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Focus on individuality in frankenstein
Frankenstein character development
Frankenstein character development
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In the story of Frankenstein written by Mary Shelley where in a young brilliant scientist went above and beyond the world of science to bring the dead back to life or technically reanimating life with dead corpses. The stories atmosphere is very dark and moody, it goes through a series of emotions such as fear and rejection and how fear and rejection can make a blank state creature have a wild and twisted nature. The story tells that companionship can make and shape the nature of any blank state human or beast. Once the creature in Frankenstein was created, it was almost like a new born human baby being brought into the world and clearly like any human baby it was innocent with no crime attached to the being. The creature was very grotesque, …show more content…
The path may be good or bad for a newborn baby, it depends on how it can adapt and perceive many different situations. Fear, isolation, rejection, and abandonment; these elements can change the nature of any human being or creature out there. The creature in Frankenstein shows us the result of no human interaction at all, and the painfulness of abandonment which can shape you in any which way. Being created from dead corpses, being abandoned by its own creator, being chased out of anywhere that has any human refuge, forced to survive by itself alone and confused on why it was created in the first place. Cursing its creator, cursing all humans, and cursing the world; these were the actions and thoughts that had kept going through the creatures head due to its grotesque figure. Feared and rejected where ever it went, the creature never had the opportunity to experience a mother’s love, the chance to create bonds or even have a proper education. No father figure to teach him right from wrong, no schoolmates to socialize all day with. The creature truly had nothing and could not belong to …show more content…
In this particular quote the creature compares itself to Satan, realizing the only difference was that Satan still has companions to interact with, while the creature itself had no one, and couldn’t find or bond with anyone. (“Adam…had come forth from the hands of god; a perfect being, guarded with the special care of his creator…allowed to converse with a superior being acquiring knowledge, while I myself is left wretched, helpless, and alone”) (Ch.15, pg.117).
The atmosphere in the whole journey of Frankenstein was dark and moody, creating an amazing image of how ugly humanity can be when faced with something grotesque that seemingly has more power than themselves and can threaten their whole way of living. And how easily they can turn a blind eye to the supernatural, or leave it for another person to deal with. (“Was man indeed, at once so powerful, so magnificent, yet so vicious and base?”), (Ch.12,
If we put Frankenstein's creation beside problems we face today, we can see a clear line. The story about the monster, can be translated in to being our issues today with the tampering of nature. We have a handful of problems, a handful of changing nature, but nothing in these days has gone as far as making a man out of dead bodies. When this comes, we can argue that things have gone too far – but how far things have gotten now, it is not a bad thing in my opinion.
In Frankenstein, by Mary Shelley, the Creature executes extreme and irreversible acts due to his isolation from society. Although the Creature displays kindness, his isolation drives him to act inhumanely.
In her novel Frankenstein, Mary Shelley explores a wide range of themes concerning human nature through the thoughts and actions of two main characters and a host of others. Two themes are at the heart of the story, the most important being creation, but emphasis is also placed on alienation from society. These two themes are relevant even in today’s society as technology brings us ever closer to Frankenstein’s fictional achievement.
Mary Shelley’s Frankenstein, a truly famous novel that has been revisited by many, as well as revised by the author in the many years since its original publication. Within this novel Shelley conveys the tragic fictional story of Victor Frankenstein and his monster that he thoughtlessly brought to life, as well as the lives of those affected by his hideous creation. Throughout the novel it is made quite apparent that the monster was not inherently evil, in fact the monster was quite benign, however through its interactions with society the monster is slowly shaped into a being that can truly be called just that, a monster. All of the aforementioned change to the monster are brought about in part by the societal standards of the time period
When Mary Shelley's novel Frankenstein is analyzed, critics comes to a conclusion about Victor Frankenstein's creation. The creature invokes the most sympathy from the readers than any other character in the novel. Because he is abandoned by society which manipulates the creature to do evil things despite his good heart. Therefore Shelley's message throughout the novel is that a person is not born evil, they are made evil.
An idea becomes a vision, the vision develops a plan, and this plan becomes an ambition. Unfortunately for Victor Frankenstein, his ambitions and accomplishments drowned him in sorrow from the result of many unfortunate events. These events caused Victors family and his creation to suffer. Rejection and isolation are two of the most vital themes in which many dreadful consequences derive from. Victor isolates himself from his family, friends, and meant-to-be wife. His ambitions are what isolate him and brought to life a creature whose suffering was unfairly conveyed into his life. The creature is isolated by everyone including his creator. He had no choice, unlike Victor. Finally, as the story starts to change, the creature begins to take control of the situation. It is now Victor being isolated by the creature as a form of revenge. All the events and misfortunes encountered in Frankenstein have been linked to one another as a chain of actions and reactions. Of course the first action and link in the chain is started by Victor Frankenstein.
