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Critical analysis of gone girl
Gone girl film analysis essay
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I’d have to disagree with the “No More Noir” belief as I’ve continued to see the noir genre within several hit TV series, novels and films. To list a few: Dexter, the TV series revolving around the life of a serial-killer, and I’ve even seen reference to two noir films: Rear Window and Psycho in one episode of a stop-motion animated sketch-comedy TV series called Robot Chicken. However, to get down to the nitty-gritty of it, two strong examples that I believe are able to go against the belief of no more noir would have to be the TV series Bates Motel and the 2014 film Gone Girl. The TV series Bates Motel focuses on the earlier years in the life of Norman Bates, who also happens to be the main character of Alfred Hitchcock’s film Psycho. The
Alfred Hitchcock's Psycho Alfred Hitchcock's "Psycho"-the movie the world recognised-was first premiered in the home town of New York on the 16th June 1960.The film follows the life and strife of a young beautiful woman Marion Crane, played by the Janet Leigh, who is on the run from the police after stealing $40.000, she manages to find refuge at the Bates motel where she makes her worst mistake possible. During and after the film production of "Psycho" Alfred Hitchcock had his aids buy as many copies as possible of the novel "Psycho"-written by Robert Bloch. Why? To conceal the ending form the public's eye so when the film was shown in cinemas the audience would'nt know the ending. When people found out the title of the movie Hitchcock said it was based on a greek love story "Psyche".
Through the use of irony, mis en scene and recurring symbols, Hitchcock has reinforced the fundamental idea of duality throughout his film, Psycho. Alfred Hitchcock’s 1960’s American psychological horror thriller, was one of the most awarded films of its time, proposing contrasting connections between characters, Anthony Perkins and Janet Leigh, and cinematic/film techniques to develop this idea. Irony identifies contrasts between the dual personalities of Marion Crane and Norman Bates, often foreshadowing the future events of the film. Mis en scene is particularly influential to enforcing the idea of duality, evidently shown through the music and diegetic sounds used. The recurring symbols including the mirrors and specifically the birds, underpin a representation of the character’s dual personalities. Hitchcock’s use of devices reinforces the dual personalities of characters Anthony Perkins and Janet Leigh.
Specifically, the 1925 painting House by the Railroad, is suggestive of numerous movies, including Giant (George Stevens, 1956), Days of Heaven (Terrence Malick, 1978), and in Psycho (Alfred Hitchcock, 1960). Hitchcock openly recognized the impact of the canvas on his configuration of the house. On a simple compositional note, both are strangely comparable Victorians with a tall primary tower and little patio out front. Consider likewise, the Hopper painting is situated alongside a relinquished railroad track, apparently unimportant, yet incorporated into the canvas' title. The Bates Motel is likewise close to a little pre-interstate parkway street, prompting its dreary business. Both homes are apparently deserted amidst transportation
Suspense is only one of Hitchcock’s many techniques and themes. His themes range from the obvious violence, to the depths of human interaction and sex. From Rear Window to Psycho, Hitchcock’s unique themes are present and evident. Rear Window starts with something we all do at times, which is nosing in and stalking on others business, and turns it into a mysterious investigation leaving the viewer second guessing their neighbors at home. Psycho on the other hand, drags
This film pulls in real dreads, Bates attempting to deal with his mother’s passing. It has nightmares, when he can’t handle her passing, so he treats her corpse as if she is still alive and well. It shows the interests of others, which for most people is curiosity, and this is brought in with multiple questions about the mother. This film is inserting not one, but yet two opinions, one of which is that people with multiple different personalities can be dangerous. The last opinion, it in forces is that people all have two sides to them. They have the side we let everyone see, the Sside they believe they are as people, and then we have another side, which for some, as in Bates condition, is difficult to keep in check. This film has captured many people, because it is possible for these things to happen in real life. It’s not like some scary movies where it seems almost impossible for most of this to
‘L.A Confidential is in the film noir genre. Other films in this genre are ‘The Big Sleep’, ‘The Maltese Falcon’ and ‘Double Indemnity’. Lighting is very important in film noir. It uses techniques such as chiaroscuro to give the film a darker, more obscured feel. The characters are often similar in film noir. The main protagonist is always some hard boiled cop or investigator who doesn’t always play by the book to get his desired results. There is often a femme fatale; a very pretty woman with whom the main protagonist has a love interest. There will always be bad guys who will try and stop the main protagonist from completing the case.
The film Psycho, directed by Alfred Hitchcock, is a psychological thriller that was created in 1960. The main theme of this film revolves around psychological illnesses. The film focuses on the main character, Norman Bates, and his psychological problems which include a split personality, voyeurism, sadism, guilt and self-punishment, and anal fixation. Throughout the movie you can see Bates exhibit these traits at different points; however, some traits are not as clearly evident as others. This film takes an in-depth look at how someone who possesses a mental illness might behave or think.
