for Joey”.
As the child is, so will the man be… So it is in music that the songs which a child assimilates in his youth will determine the musical manhood…the musical influence upon his afterlife and also that the melodies which composers evolve in their maturity are but the flowers which bloom from the fields which were sown with the seed of the folk-song in their childhood. (Barham, 9).
Therefore, the distinctive visual techniques employed by the composer provide a vehicle for the respondent to understand the ideas and themes prompted by people and their experiences. Tykwer’s film, Run Lola Run demonstrates the effect of the distinctive visual in Lola’s exploration of the themes of chance and time, whilst Mackellar’s poem ‘My Country’ provides the audience with an evocative experience of the Australian environment.
Paxton, Tom. (2011). "Music as a Tool of Social Protest." Squidoo: Welcome to Squidoo. Retrieved November 13, 2011, from .
Finally, a plausible theme that has also been presented by Hughes is the theme of music and its importance. He goes into discussing about how music helps the man to soothe the suffering and hardships of his past. The music from the trumpet is compared to ‘honey mixed with liquid fire’ (19-20). Hughes notes that the music is hot and sweet, which indicates that music is great as opposed to weary suffering. In the last stanza, music is compared to ‘hypodermic needle/ to his soul’ (39-40). He points out that music is under the man’s skin and in his souls where it soothes him softly and relieves his burden.