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Movie music analysis
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The immediate nostalgia of the classic 1969 musical, Hello, Dolly!, is combined unexpectedly with extensive beauty of space as WALL-E begins descending into an even more unexpected image of life on Earth.
The film could almost be classified as a modern silent film, excepting the small moments of dialogue that become more frequent when the humans are introduced, and this silence focuses the audience visually on the film before them: details aren't pointed out, Wall-E's purpose isn't defined by voice-over narration, and Eve doesn't explain the jump from humanity today to the humanity of the film. Instead, the audience must pay attention to the actions and elements of each scene to understand what has happened, what is happening, and, in some
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juxtaposes the true past with this version of the future. The 60s era is referenced often, even in the jingle for Buy N Large superstore: "Buy n Large is your super store, we've got all you need, and so much more". The jingle is reminiscent of the bouncy and catchy jingles from commercials in the fifties and sixties, combing friendliness and the perfection of barbershop quartet harmonies. Aside from the automatic playing of the jingle as Wall-E passes it on his way, the soundtrack of Wall-E's journey is Thomas Newman's iconic score. Working hand-in-hand creatively with director Andrew Stanton, Newman creates a score with themes motivated less by character and more by events as they happen on the screen. The only character theme repeated more than twice is Eve's theme, featuring feminine high strings, which is repeated the third time in the end credits. Peter Gabriel's song "Down to Earth" uses the bass and drum figures from Eve's theme in an attempt to maintain the pattern created by Newman throughout the film and to blend the song with the score. "Down to Earth" features the return of humanity to Earth in various styles of animation, based on art styles from the history of mankind, such as cave drawings, Van Gogh, and even 8-bit video games.
Outside of film's amazing score, effective minimization of dialogue, and the beautifully rendered animation, Wall-E is a film that presents many common Pixar themes while supporting some new ones along the
There was a vocal recital on October 19th, 2017 at 7:30PM, held at the performance hall in Mountain view college. Alex Longnecker, a tenor vocalist and Imre Patkai, (pianist) played a series of homophonic textured songs, some being sung in German and others in English. The Three selected songs I will be writing about are, The Lincolnshire Poacher, The Plough Boy, and Im Wunderschonen Monat Mai. This performance played a total of 24 Pieces, composed by 4 composers, being Wolfgang Amadeus Mozart, Ernest Chausson, Benjamin Britten, and Robert Schumann.
Into the Woods is a musical based off of classic Grimms Brothers’ characters and their fairytales. The production explores the consequences of their wishes and the quests that they fulfill and take on. In writing this play, it seems as though Sondheim and Lapine were attempting to bring to life the classic fairytales of their youth with a twist of reality. Through this portrayal of classic tales, the audience is also taken back into their childhood for the entire two hours and forty-five minutes.
Like a painting by Dali, you feel that every new thing you uncover has another waiting below it. The camera angles and lighting are tied into the film to turn the whole story into a smooth flowing work that is more pleasing to watch in black and white than most movies are in color. The overacting makes a few scenes in the movie difficult to watch, but the rest of the film picks up the slack.
The Wiz is a musical/movie released in 1978 that was an adaptation of the popular film “Wizard of Oz”. It included several very popular stars of the time, which were Diana Ross, Michael Jackson and Nipsey Russell. The movie set place in New York City where the main character, Dorothy, suddenly is swept by a tornado in the middle of a snowstorm. She later then found herself lost in a city she had no clue about and curious as to how she could return home. After meeting 3 other characters during her journey that share similarities, they all embarked on a trip to OZ to fix each of their problems. Throughout the movie characters apply their own soundtrack through singing songs in harmony that compliment the mood of each scene.
Redeye’s 24 Hour production of Shrek: The Musical can be defined as a performance. Although normally deemed as a musical event or sports game, essentially, a performance is an event that can captivate an audience which consists of an action, interaction or relationship. The performances can be planned and practiced or be spontaneously done at one’s aggression. Performances normally involve multiple participants as well as spectators and change the identity of the performer. Redeye’s 24 Hour production of Shrek: The Musical can be properly called a performance because the ensemble, both actors, directors, managers, and stage crew, diligently worked for twenty-four hours timelessly rehearing, building sets, dancing, and collaborated to produce a finished product that would tell a story to the audience and virtually transports them into the world of Duloc and into the swamps where Shrek resides.
