The Bloody Theme of Macbeth
William Shakespeare, the author of the play, Macbeth, is a classic tale of power, murder, and the guilt that follows such bloody deeds. Throughout the entire tragedy, the theme of blood is in the many murders, violent scenes, guilty pleasures, and the power hungry people, Macbeth and Lady Macbeth. Shakespeare excellently portrays Macbeth’s and his wife’s desire for power and destruction when they cause horrible events to occur. Macbeth’s guilt from his bloody deeds begins with the influence of the witches and Lady Macbeth, becomes more intense with multiple murders, and ends in overwhelming guilt that symbolizes the blood that Macbeth and his wife cannot escape.
First of all, the Three Witches influence Macbeth’s ambition for power with their prophecies. “All hail, Macbeth, that shalt be king hereafter!” (I. III. 53) Macbeth is immediately drawn to their words and asks for more information, but the three witches vanish. As Lady Macbeth hears of the prophecies, she states that her husband is “too full o’ th’ milk of human kindness” (I. V. 17) or too nice. As Macbeth approaches, she prays that “[m]ake thick my blood. Stop up th’ access and passage to remorse…”(I. V. 50-51). As Macbeth tells her that King Duncan will stay with them for the night, she plots by telling him to “[l]ook like th’ innocent flower, but be the serpent under ’t” (I.V. 76-77). As the evening passes, Macbeth states that they will “proceed no further in this business” (I. VII. 34), but Lady Macbeth says, “we’ll not fail” (I.VII.71) as they plan the murder of Duncan. The four women influence the reluctant, though ambitious, Macbeth to carry out the first bloody murder.
Macbeth kills the innocent King Duncan during the night, and Lad...
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...h’s head that is dripping blood. It is only through death that the former king and his wife are able to escape the guilt that has ravaged them since their first murder.
Macbeth and his accomplice, Lady Macbeth, realize that causing another’s bloody death can produce horrible scars on a person’s conscience and mind. Macbeth lies, cheats, and kills just for his own kingdom. His wife, close to his side, pushes him to be bold and commit the first murders. Too late, the Macbeths realize their fate is linked to the deaths of their victims. Their guilt began with the first plunge of the dagger into Duncan. As Lady Macbeth speaks of Duncan’s blood on her hands, she questions the blood of Duncan and “who would have thought the old man to have had so much blood in him?” (V.I.41-42) The throne was not worth the judgment. Macbeth is truly a dark, malicious, and evil story.
“This tyrant whose sole name blisters our tongues, was once thought honest…” (77). This quote represents the change of Macbeth throughout the play. The use of blood imagery is used to represent the character development of Macbeth from a noble thane to a murdering tyrant. We first see blood imagery characterizing Macbeth when he is called noble for defeating Norway. Then, the idea of un-washable blood shows that Macbeth’s character will change. When Macbeth begins to experience the blood of others on his own hands, it leads him to ultimately become the “villain” or antagonist of the play. Finally, before the death of Macbeth, blood imagery has been used to characterize Macbeth so much that he is now over confident and seems to be fueled by the idea of it. By examining the use of blood imagery, one can determine that blood represents Macbeth’s character development from an honorable thane to a disrespected tyrant.
William Shakespeare's play Macbeth is a five-act drama that shows a clear example of how pride, greed, and power can alter a man's actions and personality. The taste of power blinds the story's main character, Macbeth. Sparked by Lady Macbeth, he becomes heartless and cruel as he kills anyone who is a threat to his power due to his paranoia of losing the throne. This fear ironically leads to his downfall and loss of the throne. The theme of the story is deceit and evil and how they affect a man's decisions. Critics pose interesting views concerning the identity and significance of the mysterious third murderer.
Macbeth’s capacity for suffering also leads him to be a tragic hero. Before the murder of Duncan, Macbeth has a personal moment of truth and thinks about what he is going to do. He imagines the dagger in his hand and thinks about the nightmares he will be invaded with. Macbeth is so obsessed with murder; he begins seeing things, and must be quiet and not wake anyone, for he would give himself away.
Macbeth, a tragedy, starts with a dying, bloody Captain talking about the valor with which Macbeth fought. How does this brave, devoted, valiant soldier become an insane, cold-blooded murderer, killing men, women, and children alike? The story of his downfall begins with his new-found ambition to become king after three witches tell him of his “imperial theme.” After fighting so courageously in battle, Macbeth, Thane of Glamis a title inherited from his late father, and fellow nobleman Banquo, encounter three witches. They greet Macbeth by his current title, by a title soon to be bestowed upon him, and last by the title of king. Immediately, Macbeth is intrigued by their prophecies, but unsure since the King and the
In the early 1600’s, William Shakespeare penned an Aristotelian tragedy ‘Macbeth’ which provides his audiences both then and now with many valuable insights and perceptions into human nature. Shakespeare achieves this by cleverly employing many dramatic devices and themes within the character of ‘Macbeth’. Macbeth is depicted as an anti-hero; a noble protagonist with a tragic flaw that leads to his downfall. This tragic flaw of Macbeth’s, heavily laden with the themes of ‘fate or free will’, and ‘ambition’, is brought out by Shakespeare in his writing to present us with a character whose actions and final demise are, if not laudable, very recognisable as human failings.
