Grave Of The Lizard Queen Essay

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Emily Carroll’s Grave of the Lizard Queen:

There is no “actual” pattern seen from the intro page to the other objects showing their relations to the lizard queen as one can see in usual comics and by McCloud’s definition of “deliberate sequence”. On the other hand though, the reader has the ability or the freedom to choose which objects and its short story to view from in any order. But overall, in a bigger picture, Carroll’s work is in a “deliberate sequence” as said by McCloud.

Every time the reader clicks to an object, the reader is forced to return to the intro page. This action is in a loop pattern giving us the potential to view this as a form of a sequence while still applying McCloud’s definition. ** Each return to the intro page may suggests that there’s a limit one/reader can know or obtain the information from the sequential frames from each objects the reader clicks on to. Also, the intro page works as an …show more content…

Carroll’s work seems to have several different interpretations that readers can come up with that I can count now. Some of them includes that the reader has to try to connect the short stories from the images based on the specific objects, view the objects as pieces of evidence as to solve the puzzle or the case of the lizard queen, or just not even create or put things together but perceive the images as they are.

The whole work itself is not “juxtaposed” as McCloud had defined, but Carroll does show the “juxtaposed pictorial and other images” through the short stories or episodes from each object surrounding the lizard queen’s corpse on the intro page. The short episodes of each objects contain 6 equal sized frames that are viewed from left to right. Almost all the short episodes have no use of words. This may emphasize the abstraction and the use of icons mentioned by McCloud in his book (Understanding

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