Critical Analysis of Lawrence of Arabia

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Critical Analysis of Lawrence of Arabia 'Lawrence of Arabia' is a three hour film written by David Lean. It was produced in 1962 by Sam Spiegel. The film tells the story of a young, risk-taking scholar, Lawrence, who helped the British win the war, in which the Arab tribe kicked the Turks out of Arabia, by using his initiative with the great Arab tribe leader. The film unusually starts with the end, Lawrence's motorcycle crash in 1935. It then cuts to 1915, when Lawrence worked at an office in Kiro. The film starts with an overhead shot of the main character, Lawrence, on his motor bike. This appears like the 'eye of God'. As soon as the credit sequence finishes, there is an ominous change in music, which signifies change in situation. The music switches from classical to the roaring sound of the motorbikes engine. There is a close-up shot of the engine on the motorbike to show the power that will kill him. As he travels along, there are ominous road works and road signs, which come into camera shot, e.g., danger, these build up tension that something bad is going to happen. The motorbike speeds up and the sound of the engine gets louder as does the howling of the wind, this again build up tension. The fact that Lawrenceis not wearing a helmet shows that he is a risk-taker who gets a thrill out of danger. This gives the impression that anything can happen, which draws the audience in. Suddenly, the sound of the engine cuts and all that is heard is the sound of screeching breaks. This waling screech keeps the audience gripped until Lawrence crashes off the side of the road. Rather than show the body mangled, the audience is shown a shot of an autumnal branch with goggles hanging from it against a blue sky. This is a very poetic image chosen by the director. The director chose to create a very poetic image rather than a mangled body to inform the audience of his death in a graceful way.

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