The Babylonian Enuma Elish and the Hattian Kumarbi Cycle are both succession myths that, although written by two different cultures, have certain characters in common, such as the Babylonian god Ea. There are many similarities in the portrayal of Ea in both works. For one, in both works Ea is depicted as a trickster god, deceiving Kumarbi into biting a rock and Apsu into falling asleep in order for him to kill him. However, Ea is also shown to be wise, acting as adviser of the gods in both myths. Moreover, like all trickster gods, Ea shapes the world around him in many ways. One way that he does so in the Enuma Elish is by transforming Anu into his palace, while in the Kumarbi Cycle he allows for Tessub’s birth.
In both the Enuma Elish and the Kumarbi cycle, Ea acts as a trickster god, deceiving and shaping the story as it progresses. In the Enuma Elish, after discovering Apsu’s plot to destroy the other gods, Ea “recited [a lullaby and]…put Apsu to sleep, [then] held [him] down and slew him.” Ea was the only god clever enough to realize what Apsu was planning and come up with a pla...
The Enuma Elish’s emphasis is not on the creation of humanity, but rather on the rise of the sun god Marduk, and how he became the supreme god. Marduk was born of Ea, who was born of the bitter water god Tiamat, and was very powerful. He was enlisted to defeat Tiamat and her monsters in a great war, and agreed on the condition that he will forever remain king of the gods. He defeated Tiamat, tore her body in half and used it to create the Earth and the sky. He is also credited with positioning the constellations to represent the gods, and assigning jobs to the gods who fought on the losing side with Tiamat in the war. He then created man to serve the gods in their defined duties, as it was deemed beneath them to perform such duties. The creation of man as a working servant of the gods established a lower role of humans in the Babylonian society than in that of the Mayans, where the people were created to praise the gods, not serve them through hard
Agoussou or Miché Agoussou (Monsieur Agoussou)-The Master of the Waters. his feast day is June 13 which is also the feast day of St. Anthony. His origin is from Dahomey (Benin). Agoussou is believed to have been a prince who was born from the union of a leopard and a woman. St. Anthony had preached to the fish where the river ran into the sea. A great many fish came to listen. The fish were listening but the men hadn’t been listening. For this reason, St. Anthony and Agoussou are closely related.
He introduces himself to the Cyclops as ‘Nobody’’; he manages to trick and stab the Polyphemus in the eye because he wants to go and be with his wife and child. Throughout their journeys, the search for the meaning of life is portrayed by the trials and tribulations they both undergo. For instance, Gilgamesh is the king of Uruk and is portrayed as one-third man and two-thirds god. Based on this, the epic is a tale relating to the myths and tales that preexisted through many generations with the subject relating his deeds to the hymns sung to the gods. Gilgamesh however oppresses his people after short breaks in the text. In return, the gods create rivalry with Gilgamesh after hearing the people’s pleas. Thus, Enkidu is formed and this challenges Gilgamesh as the tale
The Enuma Elish mirrors the subordinate disordered lives of the Babylonians that created it. Genesis mirrors the newfound freedom and idealism of the Jewish people who created it after years of oppression. These two writings contrast the differences between the ancient Babylonians and the ancient Hebrews. Creation stories give great insight into the lives of the people who created them.
The belief of God in Equaino’s life has guided him to endure rough toils. The thought of God in his head dictates his actions and words. He never wanted to lie, and treated people as he would like to be treated.
The beginning of the Epic finds Gilgamesh hunting immortality through the ways of old. He is trying to achieve everlasting life through the fertility of young virgins promised to another. This action by Gilgamesh caused the people of Uruk to call for the gods to restore the order which the traveler from abroad had destroyed (pg.62). From the sacred order of the goddess Aruru's mind Enkidu emerges from the profane wilderness (pg. 63). It is told that a trapper came "face to face" with the chaotic ways of Enkidu and was "frozen with fear". It is only through the love of one woman that order is brought to the life of Enkidu. He is then declared wise enough to challenge Gilgamesh and restore the order to "strong walled Uruk" (pg.65). So, when Gilgamesh is headed to the bridal bed to partake...
The story begins a description of the world in which Gilgamesh lived. There were the several gods in Gilgamesh’s world. The city of Gilgamesh was one in which the walls tower so high that they protect the city from invaders, floods, wild beasts, and even unfriendly gods. Even with all this protection the people of Uruk were not happy they spent all their time building the walls higher and higher. The mothers were without their sons and the woman without their lovers. The elders of the city went to complain to the gods about Gilgamesh who has ordered them to keep building the massive walls. They were answered by Anu. Anu dismissed the elders. He respected Gilgamesh as a fearless ruler and thought that he knew best for his people. The goddess of love, Ishtar disagreed. She was angered to see her young girls without their lovers and her mothers without their sons. The elders suggested a plan for the gods to create a man equal Gilgamesh. Aruru, the goddess who created mankind, came down and shaped a piece of clay and placed it in the forest. This man was very similar to Gilgamesh but this was a wild beast of a man. He was Enkidu. Enkidu lived in the cedar forest outside of Uruk. He learned to feed from the gazelle and learned to fight by wrestling the lion.
