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Beowulf analysis essay
Literary analysis of beowulf
Literary analysis of beowulf
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Once you learn about feminism, it is impossible not to notice the misogynistic undertones in just about everything. Beowulf is no exception. The entire work focuses on a man and his trials and tribunes, but throughout, there is a minuscule and unflattering representation of women. From the queen to the monstrous final battle, there is no woman represented in the same way the male characters are. In the work Beowulf, in the battle scene with Grendel’s mother, the unknown author uses a representation of women as the other, phallocentrism, and misogyny to show that men can vanquish other men and if a woman dares to intervene, he will destroy her as well. Representing Grendel’s grieving mother as an “other” instead of what she is (a grieving mother mourning the death of her only child) would be the first way the unknown author makes it clear that patriarchal men are vastly superior. Anyone that loses a child can relate to the grief that Grendel’s mother was feeling, and some would say that made her more human than Grendel. However, they never humanized her despite her human-like emotions. “I guarantee you: she will not get away, / not to dens under ground nor upland groves / nor the ocean floor. She’ll have nowhere to flee to (lines …show more content…
It is essential for this to be studied moving forward because Beowulf is a timeless piece of literature; high school and college students alike spend lots of time learning and analyzing the composition. Once you put on a feminist lens and realize the poem is hugely unfair to its female representation, it takes on a whole new meaning and interpretation. Looking at Beowulf this way gives it a lot more depth than it initially had and goes to reinforce that antifeminist themes have existed since the beginning of
But even through a gap of almost 1,200 years, we see in We Have Always Lived in the Castle, written in the 1960’s, that the views of women having a say in the community is a minority, and not everyone agrees. Yes, there has been some sort of progress in women’s right, from 800 AD, alike in Beowulf, a person who wants revenge on her son’s death, is considered a hell-bride, but in the mid 1900’s, it would receive a little bit of a less negative reaction. But in both in Beowulf and We Have Always Lived in the Castle men are considered the ruler of them family, well at least until Merricat kills everybody. In my opinion, Merricat’s way of looking the hierarchy of gender, is different of having women in control, that symbolizes that idea that began as a minute topic in the time period of the 1960’s, and has expanded into the situation of women’s role of
As an epic tale of heroes and monsters, Beowulf gives its readers much excitement and adventure, but Beowulf's importance is more than just literary. It offers many insights into the beliefs and customs of seventh-century Anglo-Saxon culture. Among these insights is the Anglo-Saxon view of women and their role in society. Good Anglo-Saxon women are peaceful and unassertive, greeting guests and serving drinks to the warriors and other men in the meadhall. Wealhtheow, the queen of the Danes, represents a typical subservient Anglo-Saxon woman. As a foil to Wealhtheow, Grendel's mother is a strong and combative monster whom Beowulf must kill. By analyzing these two characters in Beowulf, we can understand the treatment and mistreatment of women in Anglo-Saxon society. The author of Beowulf generally supports the traditional Anglo-Saxon views of women by praising Wealhtheow, condemning Grendel's mother, and showing the need to suppress feminine forces like Wyrd; however, he does offer some criticism of these views by creating sympathy for Grendel's mother, allowing Wealhtheow to assert herself in the interest of her husband and children, and revealing masculine fear of feminine power.
As the poems of Beowulf and Sir Gawain and the Green Knight show, women have always had power, yet not as overt a power as wielded by their masculine counterparts. The only dynamic of women’s power that has changed in the later centuries is that the confines and conditions in which women have wielded their power has become more lax, thus yielding to women more freedom in the expression of their power. The structure, imagery, and theme in the excerpts from Beowulf (lines 744-71) and Sir Gawain and the Green Knight (lines 2309-30) support the concept of more power in the later centuries, by contrasting the restriction of Wealhtheow and the power she practices in Beowulf with the Lady’s more direct assertion of power in Sir Gawain and the Green Knight five centuries later.
Beowulf outlines turmoil between three opponents: Grendel, Grendel’s mother, and the Dragon. These separate discords each serve to fulfill different metaphoric purposes. Grendel’s character epitomizes the adverse persona of how an Anglo-Saxon warrior should not be. His mother represents everything that a woman during the time era should seldom be. Lastly, the Dragon embodies all the values that an Anglo-Saxon king should not dare retain. Without a doubt, the symbolic implications of the monsters in Beowulf bring the context to a new level of understanding.
The fictional world of Grendel has great divides between male and female characters. While the novel is written in a fairly contemporary society, the world that Gardner constructs still follows under the same logic and principle as the ancient writings of Beowulf. The men are overtly masculine and tough, and the women are constructed with extreme passivity; there is marginal middle ground in both worlds. The constructions of how certain genders act are crucial to interrogate in order to understand one’s bias and become cognizant of the variety of gender roles men and women can endorse. The world of Grendel is full of symbols that construct men as violent, sexual creatures and women as passive objects.
Despite her evil actions, it is evident that there is less malice in her than Grendel and she is less of a symbol of pure evil than he is. For example, her attack on Heorot is somewhat appropriate and could be considered honorable by the standards of warrior culture, as it marks an attempt to avenge one’s son’s death. In fact, the motive for her attack is similar to Beowulf’s motive for his attack on her: avenging the death of a loved one. One of the most interesting aspects of Grendel’s mother’s attachment to this vengeance-demanding code that the warriors follow is that she is depicted as not entirely alien or monstrous. Her behavior is not only comprehensible but also justified. In other ways, however, Grendel and his mother are indeed portrayed as creatures from another world. One aspect of their difference from the humans portrayed in the poem is that Grendel’s strong parental figure is his mother rather
Grendel is a very complicated character some people believe that he is a monster and others believe that he is a human with a couple of personal problems. All of these confusions are because Grendel as a character changes so much throughout the story . For example, he kills humans to eat them, however he feels bad after he is done, but can not stop himself when he is doing it. To start of Grendel's mother affects grendel's change a lot in this story mainly because she raised him. As a result, she raised him just how she wanted and made him just how she wants him even if he didn't want to be that person. Since she made him how she wanted he doesn't appreciate her he feels “she was pitiful, foul, her smile a jogged white tear in the” ( grendel 50) Grendel is describing his mother .
