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Qing dynasty introduction
Chapter 14 the ming and qing dynasties world history
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Study of the Qing dynasty from Dream of the Red Chamber
Dream of the Red Chamber (Chinese: 红楼梦), also named as The Story of the Stone (Chinese:石头记) is a masterpiece of Chinese vernacular literature and one of Chinese Four Great Classical Novels. The novel was written around 1749 C.E to 1759C.E during the Qing Dynasty. The book was originally written by Cao Xue Qin and then continued and finished by another Chinese writer, Gao E. This is not only a great literature, but also could be considered as an encyclopedia with a rich content. In this essay, we will first discuss the background of the author and then focus on two main aspects: the corruption and savageness of feudal society and people’s
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Most people in the book are somehow influenced by the feudal rules. Although from the earliest age of China, people were living under the feudal society, that kind of feudal thoughts are actually aggravated during Min and Qing Dynasty. The book criticizes the feudal system through the two main characters, Jia Baoyu and Lin Daiyu. Since Baoyu is the grandson of the most important person at Jia’s family, who in charge of Jia’s family, Baoyu was born with a high expectation. He grows up under the care of a group of naive maid, which has influenced him being more wild and free. He knows clearly what to love and what to hate. Daiyu has quite background with Baoyu. She moves into Jia’s mansion after her parents’ death. Although her grandmother, which is also Baoyu’s grandmother being nice to her, she still could feel the home when live in the mansion. She observes the hierarchy and the complexity of the family. However, even though she tends to watch her steps in the family, it does never stop her hate on the feudal rules. She and Baoyu are the two characters challenge the feudal society. Xue Baochai is one figure innocently poisoned and bounded by the feudal ethical code. She is good at hiding her actual thoughts and acting like an obedient woman. She is the type the elder people like. A good example is Baochai persuading Daiyu not to read “unnecessary books”. She says, “ Reading is not the thing we girls need to do. It might be better if we do not know how to read and write… What we are supposed to do is the needlework.” In this case, the “unnecessary books” are the books, which tell story about a woman breaks the feudal boundary and pursue their love, such as The Story of the Western Wing (Xixiangji) . According to Baochai, it is not a right thing to be against the elders’ will. These all revels that women’s thoughts had been constrained and many women had been
“The Death of Woman Wang”, written by Chinese historian Jonathan Spence, is a book recounting the harsh realities facing citizens of Tancheng country, Shandong Province, Qing controlled China in the late 17th century. Using various primary sources, Spence describes some of the hardships and sorrow that the people of Tancheng faced. From natural disasters, poor leadership, banditry, and invasions, the citizens of Tancheng struggled to survive in a devastated and changing world around them. On its own, “Woman Wang” is an insightful snapshot of one of the worst-off counties in imperial Qing China, however when taking a step back and weaving in an understanding of long held Chinese traditions, there is a greater understanding what happened in
Some of the more fascinating documents of the Han period in ancient China were arguably those written by women. The writings were at once contradictory due to the fact that they appeared to destroy the common perceptions of women as uneducated and subservient creatures while simultaneously delivering messages through the texts that demonstrated a strict adherence to traditional values. Those are the paradoxical characteristics of prominent female scholar Ban Zhou’s work called Lesson for a Woman. Because modern opinions on the roles of women in society likely cloud the clear analysis of Zhou’s work, it is necessary to closely examine the Han’s societal norms and popular beliefs that contributed to establishing the author’s perspective and intent.