At the beginning of the play, Macbeth is a trusted soldier, who is honest and noble. Unfortunately, he meets three witches who tell him three prophecies; that he will become thane of Cawdor, that he will become king and that Banquo’s sons will become kings. These three prophecies slowly change his opinions on life and turn him into a greedy, dishonest, tyrant, full of ambition. Lady Macbeth’s thoughts change as well when she is told about the three prophecies that were told to Macbeth. In the beginning of the play, Lady Macbeth is ambitious, controlling and domineering. She is the one who encourages him to kill the king, she not only encourages him, she makes all the plans herself, which shows her determination and persistence."Yet I do fear thy nature, it is too full o’th milk of human kindness. To catch the nearest way thou wouldst be great. Art not without ambition, but without the illness should attend it." (Act 1, scene 5). Lady Macbeth is the force behind Macbeth’s sudden ambition and she tries to manipulate him into feeling guilty and unmanly for not following through with the murder, by using her husbands emotions, she manages to convince Macbeth to murder Duncan.
In Shakespeare’s play Macbeth, Macbeth undergoes many psychological tribulations. There is no doubt that he is insane, but the specifics of his conditions help explain the peculiarities of the play. Macbeth’s character was perhaps the culmination of all the psychological disorders known at Shakespeare’s day. He experienced disorders such as split personality, schizophrenia, and post traumatic stress. These disorders could be caused by stress on the battlefield and a poor spousal relationship. After Macbeth is diagnosed with said conditions the existence of Banquo, the witches, the murderers, and Fleance are called into question.
When anything in life first begins to grow, it begins as a seed. The seed of a plant, or of a thought, or of an idea. Once created, the seed can do one of two things. It can grow, or it can die. Shakespeare’s play Macbeth tells the story of an innocent man who is turned evil from the seeds planted by those around him, allowing readers to explore the repetition of growth and how it is implied through characters. Throughout the play, growth is used to display Macbeth and Banquo as foil characters, show Banquo’s “goodness” through positive imagery, and to show Macbeth’s “evilness” through negative growth imagery. By analyzing Shakespeare’s use of growth imagery, critical readers recognize that growth enforces the idea that growth triumphs evil, embodied in the actions and consequences of Macbeth and Banquo as they make one of two crucial choices? Good, or evil?
The one thing that all of Shakespeare’s plays have in common is a tragic conclusion, which results in the death of the hero. What is unique about the deaths of these heroes is that all of the problems that lead them to the end are self-induced. The heroes are always in control, and make crucial judgemental errors which ultimately lead to their own demise. While it is clear that the hero Macbeth causes his own death in this famous play, there are also third-party influences which push him towards this end. The three witches plant a desire for power and growing confidence in Macbeth, while Lady Macbeth eventually persuades him to go down a path of violence, and kill King Duncan in order to take his place on the throne.
When reading Macbeth, one might notice the repeated use of the word blood. While it might be thought that this is due to the violent nature of the play, it actually signifies a loss of innocence. This is demonstrated through the treacherous deeds of Macbeth and Lady Macbeth, and Shakespeare’s reoccurring theme of the corruptibility of the human mind. By examining these, it can be determined that Shakespeare’s use of blood represents a loss of innocence.
“...blood will have blood...”, Macbeth is a well known book written by Shakespeare. In it, a once loyal soldier to the king of Scotland starts to seek a way for him to get the crown for himself. In Macbeth, William Shakespeare uses the imagery of blood to represent the guilt of Lady Macbeth and Macbeth, demonstrating the feeling of guilt has consequences of severe punishments.
Macbeth ‘sees’ a bloody dagger in front of him even before he kills the King; this shows that he feels guilty even before the evil deed. He tries to convince himself and his wife that he should not kill Duncan, and at one stage he orders her not to go any further with the deed. Lady Macbeth...
When we, human beings, are about to commit wicked acts, we feel a variety of emotions. One of those emotions is guilt. You may also feel guilt due to moments you chose not to act. The presence of guilt is a driving factor that prevents us from acting irrationally. Citizens of the 16th century possessed these emotions as well, no matter their social standing. The citizens included Shakespeare as well, a poet and playwright of the 16th century, and writer of the play Macbeth. Shakespeare transfers the idea of negative emotions to Macbeth by using blood to symbolize guilt, among other emotions in the protagonists they do not show otherwise. In Macbeth, William Shakespeare uses blood to show the inner-conflict of the
One of the most important themes in Macbeth involves the witches' statement in Act 1, Scene1 that "fair is foul and foul is fair." (Act 1, Scene 1, Line 10) This phrase aptly describes the macabre status quo within the character Macbeth and without. When Macbeth and Banquo first see the weird sisters, Banquo is horrified by their hideous appearances. Conversely, Macbeth immediately began to converse with these universally known evil creatures. After hearing their prophecies, one can say that Macbeth considered the witches to be "fair" when in reality their intentions were quite "foul." Macbeth's possession of the titles of Thane of Glamis, Thane of Cawdor and King of Scotland came by foul means. Macbeth became the Thane of Glamis by his father Sinel's death; he became Thane of Cawdor when the former namesake was executed for treason; and he was ordained King of Scotland after murdering the venerable Duncan. Thus, Macbeth has a rather ghastly way of advancing in life.
Macbeth’s story highlights the inherent goodness found in all of us, but also the evil that lurks within us, unnourished. Although there is no redemption for Macbeth’s evil sins, he finally comes to acknowledge his crimes and thus can provoke pity in the eyes of the audience. Macbeth’s psychological journey from a courageous general to a “ dead butcher” (5.9.41) is one that truly merits to be called a tragedy.