In the poem “Beowulf,” Grendel’s mother, a monstrous creature, is one of the three antagonists Beowulf, the main character, fights against. The battle against Grendel’s mother appears to be the strangest of the three battles. The main reason for its strangeness is that Grendel’s mother is the mother of the monster Grendel, who was killed by Beowulf in the first battle. Another reason for its strangeness is that Grendel’s mother is the only female-type creature. An alternative reason for this strangeness in the battle is due to the fact that Grendel’s mother is not a true monster, aside from her physical form. Through the explanation of kinship, the understanding of the missing words from the original text, and the comparison of Grendel’s mother to other mothers in the poem, specifically Welthow and Hildeburh, it can be established that the intentions of Grendel’s mother are not monstrous even though she has the appearance of a monster.
Beowulf begins with a history of the Danish kings. Hrothgar is the present king of the Danes. He builds a hall, called Heorot, to house his army. The Danish soldiers gather under its roof to celebrate and have fellowship with each other. Grendel, who lives at the bottom of a nearby swamp, is awakened and disgusted by the singing of Hrothgar's men. He comes to the hall late one night and kills thirty of the warriors in their sleep. For the next twelve years Grendel stalks the mead hall known as Heorot.
There are three prominent monsters in the Beowulf text, Grendel, his mother, and the dragon. While the dragon proves to be the most fatale of foes for Beowulf, Grendel and his mother do not simply pose physical threats to the Germanic society; their roles in Beowulf are manifold. They challenge the perceptions of heroism, a sense of unrivalled perfection and superiority. Moreover, they allow the reader to reconsider the gender constructs upheld within the text; one cannot help but feel that the threat that these monsters present is directed towards the prevalent flaws in Beowulf’s world. Moreover, what makes these monsters is not their physical appearance; it is what they embody. Both Grendel and his mother have humanlike qualities yet their monstrous appearance arises from what their features and mannerisms represent. The challenge they pose to societal paradigms makes them far more terrifying to our heroes than any scaled flesh or clawing hand. These monsters provide the ‘most authoritative general criticism […] of the structure and conduct of the poem’. Their presence provides contrast and criticism of the brave society (Heaney 103).
Throughout both of these stories, we are told many tales about heroic men. Beowulf and Gawain encounter many obstacles, however, they prevail in the end. Weather women play an important role in the stories or not, they exist solely for the use of the men. If all of the women were removed from Beowulf, the plot would not be affected. Even though the women in Sir Gawain and the Green Knight play important roles, they were used as sexual objects. In both stories, women are being degraded, while men remain the heroes.
He wakes up and sees all his man hanging from the ceiling, on the flood, all over the place dead, full of blood. Beowulf is not sure of what is happening, until he is told that it could only be Grendel’s Mother. Once again Beowulf wants to fight her, confront her and put an end to all of it. Grendel’s Mother symbolizes revenge, love, weakness, difference. As stated in Jane Chance’s essay “But unlike most mothers and queens, she fights her own battles” (Page 154). Grendels Mother shows us that after all Beowulf is weak. When it comes to fighting Grendel’s Mother, Beowulf wants to wear his
To the Anglo-Saxon’s, women did not serve as incredibly prominent figures. In a society where war was consistent in everyday life, the ability to fight, being powerful, and ultimately being warriors were treasured. Men were physically stronger and therefore were immediately given the roles of warriors and had higher expectations. Anglo-Saxon women were not considered warriors and especially not expected to fight. Women were then given “less significant” roles in society. Although women were exempt from the higher prized roles, they still managed to attain a certain propriety. The epic Beowulf has three women who play roles that vary yet, are symbolic for the culture. These women are Hildeburh, Wealtheow, and Grendel’s mother and they represent three varying roles that Anglo-Saxon women play: the peacemaker, the hostess, and the monster. (Mention last lady, Aethelflaed, somewhere in the intro)
The middle English poem Beowulf also defines the important ways in which the feminist heroine is part of an ancient poetic tradition in the depiction of empowered women in patriarchal society. For instance, the plot of the story revolves around Beowulf’s indoctrination into the court of King Hrothgar, since he has been chosen to destroy to the monster Grendel. However, an unusual break with patriarchal tradition finds Wealhtheow, the wife of King Hrothgar, passing the mead cup to Beowulf as part of this indoctrination. In this ceremony, the tradition of the king passing the mead cup has been disavowed due to the power of the Wealhtheow in the royal court: “Wealhtheow came in,/ Hrothgar’s queen, observing the courtesies./ Adorned in gold, she
The journey to her layer in the movie was not as difficult and enduring as the poem made it out to be. There was no fight with Grendel’s mom, because she was able to get Beowulf to hook up with her. In the movie she wasn’t so much of a sea monster because she flew to the hall and killed many people, which never happened in the poem. In the movie Grendel’s mom is unscathed and not killed and lives on past Beowulf. Furthermore she gave Beowulf one thing he never had in the poem, a son.