These parallels between the creature and a developing child help to explain many of the mysteries of the book. As we see, the creature goes on a terrible killing spree. There are two reasons for this. First, the creature desires revenge for its isolation. But it seems that the creature is also not aware of its own strength - it is easy for the creature to accidentally commit a murder. What two-year-old would not dream of this power? The creature's identification with mythological figures has some fantastic aspects - children fantasize incessantly. This makes sense. The creature, being new to the living world, is chronologically a child - physically strange as it might be, we can only expect it to act its age.
engaged, heart and soul, in one pursuit” (32). The creature also starts out with kindness, he tells his creator, “Believe
Frankenstein’s Creature, or the Creature, presents an example of the environment affecting the personality and actions of a being. During the early part of its life, the Creature only observed the nature around itself. It explains its reaction to different elements such as darkness and fire. On light versus darkness, it states:
Throughout Mary Shelley’s classic novel Frankenstein, Victor Frankenstein pursues, with a passion lacking in other aspects of his life, his individual quest for knowledge and glory. He accepts the friendships and affections given him without reciprocating. The "creature," on the other hand, seems willing to return affections, bringing wood and clearing snow for the DeLaceys and desiring the love of others, but is unable to form human attachments. Neither the creature nor Victor fully understands the complex relationships between people and the expectations and responsibilities that accompany any relationship. The two "monsters" in this book, Victor Frankenstein and his creation, are the only characters without strong family ties; the creature because Frankenstein runs from him, and Victor because he runs from his family.
Tragedy shows no discrimination and often strikes down on those undeserving of such turmoil. In Mary Shelley’s Frankenstein, a creature more repulsive than one can imagine is brought to life by a young scientist. Although this creature is horrifying in sight, he is gentle by nature. Unfortunately, the softer side of the creature is repeatedly overlooked and the so called “monster” is driven to a breaking point. Even though the Creature committed many crimes, Mary Shelley’s Creature was the tragic hero of this story because of his efforts rescue the life of a young girl and helping destitute cottagers.
Throughout Frankenstein, one assumes that Frankenstein’s creation is the true monster. While the creation’s actions are indeed monstrous, one must also realize that his creator, Victor Frankenstein, is also a villain. His inconsiderate and selfish acts as well as his passion for science result in the death of his friend and family members and ultimately in his own demise. Throughout the novel, Shelley investigates the idea of monstrosity. She makes the point that a monster does not have to be genuinely evil in order to be considered monstrous.
The philosophical root of Frankenstein seems to be the empiricist theory first promoted by John Locke in An Essay Concerning Human Understanding. In that essay, the mind is concieved as beginning as a blank slate or tabula rasa, upon which the various impressions gained by the outside world shape the personality. According to this strict empiricism, the mind contains no innate basis for the basic prerequisites for human socialization: a social code and/or morality with empathetic roots. As a result of the monster's isolation, he is unable to sympathize with human beings and loses respect for other intelligent life. Even though the monster has good intentions, his beneficence is subverted by the negative and anti-social reactions he receives from the people he encounters.
A monster is usually viewed to be a supernatural creature that humans judge based on looks and not necessarily on personality. In the novel, Frankenstein written by Mary Shelley, the monster is a creature Victor creates but abandons immediately because he is horrified by his own creation. Due to the monster’s appearance, society does not give the creature a chance to show his true self. Therefore, the monster faces an external conflict because of Frankenstein’s and society's rejection, making it difficult for him to blend into his new life. Victor creates the monster because of his unusual compulsion of aspiring to be like God. However, Victor does not know how to treat or be responsible for his creature. Victor Frankenstein is the true monster
Great knowledge of the world and its mysterious ways is something many would love to have. With this great knowledge we have been able to find many of the technologies, medicines, and amazing works of art that we have today. But “evil” comes in hand with the power of such knowledge. In Mary Shelley’s Frankenstein the powerful knowledge that Frankenstein possessed brought him nothing good but his end. His creation wasn’t something that was “good” or that brought him joy as he initially believed it would. Throughout the novel, Frankenstein, there is a clear important social value placed on beauty. Also visible are the repercussion of these social values, that leak into ones own personal values, and its effects on others.