ACT III – THE END Time is running out, it is do-or-die for the protagonist. The goal is seen clearly now but also the obstacles that stand in the way. These are the biggest faced thus far but the protagonist has to face what lies ahead. The protagonist wants to achieve their goal with such urgency that nothing will stop them now. Which is not to say that the story must end happily. Hope can live on with the smallest of glimmers or with the passing of the torch. Which can lead to a sequel of course. Screenwriting is about laying out your problems and then solving how it is that these flawed characters can resolving their story. Any ending must feel plausible and complete but not contrived with the tie up of all loose ends too neatly. The Climax …show more content…
Organized. No new characters. No new locations. The story is unraveling. TWIST: The final twist is a surprising, explainable, and motivated change in direction of the action. FINAL CULMINATION: Up to this point, our hero has been tested, has tried everything he could, and there is only one way left, because all the alternatives were presented and eliminated, and therefore, comes the final culmination, often where the main plot and sub-pot collides, which propels our hero head on into a new confrontation with the inevitable. CHARACTER ARC: The main character is now in a new situation with a new tension, and he/she must have opportunities to go back to the old character and see if there is a change. There should be. OBLIGATORY SCENE: The obligatory scene the scene the at the end of the film in which the viewer has been waiting and looking forward to. If tension is an eager anticipation of the future, then the obligatory scene is one that the viewer almost consciously expects. In a way, it has been promised to the audience. RESOLUTION: This is the end. The third act conflict is complete, character arc complete, all issues resolved, and the audience sees the new status quo – or what the future holds for the
The movie, “The Perfect Dictatorship” (“La Dictadura Perfecta”), directed and produced by Luis Estrada and released in 2014, is a political, satirical comedy story of two reporters attempting to repair the image of a corrupt governor after he signs a deal with the boss of their television company, Television Mexicana. That’s one way we could describe the plot of the movie. Another would be that the movie depicts the inherent corruption of the Mexican government and the lengths to which they will go to retain (or regain) their reputation. Equally, we could see the movie as a demonstration of the corruption of the Mexican media and the ways in which the media influences and effects politics. In fact, the
up an overall idea of the theme of the scene. The scene is quite long,
poster typically has the white cowboy large, presented front and center, with the antagonists and co-stars all behind him. An iconic western, The Good, The Bad, and the Ugly, has a poster picturing the white cowboy alone. Clint Eastwood stands there tall, stoic, and singular. Typical of most other westerns, the white cowboy is the center of attention. Here, however, there are two non-white figures presented: Bart, the Black cowboy, and a large Native American chief. This movie poster has the same style as other westerns with the color and layout, but is unique in the fact that a black man is presented where a white man would normally be dominating. Once again, this makes a statement about racial improvements. Previously having a black man at
The film’s story does not simply shines forth, but is also the foundation of the plot. The film’s plot makes the traditional guidelines applicable...
Writing a story is pretty difficult. Writing a short story is even harder, there is so much that has to be accomplished; in both commercial and literary fiction! The plot, the structure, whether it has a happy, unhappy, or indeterminate ending. There must be artistic unity, chance, coincidence, rising action, climax, falling action. Most importantly there must be characterization. Characters make the story! “anyone can summarize what a person in a story has done, but a writer needs considerable skill and insight into human beings to describe convincingly who a person is” [page 168]
...ng the underlying theme that drives the story and the movie, propels the reader and viewer to rekindle the desire to hope above all else because hope is all one has in devastating as well as dire needs. Hope overcomes despair, permits others to see your “inner light” to develop integrity which connects with honesty and trust. Hope is the inspiration to continue to live regardless of the circumstances. Red may have narrated; “Let me tell you something my friend. Hope is a dangerous thing. Hope can drive a man insane.” But, Andy Dufresne states it best: “Get busy living, or get busy dying.”
Throughout history, humanity has found a guide. It can be seen as many things, a light at the end of the tunnel, a force pushing one forward, or even a lifeline. There are many ways to describe such a concept but, it can be simplified down to one word, hope. Hope can be defined in many different ways but, most widely can be defined as a feeling of expectation or desire for a certain thing to happen. In life and literature, hope can be the most powerful force in a person's life.
What is hope? Hope is the feeling of desire for a certain thing to happen. Hope is something that even when everything goes wrong you still believe that there is still good somewhere. Hope is something that even the toughest people will feel. Hope relates to the theme in S.E Hinton’s, The Outsiders. The theme of this story, is just because something bad happens, that doesn’t mean that you can’t stop living life to the fullest, and even when the going gets tough you still have to have hope that it will get better.
“Hope is defined as the action of wishing or desiring that something will occur.” Hope helps people move forward in life to see what’s coming next for them. For example, “I had no right to let myself die. What would he do without me? I was his sole support” (Wiesel, “Night”.) This quote explains the effects of hope in a pitiful situation. Eliezer Wiesel and his father were torn apart, mentally and physically from everything they
What does it mean to give yourself completely to your vocation or life? We find in a fictional story from Wes Anderson, his eighth feature presentation, “The Grand Budapest Hotel” What it means to be completely giving of oneself. Even though Wes’s movie is fictional, we find many deep and underlying themes, tones, and values. these are values are applications that anyone male or female that one can implicate in ones life to any situation. The main values we can find in the movie are simple, but can improve life ten-fold. Three easy steps to improving ones life are as stated: gratitude, positivity, and you must contribute yourself 100% of the time no matter how hard the road in front of you is going to
The film, Fruitvale Station, is based upon a true story of a young, unarmed African American male, Oscar, who was shot by a Caucasian BART police officer. The film displays the final twenty-fours of Oscar Grant’s lives going through his struggles, triumphs, and eager search to change his life around. There will be an analysis of the sociological aspects displayed throughout the movie that show racism, prejudice, and discrimination.
Analysis of the Way in Which the Director Has Brought the Film to a Satisfying Conclusion
The first concept important to me that I learned after watching the film is the main theme for the film. I believe the main theme of the film
Alex Garland’s movie, Ex Machina, seems to be another fantasy based film where humans create machines that are able to behaves as humans, but this film looks beyond behavior and into deeper concepts such as control of the mind and not just the body. A scene that displays this idea is when Caleb slashes into his arm and begins to push the blood out to ensure that he is still human and not a machine. Throughout this movie, especially in this particular scene, demonstrates main interaction with a robot, which then leads to minimal human interaction and sleepless nights. While this scene could have just been for attention or to add dramatic effect to the movie, but seeing the scene through a different perspective of other intellectual minds,
‘Our interest in the parallels between the adaptation inter-texts is further enhanced by consideration of their marked differences in textual form,’