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Strong male characters use their power for both good and evil in literature. In Nathaniel Hawthorne's Novel, The Scarlet Letter, we see Roger Chillingworth using his power over Reverend Dimmesdale by torturing him psychologically for his own pleasure. Iago, the antagonist in the classic Shakespearean tragedy, Othello, drives an esteemed general to the brink of insanity and manages to kill a few people in the process. Finally, in The Crucible, a tragedy written by Arthur Miller, where John Proctor uses his power and standing in the community to put an end to the witch trials and he saved many lives, by giving up his own. Roger Chillingworth is consistently a symbol of cold reason and intellect unencumbered by human compassion. While Reverend Dimmesdale has intellect but lacks will, Chillingworth has both. Chillingworth becomes the essence of evil in chapter 10 when he finds the scarlet letter on Dimmesdale’s chest, where there is "no need to ask how Satan comports himself when a precious human soul is lost to heaven, and won into his kingdom." As time goes by Dimmesdale become more frail under the constant torture of Chillingworth. Even the town …show more content…
He claims a reputation for honesty and plain speaking, in the play the others refer to him as “honest Iago,” yet he invents elaborate lies in order to exploit and manipulate other people. Unfortunately he is surrounded with bitter irony. In chapter one Iago says “I am not what I am,” which can be interpreted as “I am not what I seem.” What is good for him is bad for others and people repeatedly rely on him and he betrays them. Much like a sociopath, Iago likes to have other unwittingly working to serve his purposes. Iago is also a man with an obsession for control and power over others who has let his obsession take over his whole life. Ultimately, Iago achieved his goal in destroying Othello and obtaining power, unfortunately he is not alive to bask in that
Roger Chillingworth’s main internal conflict was his personal revenge towards Arthur Dimmesdale. Roger is a dynamic character who changes from being a caring and mindful doctor to a dark creature enveloped in retaliation. His character possesses a clear example of the result when a person chooses sin by letting his vengeance get the better of him. For example, Roger constantly asks Hester to tell him who has caused her punishment. As Roger visits Hester at the prison, he is determined to find out who Hester’s lover was, “...few things hidden from the man, who devotes himself earnestly and unreservedly to the solution of mystery” (64).
In the tragedy Othello there is a character named Iago, his main goal is to be at the top. Iago at this point is willing to anything to get to his goal of being lieutenant. So what he does to get where he wants to be is lie to everyone; Othello, Roderigo, Cassio. One should play close attention to how he deceives Cassio. It would be a fair assumption that one could compare Iago to Hitler; due to his way of getting what he wants. Iago is direct but not enough to make the character aware of what he is really up to. He is very good at deceiving people. Iago knows his way around people and uses that skill to get what he wants and where he wants to be.
... Iago has been put in a job in which he has to be near Othello and is considered a friend of his. Iago is very trusted by all the characters. that he is able to use in his plot, therefore making it much easier. for himself, often referred to as 'honest Iago'.
In the light of the various descriptions of an unstable person, Iago is a psychopath with his manipulative choice of words. He tells people things that they want to hear and he says it in a manner that makes him appear exceptional. “ I humbly do beseech you of your pardon, For too much loving you.” (3.3.106) In act three, Iago pretends to be Othello’s confidant, and he wants Othello to suspect his wife is having an affair. Iago has a pseudo relationship with Othello the entire duration of the play.
From the very beginning of the play, Iago is held in very high regard within the community in Venice. He is often called “honest Iago” by many people, including his superior, Othello. There is a large juxtaposition between Iago’s perceived character in the beginning of the play, and at the end of the play. There are two possible reasons that this man that many now know to be one of the
Honor is an easy trait to fake when nobody is watching. Iago was a mastermind that throughout the play clearly tricked many characters into believing he was an honorable man. A good reputation is clearly not the direct jewel of a person’s existence, if that were true, then Iago would have had a blackened reputation instead. Truthfulness was a trait that Iago also lacked, he more than made up for it by using that as an advantage to trap other characters in his web of deceit. Iago was a master of appearances, he appeared honest and trustworthy when it was most needed. To Othello, he was a most trusted friend, to Emilia he was an honest husband, to Roderigo he was a friend that was trying to help him win the woman of his dreams.
