In Jean Rhys’ novel “Good Morning Midnight” the reader is introduced to Sasha Jansen. Sasha is a run of the mill alcoholic who has seemingly been handed the most dreadful hand in life. Her husband deserted her, her child died, she is poor, and mostly—she is isolated and alone. Her viewpoints on the world, and herself, are very cynical and pessimistic. Sasha’s story details her downfall in a stream of consciousness narrative that takes the reader from one thing to the next and back again. It tells of the things she has sensed which leads to the inevitable end of hopelessness which causes her to suffer severe disconnection from the world around her. The problem is, absolute hopelessness is the best thing that Sasha could find for herself. For Sasha, everything must be kept in perspective. She must not go places that make her remember, she must not do things that make her remember, and she must not see things that make her remember. For Sasha, remembering her tragedies means destroying the careful routine that she has crafted for her life. Sasha herself alludes to this when she claims “[she] doesn’t want the way to the exhibition, [she] wants the way out.” (13)
Sasha explains it very clearly herself in the opening of the narrative why she needs her hopelessness. From the very beginning, the reader knows that something is off because Sasha tells the reader that Sasha is not her real name and that she thought that it would “change [her] luck if [she] changed [her] name.” (12) This is a monumentally telling sentence because Sasha is essentially saying that she needed to change who she was. She is inferring that she couldn’t stand not being Sasha because Sasha was the only one who might bring her luck, or in this instance, a better li...
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...le who should feel guilty for living more than she. He expresses that she is not fortunate or rich or powerful and that she should be grateful that she doesn’t have to bear such guilt. He tells her that he knows that “[she is] very lonely.” (66) Furthermore, he tells her that she is basically a reflection of what he used to be before him actually started “[going] about a lot.” (67) He claims that he has to force himself to get out and have friends. Sasha considers that she must do this when she returns to London. She is fooled by his smooth-talking wit and recognizes that he is clever. Unfortunately, he is only a con man. The trouble here begins a present downfall for Sasha because she takes what Delmar says to heart. The problem that Sasha is experiencing is that she believes that this man is sincere because she is sincere.
Works Cited
Good Morning Midnight
Although Susanna Kaysen’s ordinary world is somewhat unstable and ambiguous in its direction, and her call to adventure is life-threatening, Susanna’s circumstances set her on a journey of self-understanding and discovery. There are parallels between Kaysen and Alex McCandless, the
In Amy Hempel’s Short Story “Going,” we take part in a journey with the narrator through loss, coping, memory, experience, and the duality of life. Throughout the story we see the narrator’s struggle through coping with the loss of his mother, and how he moves from a mixture of depression, denial, and anger, to a form of acceptance and revelation. The narrator has lost his mother to a fire three states away, and goes on a reckless journey through the desert, when he crashes his car and ends up hospitalized. Only his thoughts and the occasional nurse to keep him company. He then reaches a point of discovery and realizations that lead to a higher understanding of mortality, and all of the experiences that come with being alive.
As a result, women were stuck at home, usually alone, until their husbands got home. In the story, Jane is at home staring at the wallpaper in her room. The wallpaper’s color is described by Jane as being “repellent, almost revolting” (3) and the pattern is “torturing” and “like a bad dream” (10). The description of the wallpaper represents Jane’s and all women’s thoughts about the ideologies and rules upheld by men prior to the First World War. It is made evident that this wallpaper represents the screen made up of men’s ideologies at the time caging in women. Jane is subconsciously repelled by this screen and represents her discovering continuously figuring out what she wants. Metaphorically, Jane is trapped in that room by a culture established by men. Furthermore, Jane compares the wallpaper’s pattern to bars putting further emphasis on her feelings of being trapped and helpless. Later in the narrative, she catches Jennie staring at the wallpaper’s pattern and then decides to study the pattern and determine what it means herself. Her study of the pattern is representative of her trying to analyze the situation in which she’s in. By studying the pattern, she progressively discovers herself, especially when she sees the woman behind the
A strong critique by existentialist writers of modern society is the way in which humans live unexamined, meaningless lives with no true concept of what it is to be an unique individuals. In Kate Chopin’s novel The Awakening and in Flannery O’Connor’s short story “Greenleaf” the characters Edna and Mrs. May, respectively, begin almost as common, stock characters living unfulfilled lives. They eventually converge, however, upon an elevated life and death filled with new meaning through their struggle with their role as individuals surrounded by other important beings.
