Wait a second!
More handpicked essays just for you.
More handpicked essays just for you.
Women Portrayed through Media
Gender stereotypes in entertainment media
Women Portrayed through Media
Don’t take our word for it - see why 10 million students trust us with their essay needs.
Recommended: Women Portrayed through Media
Focusing on the episodes at hand, an emphasis will be placed on the dialogue for the given characters. What key words or lines stand out or allude to a particular character’s sex life? Examination of the character’s body language will be conducted to see if this reveals anything about their sexual arousal. Do they present actions that allude to them feeling sexual? Following up on that, examining the insight will be gained from analyzing the tone of scenes where sex is being discussed or alluded to. What are the characters connotatively trying to convey? What is being emphasized and what is not being emphasized? Are the four main characters perceived as having the power pertaining to sex? Lastly, the paper will analyze how the characters react …show more content…
All three episodes examined displayed 4 women, over the age of 50, living vibrant lives after marriage and experiencing sexual encounters. These three episodes all confronted the dominant ideology, presented by the media, that women over the age of 50 are not sexual beings. They talked about sex. They joked about sex. They chased sex. And most importantly, they had sex. Surprisingly, through the analysis, the episodes depicted they women as feminists even if it were not explicitly said. These women were not the object of any man. Well, men wanted them, but it was they who became the active person and it was the men who were shown as passive. Mulvey (270) writes that the “male gaze projects its phantasy on to the female figure” and the dominant ideology depicts that to be true. The series flipped that notion on its head and it was these 4 female characters were the ones who placed a gaze onto men and projected their fantasies. The women were in control. Expanding on this study, attention and analyzation could be focused on episodes that do not feature a plot central to a sexual theme or one of the characters dealing with a relationship with a male. In these episodes, is the topic of sex still heavily present? Also, to expand the study, episodes where the series tackles serious issues could be looked at. In these episodes, are the women presented as objects as less sexual or do they conform more to the dominant ideology? Those are at least two areas to analyze and see if the study would present any new changes. In accordance with this study, the series did not conform to ageist dominant ideology but instead challenged it in order to showcase feminist women in the face of
Sex and Gender was the subject of the two movies Dreamworlds 3 and Further Off The Straight & Narrow. In Dreamworlds 3 Sex is portrayed as a status of life and happiness in the media. This media displays people as objects that can be manipulated for sexual pleasure. As the media is populated with sex it tiptoes around gender, specifically that of gays or lesbians. The film Further Off The Straight & Narrow emphasized the movement through media gay and lesbian topics. This text analyzes iconic television programs and how they reflect the societal stance during that time. As a member of a generation that has had the topic of these issues prominent I believe they are important but are banal. In this reflection I will be responding to two questions, what would woman driven Dreamworlds look like? And Do you agree with the statement that if you are not on television you don’t exist?
Through television and movies, the fundamental mediums of promoting the ideas of sexual immorality, the secular ideals of popular culture are spread.Sexual natured television, such as shows like Desperate Housewives and movies such as Unfaithful, explore the world of adultery. These portrayals of common people committing these acts of indecency are more than just simple fiction stories, influencing ...
I chose to analyze the sitcom That 70’s Show, a show that follows the lives of a group of teenage friends: Jackie, Donna, Hyde, Kelso, Eric, and Fez. The show addresses several social issues of the 1970s, including: sexism, sexual attitudes, drug use, politics, and the recession. I selected certain episodes from Season One based on their titles and descriptions; ones I thought may deal with sexism more in-depth than other episodes.
The quality of graphic language and depictions of sexuality help to develop the narrative and develop the characters.
Today, love, sex and romance are three main topics that presented in media as main themes discuss in contemporary popular culture. Social media is important in shaping audience value about feminism through the framework of contemporary media like films, magazines, plays, advertisements, TV shows, graphic novels, etc. The television show “Sex and the City” incorporates “pop feminism” that influences many lives of women. Sex and the City is originally talking about four single thirty-something women living in Manhattan. They are coming to New York in order to seek “love and labels” (Sex and the City). The main theme of Sex and the City is concentrating on contemporary American woman’s conception of sex, love, and romance. As we learned from lecture, sex, love, and romance have a history; they are different in different cultures; they are shaped by gender, class, race, ethnicity, nation, ability, and other differences (Lecture Notes). Sex and the City is focusing on modern American woman’s experiences and their thinks with sex, love, and romance. The four main women characters in Sex and the City represent diversity of gender, class, race, ethnicity, religion, age, able-bodiedness through their different experience and expectations of their life (Lecture Notes). Sex and the City represents that the feminism notions of sex, love, and romance are socially constructed, and this social construction of sex, love and romance are featured in these female characters’ personalities.
