Ethnomusicology

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1. The terms “use” and “function” are described by Merriam whereas “use” is the concept studied is to increase factual knowledge directly. “Function“ is “an attempt to increase factual knowledge indirectly through the deeper comprehension of the significance of the phenomenon studied.” (Merriam 209)

Scholars in the field tend to agree with Merriam’s assessment for the most part. The only point in question that I gathered from the readings is that there is some discrepancy whether all the activities in a culture have a function. Merriam seems to think that they do or else that activity is not a function of society. Nadel believes that there are varying degrees of function in a society (Merriam 210) but adheres to the same basic definitions of function.

2. The tripartite model of analysis that Merriam uses contains concepts, behavior, and structure.

Concepts are the elements that come into play to integrate music into the life of a society. One concept for example is that of what a society considers music and what it considers to be noise. The manner in which that same society uses and organizes music is an underlying concept of the former. (Merriam 63)

Behaviors are the result, or a translation as Merriam puts it, of a culture’s concept music. Merriam categorizes behavior in this manner, “Four major kinds of behavior can be isolated in respect to the production and organization of sound; these include physical behavior, verbal behavior about the music sound, social behavior both on the part of those who produce music and those who listen and respond to it, and learning behavior which enables the musician to produce the appropriate sounds.” (Merriam 103)

The structure component is the more concrete of the th...

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...to communicate and order to communicate with that person one would need to recognize and be able to imitate that birdcall or song then being able to incorporate into music. (Feld 217-18)

10. Weeping in the Kaluli society is a gender divided phenomena. The men are characterized with iligi-yelema, gana-yelema, and gana-gili-yelema. The women are characterized with gese-yelema, and sa-yelema. Generally the difference between the to gender types of weeping is that the men are more prone to uncontrolled and spontaneous, whereas the women are more given to controlled and melodic weeping. (Feld 262)

The iligi-yelema is sudden and startled, gana-yelema is a loud melodic falsetto, and gana-gili-yelema is loud, melodic shrieking. Gese-yelema is a sorrowful and pitiful melodic from of weeping, and sa-yelema is a melodic weeping that is sung with a text. (Feld 90-93)

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