Modernism And Modernism

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Modernism can be defined as the post-industrial revolutionary era, where which the western world began to see a change in all spheres of living. The effects of the industrial revolution became prevalent towards the end of the nineteenth century and the modernist movement drew inspiration from this widespread change. Artists, writers, architects, designers and musicians, all began to embrace the changing world and denounce their pre-taught doctrines and previous ways of producing work. Society felt the urge to progressively move forward toward a modern way of thinking and living.

Although we considerably live in a ‘post-modern’ world, many of the technologies and principles involved in designing and engineering them are draw influence from the innovative culture of the modern era. This essay aims to explore the contextual ideas behind the modern movement, how it influenced today’s artists and thinkers, how ‘Modernization, Modernity, Modernism’ shaped the world we live in.

Towards the end of the nineteenth century, around 1860 after man had considerably conquered the machine, a new reality became prevalent in the lives of the newly industrialised world. “Modernism includes more than just art and literature. By now it includes almost the whole of what is truly alive in our culture”(Greenberg 1982:5) This quote can be applied to the earlier days of modernism When jobs had changed from agricultural based employment to corporate and menial based labour. Housing situations had too changed, from rural to urban, as people began to follow the money trail the industrial revolution had left behind. All this change had brought a new way of life for the western world, as things became automated and products were readily available to the con...

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...1. Influenced by the futurists and is known to have been one of the founders of Constructivism, he left painting because of its decorative aspect and subjectivity. He was more interested in carrying on a universal language and believed that art should serve a cause. In these harsh terms he completely discarded painting, saying “Down with art if it is an escape route from a meaningless life! Not for art that reproduces the external world, prettifying it with a decorative mantle, but for a constructive art that reflects our way of life.” (The Future is our only Goal) This quote is embedded in my mind as I think of Rodchenko’s line of work and how he was against the painterly aesthetic but managed to undertake painting once again in his last years of his career. A medium that he left forgotten throughout his work describes both the start and end of his career.

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