Gilgamesh also has the same misconception that the gods are all powerful. After he and Enkidu kill the Bull of Heaven, the gods Anu, Enlil, Ea and Shamash convene and decide that one of the brothers must die for their evil deed. Shamash, Gilgamesh’s protector, pleads with the other gods to spare his life. The other gods disregard Shamash’s appeal and Enkidu dies. In each instance, one god is not able to impose his agenda against the wishes of the other gods.
The myths which prove the contradictory behavior of the gods, acting as both benefactors and tormentors of man, can readily be explained when viewed in light of the prime directive for man, to worship the gods and not “overstep,” and the ensuing “Deus ex Mahina” which served to coerce man to fulfill his destiny as evidenced by the myths: “Pandora,” “Arachne, and “Odysseus.” Humankind and it’s range of vision over the gods beauty and power portrayed them to be benefactors but unseemingly it depicted their affliction towards humans.
Dalley, Stephanie. Myths from Mesopotamia. New York: Oxford University Press, 1989. Dundes, Alan, ed. Sacred Narrative: Readings in the Theory of Myth. LA: University of California Press, 1984.
Gilgamesh the king is a myth beholding various heroic traits shared in multiple other stories and myths for that fact. Towards the beginning of Gilgamesh’s myth, he chooses to conquer the beast of the jungle, Humbaba, and sets himself the goal to do so. Heroes must have a goal or else there is nothing for that hero to accomplish, and create a story of. However, once Gilgamesh accomplished his goal of defeating the terrifying Humbaba, he experiences a greater loss than the hero ever imagined possible, the loss of his best friend Enkidu. Although, once Gilgamesh realized what he had done was certainly the wrong choice of action, he devoted all of his time and effort into reviving his friend. On his journey for the search of eternal life, hero Gilgamesh essentially “descends into darkness” both mentally and literally while he enters the underworld to obtain his desire. Here Gilgamesh realizes that what he did was selfish and wrong, and that he is also not the only person who is of value in his life. Subsequent to Enkidu’s death, Gilgamesh becomes aware that his decision to murder Humbaba was once again wrong and resulted in his own depression and loss. Throughout the duration of a myth, the hero mu...
Gilgamesh’s fear of death than leads him to go on a quest in search of immortality. Along the way Gilgamesh runs into Enkidu who was created to end Gilgamesh’s reign, but instead Gilgamesh and Enkidu begin to fight and some how a start of a new friendship emerges. “Gilgamesh and Enid have a furious and prolonged wrestling match but emerge from the contest as friends.” (Gilgamesh, 205) Enkidu Accompanies Gilgamesh on his quest in search of immortality but instead ponders off to slay an innocent servant, referred to as Humbaba, although Humbaba begged for his life. Gilgamesh and Enkidu still take his life, angering the gods. Ishter the goddess than falls in love with Gilgamesh but he rudely insults her making her rage with anger. “Ishter ask her father for Amu to make the Bull of Heaven, to destroy Gilgamesh and Enkidu. Gilgamesh and Enkidu kill the Bull of Heaven, and throws the thighbone of the Bull in Ishter’s face, a terrible form of disrespect.” Gilgamesh has no compassion nor does he have sympathy or respect, killing off spiritual servants and disrespecting the gods. The Actions of Gilgamesh and Enkidu Angered the god terribly. Enid was created to stop Gilgamesh but instead made the situation messier than it need to be, therefore the gods punish him with dead. “Ana, Enlil, Es and heavenly Shamash took counsel together, and Anu said to Enlil, ‘Because they have killed the Bull of Heaven, and because
People of the ancient world often had questions about their existence and how life and people came to be on earth. Most ancient people answered these questions through religion. The Sumerians were the first important group of people to inhabit Mesopotamia and they were known to practice a form of worship called polytheism, which is the worship of several gods. Mesopotamians associated different gods with natural events, emotions, and other occurrences. Their main deities included An (the god of the heavens), Enlil (Lord Storm), Enki (god of wisdom), and Nihursaga (the mother of all living things)(p.22). The Mesopotamians believed that the gods controlled all of the events and occurrences in life. An ancient text called “Creation of Man by the Mother Goddess” (p.34) helps us understand how the M...
Thesis statement: In this research, I will investigate the basic concepts of the Egyptian mythology and its gods.
In this paper I will discuss three similarities and four differences between Enuma Elish-The Epic of Creation (King,1902) and Genesis 1:1-3:24 as described by Michael Fishbane (Fishbane, 1979). These writings are selected to describe the story of creation of the earth and the inhabitants of the earth. However, each author has a very different view and way of explaining what they have interpreted the sacred texts to mean.