As Norman Bates is divided into two characters, “Norma” and “Norman,” so is the Bates Motel. There is the hotel where the residents stay, and then there is where Norma stays. It is also divided into city areas and rural areas. The city areas are filled with normal people, living normal lives, whereas the rural areas comprising of dark roads and ominous dangers; stormy weather and eerily unoccupied motel. Diverting off of Main Street leads to areas of madness and terror. The Overlook Hotel has a history of violence and questionable deaths. It is distant from civilisation, which leads to the development of Jack Torrance’s insanity. Psycho and The Shining were set within a similar time period. The Shining is written in two significant time eras, 1945, the end of World War 2 and 1975, marking the end of the Vietnam
Given that Norman Bates takes on the identity of his mother in response to a strange attachment that he has to her, as Norman himself says, “a boy’s best friend is his mother,” and that his mother is his “trap” that he “was born into,” it appears that Hitchcock’s lifelong interest in Freudian psychology is very intense in that Norman Bates had an Oedipus complex. If this is true, Psycho contains the emasculation of Norman at the hands of a woman, who happens to be his mother. The idea that Norman Bates remained in love with his mother and that Marion has the power to provoke this pathology, Psycho is another example of a female having power over a man, or a “boy”—in the case of Norman Bates.
Taking a look into one of the three articles “Some Consequences of Having too Little,” written and studied by Anuj K. Shah, Sendhil Mullainathan, and Eldar Shafir, people often faced with too little tend to borrow excessively and focus on the present rather than the future (Shah, Mullainathan and Shafir 682). In order to test this hypothesis, the writers have conducted 5 experiments to show how scarcity affects behavioral, environmental and psychological conditions that re-inforce poverty (Shah, Mullainathan and Shafir 682). These studies also prove that having less requires more attention on tasks at hand while neglecting other tasks that seem not so pressing (Shah, Mullainathan and Shafir 682). For example, I know a lady named Marci. Marci depends on her food stamps each month to feed
The Netflix series Bates motel is a sequel of the movie Psycho (1960) which was based on a guy who owned a hotel and killed the people who stayed there. This new series came out in 2013 and is about a teenage boy named Norman Bates who lives with his Mother Norma Bates. Both Norman and Norma move to a new town and open up a motel which they named “The Bates Motel” Hence the last name. Norman has unknown blackouts and can see things such as spirits or just goes into a daydream about people doing things that really hasn’t happened. His mother is a crazy women who tries to protect Norman so he doesn’t get in trouble.Yet Norman will do anything she says and that will protect and defend him and his mother, even if it does involve killing.
Norman Bates is arguably the most unforgettable character in the horror genre. His movements, voice and aura at first radiate a shy young man but transform into something more sinister as the movie Psycho (Hitchcock, USA, 1960) progresses. How has the director, Alfred Hitchcock, achieved this? Norman Bates was a careful construct: the casting, body language, lighting and even the subtle use of sound and mise-en-scène created the character.
This toolkit is a companion resource for use with the book, Don’t Count Me Out, a collection of personal stories and poetry of Memphis public housing residents describe often intense and unsettling experiences. Chronicling first-person accounts, the book depicts the plight of the under-resourced and often disenfranchised members of Seek to Serve members and their involvement in a grassroots leadership program that changed the course of lives derailed by domestic violence, illness, crime, family deterioration, education, and poverty, and their subsequent journey to inclusion and empowerment. This guide allows those interested in exploring innovative ways in which to engage seniors and other un-heard voices, and magnify their significance. By creating this dynamic validates Blues City Cultural Center’s commitment to amplify and make space for under-heard voices.
The two films Psycho and The Birds, both directed by Alfred Hitchcock, share similar themes and elements. These recurring themes and elements are often prevalent in many of Hitchcock’s works. In Psycho and The Birds, Hitchcock uses thematic elements like the ideal blonde woman, “the motherly figure”, birds, and unusual factors that often leave the viewer thinking. Hitchcock’s works consist of melodramatic films, while also using pure cinema to help convey messages throughout the film.
Norman’s mind housed two personalities, his and his mother’s. After his father had died, Norman and his mother had lived “as if there was no one else in the world.” A few years later, Norman’s mother met a man that she planned to marry. Driven with jealousy, Norman murdered both the man and his mother because he had felt replaced. The guilt ate him up and caused him to pretend that his mother was still alive. In order to do this, half of him became his mother. Just as Norman was jealous of any man who came near his mother, the mother half of Norman was also jealous of anyone that aroused Norman himself. Therefore, when Marion came to stay at the Bates Motel, owned by Norman, he was attracted to her, and his attraction spurred the mother half of him to become jealous and murder Marion. Sometimes Norman would dress up as his mother when reality came too close and threatened his illusion. Since his mind was housing two personalities, there was a battle, and eventually his mother won and completely took over Norman. Norman was gone, and his mother has fully taken over (Psycho). The viewers realize that Norman Bates never meant to hurt anyone. It was his jealous emotions stemming from his mother that caused him to murder Marion. In Norman’s case, his mental illness was to blame for his vile crime. Through this portrayal, the viewers are more likely to view mental illnesses negatively. Because Norman’s