Anne Elizabeth Jane “Liz” Claiborne was born on March 31, 1929 in Brussels, Belgium. She was the only child of Omer V. Claiborne and Louise Fenner Claiborne. Her father taught her to appreciate the arts and her mother taught her how to sew. In 1939, at age 10, Liz Claiborne’s family left Brussels, Belgium for their new home in New Orleans, Louisiana. When Liz was twenty-one years old, her sketch for a women’s coat won a design competition for Harper’s Bazaar Magazine. With her sketching abilities and her winning sketch, she began working on Seventh Avenue in New York City as a design assistant and a model. While working on Seventh Avenue, she designed sportswear, dresses, and tailored clothing. From 1960 to 1975 she was the main designer for the junior dress division of Jonathan Logan, a major women's apparel manufacturer. …show more content…
Liz Claiborne Inc. was founded in 1976 with approximately $250,000, including $50,000 of her and her husband's savings. Liz’s husband, Arthur Ortenberg, was the company's secretary and treasurer. A friend, Leonard Boxer, handled production and Jerome Chazen joined the company in 1977 to operate the company’s marketing. At a time when a large percent of women were entering the workforce, Liz built the company into a billion-dollar-a-year business, first designing stylish, moderately priced sportswear that freed working women from plain, dark suits, then expanding into menswear, accessories and
Natalie Wood, who born in San Francisco, was an American film and television actress. Wood is married from Robert Wagner, and they have three children. Natalie Wood died on November 29, 1981, and no one knows how exactly she died. In addition, Wood was with her husband and their friend in the boat, and she argued with Wagner before living the boat. Also, Wood afraid of water her whole life, and she died by drowning on a weekend trip.
Lana Lanetta was born and grew up in the quaint town of Ogre, Latvia. Coming from a blue-collar family, she marches to the beat of her own drum and has achieved the American dream and beyond. Don’t let her certification in gardening fool you, she is anything but a girly girl and She had no time to try to conform to anyone’s standards, early on she began to shape her own future, working her way up from a street janitor to becoming an adept artist. In her youth she was incredibly active, contributing to her amazing figure that she still maintains today, getting great aerobic workouts from soccer and gymnastics. Extracurricular activities aside, sewing has always been an enduring passion that has stayed near and dear to her heart. Despite her
An influential American printmaker and painter as she was known for impressionist style in the 1880s, which reflected her ideas of the modern women and created artwork that displayed the maternal embrace between women and children; Mary Cassatt was truly the renowned artist in the 19th century. Cassatt exhibited her work regularly in Pennsylvania where she was born and raised in 1844. However, she spent most of her life in France where she was discovered by her mentor Edgar Degas who was the very person that gave her the opportunity that soon made one of the only American female Impressionist in Paris. An exhibition of Japanese woodblock Cassatt attends in Paris inspired her as she took upon creating a piece called, “Maternal Caress” (1890-91), a print of mother captured in a tender moment where she caress her child in an experimental dry-point etching by the same artist who never bared a child her entire life. Cassatt began to specialize in the portrayal of children with mother and was considered to be one of the greatest interpreters in the late 1800s.
Katherine Johnson is a memorable African American mathematician and an icon for young black girls around the world. Katherine Johnson loved math. Early in her career, she was called a “computer.” She helped NASA put an astronaut into orbit around Earth, and then she helped put a man on the moon.
... However, it stands to reason that while the existence of such weighty components has reduced greatly, their concepts have set an indisputable model that remains relevant and continues to influence today’s fashion. In conclusion, it is significant to recognize the revolution of the female silhouette throughout history along with women’s roles in today’s society and also, the physical restrictions imposed on them. The silhouette of women’s fashion has changed as the idea of the perfect female figure has reformed. Nevertheless, in the early twentieth century the concept of women leading more active and lively life meant that fashion also needed to become more cooperative to physical action and less limiting.
Clothing for women was custom-made although women’s clothing “developed more slowly.” (Source 1) Women accepted ready-made clothing because it was more affordable. Instead of going to general stores, they used catalogs to look for more “modern and fashionable”
Each human being is different, many are kind and many are not, but there are only some people out there in the world that are more. Some take that one extra step that others cannot. A great example of someone who takes that extra step is Liz McCartney. This young, bold women chose to accept things as they are, have faith, have hope, and has made a huge impact improving peoples lives. She helped disaster-stricken communities across the U.S.
Werle, Simone. Fashionista A Century of Style Icons. New York: G.P. Putnam's Sons, 1977. Print.
Coco Chanel, born Gabrielle Bonhuer Chanel, on August 19, 1883 in Saumur, France was an amazing woman who redefined fashion as we know it today. She was a clothing designer who revolutionized the fashion industry with her suits, little black dresses, and avant garde flare. Because of this quickly in her young life she became well know, and rose to be the fashion icon that she is today. From the timeless designs that are still popular to this day, and the sophisticated outfits that can be paired with great accessories Chanel has done it all. When it comes down to it though it was Coco Chanel’s philosophy that “luxury must be comfortable, otherwise it’s not luxury” that lead to her success. (“Coco Chanel”)
Prior to the era of the twenties dressmakers earned a large amount of money by designing and producing these stylish clothes that were fitted for each individual. Dressmakers’ business consisted not only of designing and producing these expensive garments for women, who could afford their services, but also altering, repairing, cleaning, and reusing fabric and materials from older outfits to...
On the twenty-first of August, our Wearable History class took a trip to downtown Bowling Green, to visit Mosaic Confinement Studio. The studio had an old-fashioned vibe, and was like a vintage-garment haven. There, we were asked to choose a piece that we thought was vintage, identify the time period it actually came from, and also take some additional notes on the style and the garment’s details. After searching through multiple racks, the first piece I found was a lace blazer. It turned out to only be vintage-inspired, so I went searching again. I came across a few other pieces, but nothing was really jumping out at me. Eventually, I came across a lavender dress that immediately made me think of Julia Roberts in “Mystic Pizza”, and I knew I found my garment.
The future of women’s fashion is uncertain—in that shock value is harder to come by with each passing year. There is a concept in fashion that nothing is new, everything has been done before. This theory is coming closer to obvious reality, as fashion shows of recent years have visual throwbacks as late as the Victorian era. Although the direction is not yet decided, it is almost definite that women will use fashion as an important tool for expression and freedom in the future.
On the occasion of the οpening of the Musée Yves Saint Laurent and the publicizing of the Yves Saint Laurent Haute Couture archive this October, it is only fair to dedicate this essay to one of the most controversial, most talented and innovative couturiers in the history of fashion, the man that as Pierre Bergé said: “[…]gave power to women.” (Another Magazine 2017) through his garments, through the identity of the style that he created; a style that is, still to this day, fresh, shocking, empowering and mesmerizing. Yves Henri Donat Mathieu-Saint-Laurent was born on the 1st of August in 1936, just a wear before legendary Elsa Schiaparelli show her groundbreaking ‘Autumn 1937’ Collection, in Oran, Algeria, to a prestigious and
Margot H.Hill & Bucknell A.Peter (1967) The Evolution of Fashion:Pattern and cut from 1066 to 1930, The United state of America,Newyork.p.82-146.
From selling purely ladies’ footwear, Charles and Keith expanded their range of products to include ladies’ bags and accessories in order to cater different demands of the customers. Charles and Keith owns a team of designers that come out with new products regularly and the company has their own R&D team frequently travels to fashion cities to get in touch with the latest design and trend (Singapore Press Holdings, 2009).