P’u shamelessly addresses the fact that despite preaching honor and virtue, the nobility were the most lawless, yet only an idealized account would be recorded in history, as has always been. The author mocks this relinquishment in his own stories, as the moral is driven to immorality as rebels receive little to no punishment for their flagrant abuse of others and adultery against virtue. He describes the turmoil as “the ways that misery spawned recklessness and sudden, unreasoning violence that were almost impossible to deal with” (Spence 79). Laws themselves proved to be as wicked and depraved as their creators. For example, a horrific clause even encouraged men to take advantage of widows for profit. While the peasant class resisted their struggled by simply trying to survive, the upper nobility fought their problems by making the existence of those below them harder to bear. Enforced laws were done so with no due process, yet were made flexible by their own creators. Therefore, Spence exhibited the lawlessness and the government and its constant effort to contain this disorder. By hand-selecting the sources and settling on rural China, Spence felt the format effectively depicted his purpose. He effectively detailed history in relation to the average person of 17th century China and created a personal perspective that imbued the historical events with meaning. He most fully and accurately captures the greed, vision of morals, unaltered by elite preference and ironically one can draw parallels to our modern times. His purpose results in a richness of detail seldom observed in Chinese history. The principles of the time are captured through the poverty within the peasant class as every moment of their lives was set forth
In the patriarchal, Confucian influenced, Han dynasty, a woman’s role and social status was far from equal to that of a man. In Ban Zhao’s work Lessons for a woman she depicted the role of a woman, as a lower-class member of society. Hidden beneath the stereotypes of what a woman was supposed to be, Ban Zhao was a rarity of her time as she excelled as a historian and teacher.
The Cultural Revolution in China was led by Mao Zedong, due to this Liang and many others faced overwhelming obstacles in many aspects of their life such as work, family and everyday encounters, if affected everyone’s families life and education, Liang lets us experience his everyday struggles during this era, where the government determined almost every aspect of life. The beginning of the book starts out with Liang’s typical life, which seems normal, he has a family which consists of three children, two older sisters and him the youngest, his two sister’s reside in Changsha 1. his father has an everyday occupation working as a journalist at a local newspaper. Things start to take a turn early in life for Liang Heng, his family politics were always questioned, the mistake made by one of his family members would impact his entire family and it would be something they would have to suffer through, it was impossible for them to live down such a sin.... ...
There is no better way to learn about China's communist revolution than to live it through the eyes of an innocent child whose experiences were based on the author's first-hand experience. Readers learn how every aspect of an individual's life was changed, mostly for the worst during this time. You will also learn why and how Chairman Mao launched the revolution initially, to maintain the communist system he worked hard to create in the 1950's. As the story of Ling unfolded, I realized how it boiled down to people's struggle for existence and survival during Mao's reign, and how lucky we are to have freedom and justice in the United States; values no one should ever take for
Feng Menglong continues to illustrate the concept of love in his short story or poem “Du Tenth Sinks the Jewel Box in Anger,” where money is given for exchange of a deep feeling for love. Money and the quantification of Human Relations in terms of silver coins in Feng Menglong's story, Chinese literature, is the profound work generated during the era of Yuan and Ming dynasties of creative narrative. In addition, throughout this spell, popularity of the vernacular narrative outstandingly cannot be overemphasized. As contrasted with the high degree of complex and conventional long-established fiction, vernacular narratives were build with a lot of flexibility and thus could well portray the amazing and sometimes sleazy literature of the Chinese life and cultural aspects of the ages, such as monetization of human relationships that came as a result of Ming dynasty's unparalleled success.
Regardless, this way of thinking provides incentive for Lessons for Women, and is ultimately the foundation of the work. She projects these same ideals onto her own son, who she claims she is worried will ultimately disappoint her, despite the commendations of nobility he has acquired. Yet, now that he is a man, she feels that is not her place; instead worrying for her daughters. Ban Zhao reveals herself to be terminally ill, the origin of her concern, and leaves this document to her daughters as guidelines for living. I found it interesting that such a personal, heartfelt piece of work would ultimately become the standard for women in Confucianism.
