The film Cruel Intentions is a narration based on a bet between two step-siblings exploring society’s sexual boundaries. We are first introduced to Sebastian, a fifth year high school Senior with no respect for anyone/ thing except his own reputation of sexual conquest. His stepsister Kathryn is, well, as she puts it “I'm the Marsha fucking Brady of the Upper East Side”. A quick summary, Sebastian wants to have sex with Annette, the new head master’s daughter who wrote a manifesto on why she intends to wait until marriage. Kathryn makes a bet with he that he won’t be able to, and spends the rest of the movie trying to corrupt innocent little Cecile who is her ex’s new infatuation. Cecile is in love with the cello teacher of a different race, but through Kathryn’s temptation is learning the arts of sex from Sebastian. There is a trip up in the end for Sebastian falls in love with Annette which doesn’t go over too well with Kathryn and they all bite the dust in the end, (except for maybe Cecile).
Concerning issues learned in class, the film corners in on three particular topics that accurately convey the textual evidence we were presented with. The first is dealing with gender differences and sexual motivation, the different reasons men and women have sex. Communication and sex is also portrayed, who does one talk to about sex. And finally, the film hints at an open double standard declaring it does still exist.
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The values and rules of traditional community add great pressure on an individual 's shoulder while choosing their identity. While women 's have relatively more freedom then before but however values of traditional communities creates an invisible fence between their choices. It put the young women in a disconcerting situation about their sexual freedom. Bell demonstrates the how the contradiction messages are delivered to the young woman 's, she writes that “Their peers, television shows such as Sex and the City, and movies seem to encourage sexual experimentation... But at the same time, books, such as Unhooked and A Return to Modesty advise them to return to courtship practices from the early 1900s”(27).
Her addiction to cocaine has been revealed. The use of drugs is a common issue in today’s modern movies, and that is one of the reasons Cruel Intentions is different in terms of its cultural context. Cecile and Annette (Tourvel) worked together to produce copies of Sebastian’s journal, which revealed Catherine’s true self, and they handed them out to the student body and faculty.... ... middle of paper ...
Almost everybody feels a sense of alienation or isolation at some point in their life. Maybe it was when you were a young kid at a playground in school, being left out of activities. Or maybe this feeling is being experienced by an adult who is having economical or social issues. Whatever the source is for these feelings, it is not a pleasant one, and one we tend to try and avoid as much as possible in life. In the two stories I’ll be discussing, “ The Yellow Wallpaper” by Charlotte Perkins Gilman, and “Desiree’s Baby” by Kate Chopin, there are two characters who experience feelings of alienation, isolation and oppression quite heavily. The effects of alienation and oppression are hindering to women’s independence and well-being. This is seen in the situations of two women we are going to be focusing on for this paper. Alienation and oppression can hinder the well-being and happiness of the individual experiencing it. It can also have long lasting psychological effects and cultural effects as you’ll see in this research paper.
...ith several characters throughout the film. This particular definition of what it is to be a man is presented to the public in the form of media. It is possible that this film could serve as a guide for how young men of the past, present, or even future should behave in order to be considered a man. In this film, the femme fatale sexuality is censored, but the ideals that acting violently towards people who are homosexual, constantly fulfilling a need to achieve dominance through aggressive and violence behavior is the cultural norm of what it is to be a man. This film demonstrates people acceptance of this behavior and acts as propaganda.
Alongside Moore’s use of V as the main character in V for Vendetta, Moore uses a Guy Fawkes mask to disguise V’s identity. Throughout the novel, this Guy Fawkes mask becomes a symbol of rebellion against tyranny. Moore includes a crucial quote in V for Vendetta that shows his intention for the Guy Fawkes mask to exist as a major symbol throughout the novel. Moore states, “Behind this mask there is more than just flesh. Beneath this mask there is an idea... and ideas are bulletproof” (Moore 83). This quote speaks volumes about Moore’s idea to use this mask to help set the stage for what is to come by the main character, V.
1990s, when the film was produced, the idea of alternative sexuality carried a still somewhat negative connotation in society, especially within many conservative “family” ...
"The Story of an Hour," published in 1894, highlights woman self-assertion when the protagonist, Louise Mallard, rejoices after hearing of her husband's death. Unlike most women may have reacted, Mrs. Mallard does not hear the story of her husband's death "with a paralyzed inability to accept its significance," implying that her relationship with her husband was troubled. After all, she is not shocked at the prospect of being alone. On the contrary, she is jubilant once she realizes that she no longer has a husband to impose on her (Hicks). She envisions "a long procession of years that would belong to her absolutely." No longer would she have to sacrifice for her husband. She is "free, free, free!"