Using the movie Love Jones I will talk about the characteristics of male/male and female/female relationship as they are portrayed in the film. Then I will talk about how different the female/male relationship is and focus primarily on their communication styles. There is some harsh vocabulary included in my essay but only in quotations that I have taken from the movie itself to communicate what was going on in the scenes I have chose to talk about.
In summary, the story presents with a unique and refreshing voice. The idea of embarking on a sexual odyssey has merit, but the motivation for this odyssey is not well understood. The second act feels too repetitive and lacks sufficient tension. The script relies too much on dialogue and lacks sufficient visual storytelling. The characters need to feel more realistic and dimensional. The story would benefit from a stronger sense of tension rising. Some dialogue and scenes need clarification.
These movies allowed female characters to embody all the contradictions that could make them a woman. They were portrayed as the “femme fatale” and also “mother,” the “seductress” and at the same time the “saint,” (Newsom, 2011). Female characters were multi-faceted during this time and had much more complexity and interesting qualities than in the movies we watch today. Today, only 16% of protagonists in movies are female, and the portrayal of these women is one of sexualization and dependence rather than complexity (Newsom, 2011).
Led by Laura Mulvey, feminist film critics have discussed the difficulty presented to female spectators by the controlling male gaze and narrative generally found in mainstream film, creating for female spectators a position that forces them into limited choices: "bisexual" identification with active male characters; identification with the passive, often victimized, female characters; or on occasion, identification with a "masculinized" active female character, who is generally punished for her unhealthy behavior. Before discussing recent improvements, it is important to note that a group of Classic Hollywood films regularly offered female spectators positive, female characters who were active in controlling narrative, gazing and desiring: the screwball comedy.
Today, pornography has different targeted audiences based on various categories of pornography. There are pornographies made that are targeted toward women in which are slow and focused more on the people’s language rather than solely genitally focused. Most pornographies, however, are made specifically for men. These videos contain a large focus on the genitals, the men are portrayed as dominant, and the women please the men taking any measures necessary. According to a study, pornography that was intended for men and women aroused the men who were being studied. Women on the other hand, activated negative affects after watching the pornography intended for men and positive after watching the pornography intended for women (Mosher, 1994). In general, men are the main target of pornographies and women as well as feminists believe that pornography should not characterize women as objects. Also when making this study, it was difficult to find pornography that was made by women, majority of the videos are made by men and produced for
Sex has always been a controversial matter in American society. Before the 1980’s, those that openly articulated their views about sex were thought of as promiscuous and perverse, unless they were male. Perhaps, that is why the aura of Madonna stirred raving controversy across America. Fiske notes that her image was not a “model meaning for young girls in patriarchy, but a site of semiotic struggle between the forces of patriarchal control and feminine resistance, of capitalism and the subordinate, of the adult and the young (Fiske 282).” Never before had a woman presented herself so provocatively yet so comfortably.
What distinguishes it from the shows we are already watching and would make Masters of Sex worth a discussion? I argue that 1) since the show is made by a female show runner, it offers a female and feminist perspective on masculinity as incarnated by the difficult man that is Bill Masters; 2) it would lead to a discussion about American puritanism in relation to sexuality as depicted in the show; 3) masculinity, as exemplified in Masters of Sex, will be redefined with regard to the contemporary understanding of family and fatherhood, as well as gender, sex, and
In both scenarios, these characters illustrated a specific type of flaunting, which that they present their romantic homosexuality as the most vital element of their lives. When characters are
This essay discusses the role television soap operas have in generating discussion about the issues of gendered identity and sexuality. It is based on the study conducted by Chris Baker and Julie Andre, who argue that because soap operas draw huge audiences and centre on the sphere of interpersonal relationships and sexual identity, the talk generated from them will reflect such aspects (Andre and Barker 21). The discussions generated from the study show examples of working through, gender differences, and add evidence to the ‘active audience’ concept discussed in early media audience studies and research, as opposed to research that proposes a ‘media effects’ orientated argument.
HBO's Sex and the City has become a cultural icon in its 6 seasons of running. Based on Candace Bushnell's racy book Sex and the City, the show exhibits an unprecedented example of the sexual prowess of women over the age of 35. The result is an immense viewing audience and an evolving view on the "old maid" stigma that a woman's chances of finding love are significantly reduced after thirty-five. In this paper, we will closely analyze the characters and themes of Sex and the City to explain the significance of what the show represents in American culture.