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The epic of gilgamesh death and immortality
The epic of gilgamesh death and immortality
Immortality in the epic of Gilgamesh
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Ever since the dawn of humanity, death has been the most feared and dreaded concept for the human race. As a solution to combat this end, humans have searched for immortality, whether it is from the Fountain of Youth or from a magical stone. In The Epic of Gilgamesh, the hero Gilgamesh seeks immortality from the long-lived Utnapishtim to avoid the seemingly dark and bleak end that his friend, Enkidu, met. On the other hand, in “Passing On” by Bill McKibben, McKibben explores the drawbacks and consequences immortality may have on our lives. Although some may side with Gilgamesh in that immortality is to be sought after, I stand with McKibben and agree that immortality could be a bad thing.
Immortality can void our humanity. In The Epic of Gilgamesh, immortality is the main prize that Gilgamesh tries to attain. However, it was his mortality that kept him human. Gilgamesh was part god and part man and already had trouble relating to his people. His godlike abilities isolated him from his mundane subjects and caused him to be lonely until he met an equal, Enkidu. If Gilgamesh had attain...
The philosophy that comes across in Gilgamesh’s story is that he life is something to be enjoyed because once you die you will life your afterlife in eternal anguish.
As a natural phenomena that occurs frequently yet is still not completely understood, death has confounded and, to a certain degree, fascinated all of humanity. Since the dawn of our species, people have tried to rationalize death by means of creating various religions and even attempted to conquer death, leading to great works of literature such as the Epic of Gilgamesh and the Cannibal Spell For King Unis. Considered one of the earliest great pieces of literature, the Epic of Gilgamesh tells an adventurous yet profound tale about the god-like king of Uruk, Gilgamesh, and his quest to find immortality. While his name now lives on through the Epic, Gilgamesh did not attain eternal life as the plant of immortality was stolen from him by a snake.
Utnapishtim explained to Gilgamesh that man cannot achieve immortality because it requires too much sacrifice, which is simply unattainable for any human, but he still gave Gilgamesh a chance to prove himself. However, Gilgamesh failed miserably and was told to return home (page 97-99). But before he left, at the request of Utnapishtim’s wife, he told Gilgamesh about a plant that will make him young again. After acquiring the plant, he decided to the elderly in Uruk to see if it truly worked. Unfortunately, Gilgamesh lost his chance toward immortality when a snake took the plant while he was bathing. Gilgamesh learns that being human entails accepting one’s fate of death and not trying to run from it. This allows him to be content with what he has and understand that his city and the people are what matter not fame. As Gilgamesh is telling Ur-shanabi about Uruk he is saying it with pride and joy, unlike in the beginning of the epic where the tone of the description was as if the city of Uruk wasn’t good enough and he needed to accomplish more to leave a legacy behind (page 99). We can tell he is content with what he has and that he has transitioned to a hero-king by taking pride in his
Gilgamesh who has always gotten what he wanted could not save Enkidu from death. The death of Eknidu effected Gilgamesh and the way the character would evolve from the death of his friend. The friendship with Enkidu allows Gilgamesh to see the reality of death. When Enkidu dies then Gilgamesh becomes obsessed with his own mortality. “What my brother is now, that shall I be when I am dead.” (Gil. 31)
Death and Immortality in The Epic of Gilgamesh The search for immortality has been a major concern for many men and women all throughout history. True love and immortality in life would be a dream come true to many. To spend time with a special someone, the person one feels closest to, and never have to say good-bye would greatly appeal to most people. But when death steps into the picture, even with all the pain and devastation, one starts to re-evaluate themselves. In The Epic of Gilgamesh, Gilgamesh explores the possibility of immortality following the saddening death of his friend and brother, Enkidu.
The quest for immortality after the death of Enkidu is the first sign that Gilgamesh has changed. Gilgamesh becomes frightened when he realizes that he isn’t immortal. After the death of Enkidu, Gilgamesh tries to find immortality by trying to cross the ocean to find it. He sounds pathetic as he rambles of his reason for trying to find everlasting life. His state of being at this part in the book, which is the end, is completely different from his arrogant beginning of this epic. Gilgamesh has gone from arrogant to scared.