Juror #1 originally thought that the boy was guilty. He was convinced that the evidence was concrete enough to convict the boy. He continued to think this until the jury voted the first time and saw that one of the jurors thought that the boy was innocent. Then throughout the movie, all of the jurors were slowly convinced that the boy was no guilty.
In “The Story of an Hour” by Kate Chopin, she introduces the characters by stating that Mrs. Mallard has a heart disease, so Richards, Mr. Mallard's friend, and Josephine, Mrs. Mallard's sister must break the news to her very carefully. When she hears the news, she weeps “with wild abandonment” at first, and when she has stopped crying, she goes up to her room and locks herself in. While she has a feeling of deep sadness, the positive imagery in the open window in her room shows the beauty in life, greatly contrasting her current emotions towards her husband's death. After seeing this, she slowly has an epiphany and gets a new, sweeter feeling, which she reveals as freedom. She knew she would weep again at his funeral, but she could now live
The theme of both works are fairly similar in the sense that the theme is that women are viewed as inferior compared to the man. They both depict Mrs.Wright being pushed to her limit after several extensive years of neglect and abuse by her husband. This is pointed out by Mrs.Peters when she says ¨ A person gets discouraged and loses a heart¨ (¨Jury of Her peers¨ 8).They also portray the lack equality
Entrails torn from the body with bare hands, eyes gouged out with razor blades, battery cables, rats borrowing inside the human body, power drills to the face, cannibalism, credit cards, business cards, Dorsia, Testoni, Armani, Wall Street; all of these things are Patrick Bateman’s world. The only difference between Bateman and anybody else is what is repulsive to Bateman and what is repulsive to the rest of the world. Bateman has great interest in the upper class life, fashions, and social existence, but at the same time he is, at times, sickened by the constant struggle to be one up on everybody else. On the other hand Bateman’s nightlife reveals a side of him never seen during the day. Bateman is relaxed, impulsive, and confident while torturing and killing. He doesn’t have to worry about being better than anyone else. The only competition he has is his last victim. Torture and murder are the two true loves of Patrick Bateman.
Focusing on the episodes at hand, an emphasis will be placed on the dialogue for the given characters. What key words or lines stand out or allude to a particular character’s sex life? Examination of the character’s body language will be conducted to see if this reveals anything about their sexual arousal. Do they present actions that allude to them feeling sexual? Following up on that, examining the insight will be gained from analyzing the tone of scenes where sex is being discussed or alluded to. What are the characters connotatively trying to convey? What is being emphasized and what is not being emphasized? Are the four main characters perceived as having the power pertaining to sex? Lastly, the paper will analyze how the characters react
“The Story of an Hour” was written in 1897. While less common, this was still an era where women were still often forced into arranged marriages. Many clues in this story suggest that Mr. and Mrs. Mallard were an arranged marriage. After all, why would you marry someone you only love “sometimes”? There are not many situations in which a person could be happy that anyone- much less their spouse is dead. Obviously, there was something within the marriage making Mrs. Mallard so unhappy with it. Something that was making her unhappy enough to go so far as to celebrate Mr. Mallards death. Was it due to unknown abuses? A secret affair with someone else? There is an endless amount of possibilities that could have driven Mrs. Mallard to her irrational
The wallpaper also represents her lack of power. She creeps by day and stays still by the moonlight. She animates herself through the wallpaper, because she ‘creeps’ when John is away treating people, and is still by night when he is home, because he would see her and not approve of her actions. The woman does all she can do to tear off the paper, and in the end, ends up becoming one with the paper. It seemed when the wife focused more and more on the wallpaper, her condition continued to develop. Patterns started to develop in the wallpaper when she stared at it for a long time, and she started to see shapes and shadows in it. She saw bars, which made the room her literal prison, and she saw the shadows which could be the way that the woman depicted herself in this time, as a shadow of her former self: Before the baby, before the illness, when she was healthy. Both of these stories are symbolically women crying out for acceptance as equal members in
The setting in “The Story of An Hour” was heavily influenced by the time in which the story was written. It was written in 1894, this was a time that women lacked the power or “say so” in their marriages.