She is an aristocratic woman from the Hans empire who believes women should follow their duties set by society. One of a woman’s responsibilities is to be respectful. Zhao wrote, “Let her bear contempt; let her even endure when others speak or do evil to her.” Women are required to be respectful even if a man is doing or saying evil things. Zhao essay also discusses how women are subservient to men. She states, “They only know that wives must be controlled and that the husband 's authority must be maintained.” Men are supposed to control women and it is the woman’s responsibility to follow his orders. Lastly, she discusses womanly behaviors. She says the four womanly behaviors are “… womanly virtue, womanly speech, womanly appearance, and womanly work.” Women are required to be modest, use appropriate language, to maintain personal hygiene in order to look “womanly” and to make clothes or prepare
The early part of the novel shows women’s place in Chinese culture. Women had no say or position in society. They were viewed as objects, and were used as concubines and treated with disparagement in society. The status of women’s social rank in the 20th century in China is a definite positive change. As the development of Communism continued, women were allowed to be involved in not only protests, but attended universities and more opportunities outside “house” work. Communism established gender equality and legimated free marriage, instead of concunbinage. Mao’s slogan, “Women hold half of the sky”, became extremely popular. Women did almost any job a man performed. Women were victims by being compared to objects and treated as sex slaves. This was compared to the human acts right, because it was an issue of inhumane treatment.
Kingston uses the story of her aunt to show the gender roles in China. Women had to take and respect gender roles that they were given. Women roles they had to follow were getting married, obey men, be a mother, and provide food. Women had to get married. Kingston states, “When the family found a young man in the next village to be her husband…she would be the first wife, an advantage secure now” (623). This quote shows how women had to get married, which is a role women in China had to follow. Moreover, marriage is a very important step in women lives. The marriage of a couple in the village where Kingston’s aunt lived was very important because any thing an individual would do would affect the village and create social disorder. Men dominated women physically and mentally. In paragraph eighteen, “they both gav...
While traditional Confucianism plays a large role in the problems faced by the Kao family, it is the combination of both Confucianism and modernization that brings the family to its knees. Chueh-hsin is a huge factor in the novel for many reasons. It is because of him that his little brothers Chueh-min and Chueh-hui realize how unfair the old system of arranged marriage was. They witnessed their older brother Chueh-hsin go along with tradition and release a lake of tears over the years because of his willingness to let his elders determine his future instead of himself. Chueh-hsin was in constant reflection of what he should have done to save his happiness and the joy of the woman he loved, Mei. In the end Mei is so overwhelmed with unhappiness that she stops treating herself well, gives up in life and withers away and dies.
I am not in agreement with the complier's opinion on the Story of Ying-ying when stating "Both lovers are acting roles that never quite fit them". I do see both error and fault within the role played by Chang. However, I think that Ying-ying's role suited her perfectly in all aspects. Ying-ying was a virtuous and beautiful young women that derived from a prominent lineage. Although, Chang was a easy route to a socially acceptable marriage, Ying-ying chose to express her free will and disapproval of Chang the very first time they met. Ying-ying was rightfully skeptical and critical in response to Chang's poem because she was unsure of his intentions. She did not want to feel as if her love was a payment of debt, in exchange of him saving her family from rioting soldiers. Ying-ying was only seventeen, which means she was more than likely inexperienced with men. Her immaturity
Disloyalty of Mrs. Cai seems to be the downfall of her righteously loyal daughter-in-law. During this section, we can see how loyal Duo E, is in respect to her dead husband, but also, Chinese culture beliefs. She states that some women are disloyal. “The women today are
...ith Jing Mei and her mother, it is compounded by the fact that there are dual nationalities involved as well. Not only did the mother’s good intentions bring about failure and disappointment from Jing Mei, but rooted in her mother’s culture was the belief that children are to be obedient and give respect to their elders. "Only two kinds of daughters.....those who are obedient and those who follow their own mind!" (Tan1) is the comment made by her mother when Jing Mei refuses to continue with piano lessons. In the end, this story shows that not only is the mother-daughter relationship intricately complex but is made even more so with cultural and generational differences added to the mix.