Hawthorne writes about Chillingworth “This unhappy person had effected such a transformation by devoting himself, for seven years, to the constant analysis of a heart full of torture...which analysed and gloated over” which shows how Chillingworth has been torturing Dimmesdale and enjoying it (p.302). Chillingworth did the evil of slowly torturing Dimmesdale. When he becomes fully evil he also changes physically. He looks completely evil too and “But the former aspect of an intellectual and studious man...had vanished, and been succeeded by an eager, almost fierce, yet carefully guarded look” displaying how he went from intelligent looking man to a fierce and scary looking man
As Othello wears his mask that represent his desire for truth, he expects his subordinates to fulfill it. Already establishing trust with him, Iago fulfills Othello’s desire for truth in an exploitative manner. Iago is the most evil when he seems to be doing good. For Othello, Iago is merely an innocent bystander offering aid and doing his job. Figuratively speaking, Iago does not push Othello off the cliff, but instead convinces him that jumping is a rational course of
to his self over-idealization, that he wishes to remain hidden. Unfortunately, Iago uncovers these flaws and because the flaws are unique to Othello, Iago is able to manipulate Othello more easily than anyone else.
Iago is a jealous, devious, manipulative character in Othello. His drive is controversial but his essential traits are certain. Shakespeare chose to assign these qualities to Iago to display the devil within and that most people are not who they seem. The motifs present contribute to the dramatic irony of Iago's personality. Iago is a distressing character and who gains pleasure from other's destruction.
Iago: Deception as Catalyst for Truth The audience will achieve a more complete understanding of Iago in The Tragedy of Othello if Iago is viewed as a complex character and not simply as a conventional "villain." Iago's devious schemes destroy lives both literally and figuratively, but they may also serve to reveal the character of others in intricate ways. A critical interpretation of Iago reveals that although he is principally a deceiver, he is also a dramatic agent of truth. Even though his acts are malicious and deceitful, the title "honest Iago" is fitting in the sense that he reveals the true nature of his victims, as well as the propensity for human beings to act in accordance with their inherently dark natures.
Iago holds a reputation of loyalty and trust but is ultimately out for personal revenge. He manipulates several characters in seek of vengeance. The manipulation starts by his support in Roderigo’s grudge against Othello. He tries to play both sides by claiming to have defended Othello during this conversation when really he was encouraging it. Iago envies Othello because he believes he slept with his wife.
In Shakespeare’s Othello, Iago is the antagonist and villain who causes all the trouble and disorder. Othello is the protagonist, and is the main person Iago’s destruction and revenge is aimed towards. Othello is naïve and gives everybody his trust even though he may not know them or they haven’t earned his trust yet. He often refers to Iago has “Honest” Iago, which is a direct showing of irony because Iago is not honest at all (Shakespeare, I, iii. 289). Iago is so angry that Othello didn’t give him the promotion that was given to Cassio that he plans to seek revenge against Othello. He seeks his revenge against Othello by manipulating and lying to all of the people around him including his closest friend Roderigo, Cassio, Othello’s wife Desdemona and even his own wife Emilia. In the end, Iago’s lies and manipulation led to the deaths of Roderigo, Emilia, Othello and Desdemona. This isn’t the first time many of these individual characteristics have shown up in one of Shakespeare’s plays.
Iago has been excellent at saying the what is needed to get to people, he misleads them to get a reaction he wants out of them. He is clever with his words to avoid confrontation that can easily happen. “Othello 's confusion is the human experience of language. In other words, language itself, not the outside world, determines meaning” (Christofides 2). Iago uses his words against Othello to get him to do Iago’s doings. Iago has an eloquence with
Iago is a man that he is said to have significant privileges. He is an awesome companion of Othello and Desdemona so appears to carry on towards them pleasantly. Othello and Desdemona imagine that Iago will dependably be a genuine companion and a legitimate individual to them. Iago is a deceptive and deluding individual in the whole story on the grounds that he generally misleads every one of his companions in every circumstance. Iago is amazingly conspiring towards Othello