Out of the three wonderful narratives given, the best one is “Stepping Into the Light” by Tanya Savory. While “Shame” by Dick Gregory is an interesting read, it is the weakest out of the bunch. The story had no clear setting, to many extra details, and a lengthy exposition. “I Became Her Target” by Roger Wilkins was a better executed story, even though it still had some flaws. This piece lacks any figurative language, but it was to the point and had clear organization. Thus, Tanya Savory’s piece was the best. It was easy to follow, used a constant symbol, and used some stories from others to make her point. So using narrative styles and elements in the best way, Tanya Savory wrote the better story.
Author Christine Mitchell’s “When Living is a Fate Worse Than Death” told the story of a girl Haitian named Charlotte. Charlotte was born with her brain partially positioned outside of her cranium which had to be removed or she would have not survived. Her skull had to be concealed by a wrap in order not to cause further damage. Charlotte was born with less brain cells which allowed her only to breath and not feel much of the pain. Charlotte’s parents thought that the doctor’s in Haiti did not know what was best for their daughter. The doctors in Haiti thought Charlotte should not be resuscitated, undergo anymore horrible treatments and die peacefully. Charlotte’s parents were not happy with the doctor’s guidelines and thought the United States medical care would have better technology and could save their daughter. Charlotte’s parents bought her a doll which
Ranging from caged parrots to the meadow in Kentucky, symbols and settings in The Awakening are prominent and provide a deeper meaning than the text does alone. Throughout The Awakening by Kate Chopin, symbols and setting recur representing Edna’s current progress in her awakening. The reader can interpret these and see a timeline of Edna’s changes and turmoil as she undergoes her changes and awakening.
Previously, the narrator has intimated, “She had all her life long been accustomed to harbor thoughts and emotions which never voiced themselves. They had never taken the form of struggles. They belonged to her and were her own.” Her thoughts and emotions engulf her, but she does not “struggle” with them. They “belonged to her and were her own.” She does not have to share them with anyone; conversely, she must share her life and her money with her husband and children and with the many social organizations and functions her role demands.
“Edna began to feel like one who awakens gradually out of a dream, a delicious, grotesque, impossible dream, to feel again the realities oppressing into her soul.” (Pg. 42) In Kate Chopin’s novel The Awakening the constant boundaries and restrictions placed on Edna Pontellier by society will lead to her struggle for freedom and her ultimate suicide. Her husband Leonce Pontellier, the current women of society, and the Grand Isle make it evident that Edna is trapped in a patriarchal society.
• This experience made her very secluded and reserved. She thought a lot about suicide but found comfort in writing. She became an observer rather than a participator in everyday life.
She continues in this sequel to talk about the abuse she faced and the dysfunction that surrounded her life as a child and as a teen, and the ‘empty space’ in which she lived in as a result. She talks about the multiple personalities she was exhibiting, the rebellious “Willie” and the kind “Carol”; as well as hearing noises and her sensory problems. In this book, the author puts more emphasis on the “consciousness” and “awareness” and how important that was for her therapeutic process. She could not just be on “auto-pilot” and act normal; the road to recovery was filled with self-awareness and the need to process all the pieces of the puzzle—often with the guidance and assistance of her therapist. She had a need to analyze the abstract concept of emotions as well as feelings and thoughts. Connecting with others who go through what she did was also integral to her
Her family life is depicted with contradictions of order and chaos, love and animosity, conventionality and avant-garde. Although the underlying story of her father’s dark secret was troubling, it lends itself to a better understanding of the family dynamics and what was normal for her family. The author doesn’t seem to suggest that her father’s behavior was acceptable or even tolerable. However, the ending of this excerpt leaves the reader with an undeniable sense that the author felt a connection to her father even if it wasn’t one that was desirable. This is best understood with her reaction to his suicide when she states, “But his absence resonated retroactively, echoing back through all the time I knew him. Maybe it was the converse of the way amputees feel pain in a missing limb.” (pg. 399)
Kate Chopin’s The Awakening is a story about a well to do young woman, Edna Pontellier, who lives with her family in Louisiana during the late 1890’s. Set in a variety of scenes, it follows Edna as she engages on a personal journey of increasing autonomy, continually seeking both greater happiness and greater personal independence in the hope of leading a more meaningful and fulfilling life. In so doing, the novel portrays societal expectations for women in the post-war South during the late 1800’s, and shows the difficulties they faced if they refused to conform. The place of women in society can be seen in the way that the women in the novel act and speak, particularly in regards to their husbands and children, but also to others in general.
tragedies that befell her. She is an example of a melancholic character that is not able to let go of her loss and therefore lets it t...
Forche, Carolyn. “The Memory of Elena.” Literature. 5th ed. Ed. Robert DiYanni. New York: McGraw-Hill, 2002. 1070-71.