“If you’ve seen one, you’ve seen them all.” This is an audacious statement, especially with all the diversity life has to offer, within what context could a person persuasively use this statement? Stereotyping has been a problem in history. However, the consequences of stereotyping the repetitious nature of life has resulted in many original and useful transformations. While stereotyping is well known for its roots tied to ethnic background, race, sex, and even social class, we must not forget that stereotyping pays its ties apart from people. Film, as we know it today, has gone through many transitions to get to its impressive status quo. It is hard to imagine a film with no color and no sound. This was the norm in the early 1900s. Directors
Music of the 1950’s went through three different fazes making it the mark of the century when it came to genres that were influenced by many individual record labels. Out of the many artists that contributed; one stood out. Elvis Presley, the international speaker and song writer, promoted the early pop era into becoming a world mainstream according to Rolling Stones Magazine. Presley’s famous recordings, crazy dance moves, positive attitude, and sense of style earned him the number one best singer in the 20th century state by BBC radio. His music was greatly influenced by African American Blues, Christian Gospels, and Southern Country singers. By the way he lived his life
This same approach can be seen with the music, which draws on our uneasiness with dead noise throughout the movie. The film creates its effects essentially out of visuals and music and lack thereof. This film is not for everyone, but if you're the type who spends casual time pondering humankind's destiny, this is a must see. In the end, this film, and its music, is inspiring, meditative, and an almost a spiritual experience. After watching it nearly ten years later, it has still not dated; and I hope it never does.
The interpretations of what comes after death may vary greatly across literature, but one component remains constant: there will always be movement. In her collection Native Guard, Natasha Trethewey discusses the significance, permanence and meaning of death often. The topic is intimate and personal in her life, and inescapable in the general human experience. Part I of Native Guard hosts many of the most personal poems in the collection, and those very closely related to the death of Trethewey’s mother, and the exit of her mother’s presence from her life. In “Graveyard Blues”, Trethewey examines the definition of “home” as a place of lament, in contrast to the comforting meaning in the epitaph beginning Part I, and the significance
The intention of this dissertation is to look at the importance of sound in film, in particular the feature animation Wall-E (2008) and how sound can help us engage with the robot Wall-E. This essay will focus on the work of Ben Burtt, the sound designer of this feature, and his discussions on the process of creating a believable world with this film. With a study of the theories of the Uncanny, I will try to understand how we react as an audience to the robotic characters on screen. I will also use the theory of Suspension of Disbelief in discussing the importance of sound in animation and how the audience will successfully engage with the text.
Legally Blonde the Musical, was a fun filled, musical journey, which warmed the hearts of many within the audience. Main character Elle Woods pursues a law degree in attempt to convince her ex-boyfriend Warner that she can be a well-educated, and respectable women. The performers take the audience on a journey following Elle’s college experience at Harvard Law. As Elle faces many hardships she never backs down, showing the audience what a little determination can get you. The musical ends with an happily ever after as Elle does the unexpected. Winning over the respect from her fellow classmates, as well as many more. Showing that all that hard work does pay off in the end, and might present opportunities that you never expected. Elle Woods finds exactly what she has been looking for all along. Which end up being right in front of her the whole time, love.
Colbie Caillat is an American singer from Malibu, California. She quickly rose to fame through Myspace. “Lucky,” recorded alongside Jason Mraz, was one of her more popular songs and won a grammy award. “Try” was released on June 9th, 2014. It was the number one single in the United States and the second single worldwide.
The group of songs that I have chosen represents various genres; some of the notable genres are Blues, Southern Rock, R &B, Hip Hop and other genres. The choice of the discography that I have made conveys the sense of a place. Most of them represent major cities by explaining about the live in those cities and its residents. Songs have profound meanings to many listeners, and convey different meaning to the listeners. It also enlightens people and explains the history of a place or conveys different experiences.
All the sound track replaces the words and is very effective. One can see this movie as art brought into life with no dialogues and faces with exaggerated makeup. We follow actions through Point of view of Workers who were next to machines with no freedom as if they are machines. We see how in the underworld the humans are machines physically while in the pretty world they are mentally robots that are brainwashed in the dystopia.
I really liked when the scenes where the image and sound both work together great. I refer to the silence as nothingness and feeling alone because that describes the dark silences perfectly. It is definitely the most prominent part in the movie, and I think more movies should try to use silence to their advantage. I absolutely think that the movie uses silence expressively. For one thing, they are in space so there isn’t a lot of noise in the middle of the galaxy, but for some reason when I think back to when there were shots of the rocket ship in the dark galaxy I think of how the film makers made there be no background noise except the ship which was nice because it made it seem very realistic. Usually in movies there is a lot of background music that you don’t notice, but it helps the scene out. In this case the director used silence to make the scenes more realistic. I think of the scene where Matthew McCaughey goes into the dark hole. He was narrating at the time then suddenly you hear dead silence. It made me have a deeper connection with the movie because the movie was silent, but so were my thoughts. When I think back to the movie, I don’t remember there being a lot of music because it all just blended in, then I went back to see if they had anything special about their music I noticed all the different types of music they had throughout the movie. (This is all referring to my discussion post from chapter