In his search for everlasting life, we realize that being two-thirds god was not enough for Gilgamesh. He wants to live forever so that no one would ever forget him. But Gilgamesh isn’t the only person who searches for immortality. In many stories there is a search for the “Fountain of Youth.” By drinking this water you would have everlasting life. Fear of death and desire to live forever has driven people to do all they can so that they can extend their existence to as long as possible. This is one of the major themes of Gilgamesh and one of the reasons it is an epic.
Enkidu’s death evokes a disturbing thought in Gilgamesh. He finally realizes that he is mortal. He then goes about trying to find the key to immortality. Gilgamesh first seeks out Utnapishtim, the only human to gain immortality. When Gilgamesh cannot pass the test of staying awake for seven days, Utnapishtim then gives him the plant "Old Men Are Young Again." Despite this second opportunity, Gilgamesh is not triumphant in his search for immortality because a serpent eats the plant and Gilgamesh’s opportunity is lost forever. He does not realize that Enlil, the father of the gods, had already determined his destiny. It is clear from the events of the story that Gilgamesh was not to obtain everlasting life and it is no coincidence that all of his efforts fail in one way or another. This is another example of man’s lack of control where the gods are concerned
Perhaps one of the main reasons the Epic of Gilgamesh is so popular and has lasted such a long time, is because it offers insight into the human concerns of people four thousand years ago, many of which are still relevant today. Some of these human concerns found in the book that are still applicable today include: the fear and concerns people have in relation to death, overwhelming desires to be immortal, and the impact a friendship has on a person’s life. It does not take a great deal of insight into The Epic of Gilgamesh for a person to locate these themes in the story, and even less introspection to relate to them.
This story teaches that death is an unavoidable and inevitable circumstance of mortal life, which is the most significant precept Gilgamesh learns. Gilgamesh is resentful that only the gods can exist eternally. Gilgamesh is frightened by the idea of his own destiny. Mesopotamian divinity proposes a perception of an afterlife; the deceased spend their period being dead in a netherworld. Death is inevitably entwined within the structure of creation. Life is also entwined, although mortals die, humanity maintains to live. The message that Gilgamesh returns with from his adventure is not primarily about death, but about life. Fragment of a tablet of The Epic of Gilgamesh is figure C down
Through the many of mankind’s tales of adventure the search for immortality is a very common theme. Many heroes have made it the objective of their travels and adventures. This is no different in The Epic of Gilgamesh and The Odyssey. The heroes in both are tempted by the offer of immortality, however each of them turns it down for their own reasons.
One of the oldest and most prominent issues that mankind has faced throughout history is that of their own mortality. In every society mankind has wrestled with the inevitable problem of their eventual death, and literature often reflects each society’s take on their mortality. For instance one of the most pronounced motifs in the epic poem Beowulf is the impending doom that each and every character knows will eventually come for them. This is most clearly illustrated by the protagonist himself in his dialogue with other characters. It is also perpetuated by the compelling need for glory and renown that many of the characters continuously search for. Lastly, the issue of mortality is presented by the preeminence of the history of the clans
Since the beginning of recorded history, everlasting life has been pursued by old and young, rich and poor. One need only look to the Gilgamesh Epic, the oldest story in the world, to discover where these roots lay. Gilgemesh, the mighty king and warrior, fearing his own demise, seeks out Utnapishtim, a mortal made immortal by the gods, in the hopes that he'll reveal the secret of eternal life. The immortal tells the king of a flower, which when eaten, bestows eternal life. Note that the answer is tangible and real, something that can be seen and held. Not immortality for the soul, but for the body. In the end Gilgamesh fails at his quest, but he is all the wiser for his journeys. The Greeks, too, sought immortality, but it tended to be of a spiritual nature only, because generally the gods were the only ones considered to be true immortals.
Death it is something we all must face at one point in our lives or another. It is either a death of a loved one, friend or co-worker. Sometimes it’s the devastation from a natural disaster. No matter what makes us face the idea of death it is how we handle this realization that truly matters. When Gilgamesh is faced with the horrendous loss of his dear friend and comrade Enkidu he begins to fear death. In Gilgamesh’s youth he is proud without fear of death, it is not until he watches his friend die that his own mortality becomes a fear.
[III] Immortality: “through Art, and through Art only, that we can shield ourselves from the sordid perils of actual existence”